Cassie Barrett, a renowned anthropologist, and Alex Rivers, one of Hollywood's hottest actors, met on the set of a motion picture in Africa. They shared childhood tales, toasted the future, and declared their love in a fairy-tale wedding. But when they return to California, something alters the picture of their perfect marriage. A frightening pattern is taking shape—a cycle of hurt, denial, and promises, thinly veiled by glamour. Torn between fear and something that resembles love, Cassie wrestles with questions she never dreamed she would face: How can she leave? Then again, how can she stay?

    His wife, Joan, vaults between denial and rage as the community she loved turns on her. Their daughter, Sadie, a popular over-achieving high school senior, becomes a social pariah. Their son, Andrew, assists in his father’s defense, while wrestling with his own unhappy memories of his teen years. A local author tries to exploit their story, while an unlikely men’s rights activist attempts to get Sadie onside their cause. With George locked up, how do the members of his family pick up the pieces and keep living their lives? How do they defend someone they love while wrestling with the possibility of his guilt?With exquisite emotional precision, award-winning author Zoe Whittall explores issues of loyalty, truth, and the meaning of happiness through the lens of an all-American family on the brink of collapse.

    Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever. With his own leather mini-skirt and a makeup bag that closes with Velcro, the young “Cherry Vanilla” embarks on a journey through the Appalachian wilds, dining on transcendental cuisine, supplicating to the mystical Jackalope, encountering the most terrifying of pimps, walking on water, being venerated as an innocent girl saint—and then being denounced as the devil. By turns exhilarating and shocking, magical and realistic, Sarah brings urgency, wit, and imagination to an unknown and unforgettable world.

    Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).[source wiki}

    In places the palimpsest is so heavily worked that the letters feel like braille. I like to keep my body rolled away from prying eyes, never unfold too much, tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    N. Dyer, whose novel Ampersand stands as a classic of American teenage angst. But as Andrew Newbold Dyer delivers the eulogy for his oldest friend, he suffers a breakdown over the life he’s led and the people he’s hurt and the novel that will forever endure as his legacy. He must gather his three sons for the first time in many years—before it’s too late. So begins a wild, transformative, heartbreaking week, as witnessed by Philip Topping, who, like his late father, finds himself caught up in the swirl of the Dyer family. First there’s son Richard, a struggling screenwriter and father, returning from self-imposed exile in California. In the middle lingers Jamie, settled in Brooklyn after his twenty-year mission of making documentaries about human suffering. And last is Andy, the half brother whose mysterious birth tore the Dyers apart seventeen years ago, now in New York on spring break, determined to lose his virginity before returning to the prestigious New England boarding school that inspired Ampersand. But only when the real purpose of this reunion comes to light do these sons realize just how much is at stake, not only for their father but for themselves and three generations of their family.

    But when she finds herself awake at 1:37 a.m. in a panic over the need to produce a homemade pie for her daughter's school, she has to admit her life has become unrecognizable. With panache, wisdom, and uproarious wit, I Don't Know How She Does It brilliantly dramatizes the dilemma of every working mom.

    Copperfield at a party. Two serious ladies who want to live outside of themselves, they go in search of salvation: Mrs. Copperfield visits Panama with her husband, where she finds solace among the women who live and work in its brothels; while Miss Goering becomes involved with various men. At the end the two women meet again, each changed by her experience. Mysterious, profound, anarchic and very funny, 'Two Serious Ladies' is a daring, original work that defies analysis.

    She worries about her children, her dead parents, African elephants, the bedroom rituals of “happy couples”, Weapons of Mass Destruction, and how to hatch an abandoned wood pigeon egg. Is there some trick to surviving survivalists? School shootings? Medical debts? Franks ’n’ beans?A scorching indictment of America’s barbarity, past and present, and a lament for the way we are sleepwalking into environmental disaster, Ducks, Newburyport is a heresy, a wonder—and a revolution in the novel.It’s also very, very funny.

    Rosemary begins her story in the middle. She has her reasons. “Until Fern’s expulsion...,” Rosemary says, “she was my twin, my funhouse mirror, my whirlwind other half and I loved her.” As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence.In We Are All Completely Beside Ourselves, Karen Joy Fowler weaves her most accomplished work to date—a tale of loving but fallible people whose well-intentioned actions lead to heartbreaking consequences.

    Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

    When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.

    Pagford is not what it first seems.And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations?

    Paps and Ma are from Brooklyn — he’s Puerto Rican, she’s white — and their love is a serious, dangerous thing that makes and unmakes a family many times.Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another. From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world, this beautiful novel reinvents the coming-of-age story in a way that is sly and punch-in-the-stomach powerful.Written in magical language with unforgettable images, this is a stunning exploration of the viscerally charged landscape of growing up, how deeply we are formed by our earliest bonds, and how we are ultimately propelled at escape velocity toward our futures.