Single, twenty-three, she’s living in a New York City rent-stabilized walk-up, a bird’s nest of an apartment outfitted as much by serendipity as by intent: note the three-legged bedside table, her squat hand-painted pine dresser, a splotchy framed mirror, the spindled bathroom corner shelf—all found curbside on garbage day.Her perfect older sister, Pia, lives in an endless house in Connecticut with her handsome, thick-haired husband, Will, her tween daughter, Emma, and a frothy, russet-colored Labradoodle named Root Beer. Pia is altogether Muriel’s opposite. Muriel eats takeout from the carton; Pia makes salads from the microgreens in her garden. Pia takes “me” time to pray and do yoga. She believes every word in the bible, her faith pure and unquestioning. Pia is remarkably like their mother, Lidia. Or so Lidia would have Pia believe. Muriel knows better. Years earlier she discovered the truth about her mother’s lies—not that she’ll ever tell.The story begins on an ordinary Saturday which turns out to be anything but. When Pia calls Muriel out of the blue, Muriel expects the same lecture about slimming down, toning up, highlighting her hair, getting a better job, and moving into an elevator building. Only this time it’s different. Distressingly so. Pia takes the train into the city to visit her sister and leave her with—yet another—terrible secret she is sworn to keep.

    Three cute kids. One small dog. It’s just a normal weekend. What could possibly go wrong?Sam and Clementine have a wonderful, albeit, busy life: they have two little girls, Sam has just started a new dream job, and Clementine, a cellist, is busy preparing for the audition of a lifetime. If there’s anything they can count on, it’s each other.Clementine and Erika are each other’s oldest friends. A single look between them can convey an entire conversation. But theirs is a complicated relationship, so when Erika mentions a last minute invitation to a barbecue with her neighbors, Tiffany and Vid, Clementine and Sam don’t hesitate. Having Tiffany and Vid’s larger than life personalities there will be a welcome respite.Two months later, it won’t stop raining, and Clementine and Sam can’t stop asking themselves the question: What if we hadn’t gone?In Truly Madly Guilty, Liane Moriarty takes on the foundations of our lives: marriage, sex, parenthood, and friendship. She shows how guilt can expose the fault lines in the most seemingly strong relationships, how what we don’t say can be more powerful than what we do, and how sometimes it is the most innocent of moments that can do the greatest harm.

    For Evan, who grew up in a small town in Canada, Yale is a whole new world, and Julia--blond, beautiful and rich--is part of his vision for a successful future. After they graduate in 2008, they move together to New York city, where Evan takes a job at a hedge fund--another step forward in the life he imagines for himself.Julia, who has only known a life of privilege, graduates with an art history degree and no plan for her own future. She lands a low paying assistant job at a nonprofit, unsure about what she really wants, and wondering when everyone else figured that out for themselves. With the market crashing and banks failing around him, Evan becomes involved in an increasingly high-stakes deal at work, and begins to realize that the price of privilege may come with dangerous strings attached. Meanwhile, Julia reconnects with someone from her past--someone who offers her a vision of a different kind of life.Told in alternating perspectives, The Futures is a vivid story about love--falling in and out of it--betrayal, and the burning desire to be valued.

    Now time is running out, and his life is falling apart. But he's going to put it back together again. His own way.This is a story about how far love must stretch to gather a life in pieces -- and about how a strong friendship never dies.

    Constantly battling eviction notices, tuition she can’t afford, and a sick, dependent mother, the last thing she needs is to be distracted with someone else’s complicated baggage. When she stumbles into Ryan Campbell’s creative writing class, he is only “Mr. Campbell” to her, until Ryan finds himself captivated by her writing and she is forced to face their mutual attraction. His cocky know-it-all syndrome is enough to send her running in the other direction, and his posse of female admirers and playboy reputation are enough to squander any odds in her favor. But underneath Ryan’s abrasive facade is something to behold, and she can’t stay away for long. Ryan and Kate must decide who they’re willing to become and fight against their former selves if they want to make things work. That’s if academia, vicious vixens, old skeletons, and their own mastery at self-destruction don’t pummel their efforts first.

    Some are suffused with warmth and joy, others reflect the dull ache of disappointed dreams. For thirteen-year-old Trevor Kennedy, taking photos helps him make sense of his fractured world. His father, Kurt, struggles to keep a business going while also caring for Trevor’s aging grandfather, whose hoarding has reached dangerous levels. Trevor’s mother, Elsbeth, all but ignores her son while doting on his five-year-old sister, Gracy, and pilfering useless drugstore items.  Trevor knows he can count on little Gracy’s unconditional love and his art teacher’s encouragement. None of that compensates for the bullying he has endured at school for as long as he can remember. But where Trevor once silently tolerated the jabs and name-calling, now anger surges through him in ways he’s powerless to control.  Only Crystal, a store clerk dealing with her own loss, sees the deep fissures in the Kennedy family—in the haunting photographs Trevor brings to be developed, and in the palpable distance between Elsbeth and her son. And as their lives become more intertwined, each will be pushed to the breaking point, with shattering, unforeseeable consequences.

    Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten.Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four.The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time.Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.Source: john-irving.com

    Julian’s relentless energy and his extraordinary intellect electrify her, but she’s baffled by his sudden interest. Why would this handsome British billionaire "Manhattan’s most eligible bachelor” pursue a pretty but bookish young banker who hasn’t had a boyfriend since college? The answer is beyond imagining . . . at least at first. Kate and Julian’s story may have begun not in the moneyed world of twenty-first-century Manhattan but in France during World War I, when a mysterious American woman emerged from the shadows of the Western Front to save the life of Captain Julian Laurence Ashford, a celebrated war poet and infantry officer.Now, in modern-day New York, Kate and Julian must protect themselves from the secrets of the past, and trust in a true love that transcends time and space.

    And for a while now, I've thought maybe my mother drowned in both.Anna's life is upended when her father accepts a job transfer the summer before her junior year. It's bad enough that she has to leave her friends and her life behind, but her dad is moving them to the beach where her parents first met and fell in love--a place awash in memories that Anna would just as soon leave under the surface.While life on the beach is pretty great, with ocean views and one adorable lifeguard in particular, there are also family secrets that were buried along the shore years ago. And the ebb and flow of the ocean's tide means that nothing--not the sea glass that she collects on the sand and not the truths behind Anna's mother's death--stays buried forever.

    The members of the Moore clan come together to celebrate the recent marriage of Myles and Marisa, but a dark secret from the past threatens to tear the family apart.

    They build each other up, and tear each other down. Even as polar opposites they make each other laugh more than anyone else in the world. Ruth is forever single, aimless and wild while Hannah is radiant, organised and hard working. Together, they are a force to be reckoned with.But a summer holiday changes everything, and Ruth finds herself entering a long period of self-imposed exile from the world. Searching for anonymity and facelessness, she takes a job at Heathrow airport serving coffee to a slow-motion carousel of travellers, cabin crew and taxi drivers. But when a face she recognises appears in the blur, she is forced to retrace her steps back to a time when her life had hope and meaning.A comedy about love, grief and reconciliation, Sunset is an ode to our most powerful bonds, how they build us and break us, and how, when all seems lost, we can find joy in the most unexpected places.

    You'll be hooked on these wonderfully warm characters in no time!Book one: Coming Home to the LochWhat happens when you meet the right person, at the right time, in the wrong place?Twenty-two-year-old Leana Mackenzie is looking for adventure. Full of excitement, she leaves her home in a remote Scottish village and heads for the bright city lights. In Edinburgh she meets Alasdair – a cute and charming singer/songwriter. As their relationship develops everything feels perfect. But as the sparkle of her new life begins to fade, Leana finds herself longing for her cosy home on the Isle of Skye, and the close-knit family she left behind. When Alasdair is offered the career opportunity of a lifetime, Leana is left even more confused. Now, she must choose between a high-flying life as the girlfriend of a celebrity – or returning home to her safe, predictable life.Home is where the heart is … but what happens when the heart is pulled in two different directions?Book two: The Castle by the LochSometimes the road to happiness is longer than we’d like …At fourteen, Isla Mackenzie has her life all planned out. She’s going to be an artist and marry her best friend, Logan.Logan Donnell also has a plan. When he grows up he’s going to join his dad’s business and marry his best friend, Isla.By the time they’re eighteen, the two of them are inseparable. The future looks bright. Everything feels perfect.But when tragedy strikes, fate sets the pair on a different course. While circumstances keep Logan and Isla apart, their bond is not so easily broken. The course of true love might not run smoothly but a bumpy road can still take you exactly where you’re supposed to be …Book three: Fireworks Over the LochA sleepy Scottish village is about to be woken up …With her boyfriend moving to her hometown of Lannick, Leana Mackenzie is floating on cloud nine. All she needs now is for them to find a home of their own. Alasdair’s lack of interest in house-hunting soon has her worried.For Isla and Logan, moving in together is the logical next step in their relationship. Neither of them expects living under the same roof to be so challenging. If they can’t find a way to make it work how can they possibly have a future together?Single-mother Elspeth is ecstatic about moving out of her parents’ house. When she agrees to a temporary housemate she’s comforted by the friendship that grows. But are her feelings purely platonic, or is romance in the air?As the year draws to a close, Alasdair organises a celebration that will rock the quiet village of Lannick. The New Year’s party brings everyone together for a night to remember. But when midnight strikes, the fireworks bursting over the loch aren’t the only sparks flying …Download this gorgeous collection today!

    A chef. An interior decorator. A landscape architect, as well as a gardener. I’ve been a painter. A furniture restorer. A personal shopper. A veterinarian’s assistant and sometimes the veterinarian.... An accountant, a banker, and on occasion, a broker. I’ve been a beautician. A map. A psychic. Santa Claus. The Tooth Fairy. The T.V. Guide. A movie reviewer. An angel. God....For a long time I have felt like I inadvertently got my master’s in How to Take Care of Everybody Except Yourself and then a Ph.D. in How to Pretend Like You Don’t Mind. But I do mind." Since Terry McMillan’s breakout novel Waiting to Exhale surged onto the bestseller lists, critics and readers alike have been captivated by her irreverent, hilarious, pitch-perfect tales of women’s lives and contemporary issues. With The Interruption of Everything, her sixth novel, McMillan takes on the fault lines of midlife and family life, reminds us once again of the redeeming power of friendship, and turns her eye toward the dilemma of how a woman starts to put her own needs higher on the to-do list while not shortchanging everyone else.Marilyn Grimes, wife and mother of three, has made a career of deferring her dreams to build a suburban California home and lifestyle with her husband, Leon. She troubleshoots for her grown kids, cares for her live-in mother-in-law, Arthurine (and elderly poodle, Snuffy); keeps tabs on her girlfriends Paulette and Bunny and her own aging mother and foster sister—all the while holding down a part-time job. But at forty-four, Marilyn’s got too much on her plate and nothing to feed her passion. She feels like she’s about ready to jump. She’s just not sure where.Highly entertaining, deeply human, a page-turner full of heart and soul, The Interruption of Everything is vintage Terry McMillan—and a triumphant testament to the fact that the detour is the path, and living life "by the numbers" never quite adds up.

    But a fateful misunderstanding gave Vietnam vet Caney the flashiest joke in the entire state. Twelve years later, the once-busy highway is dead and the sign is as worn as Caney, who hasn't ventured outside the diner since it opened. Then one blustery December day, a thirtyish Crow woman blows in with a three-legged dog in her arms and a long-buried secret on her mind. Hiring on as a carhop, Vena Takes Horse is soon shaking up business, the locals, and Caney's heart...as she teaches them all about generosity of spirit, love, and the possibility of promise-just like the sign says.

    But now that her marriage to a New York high society heir has fallen apart in a very public, very embarrassing fashion, a pregnant Caroline decides to escape the gossipmongers with her nine-year-old daughter and head home to her mother, Ansley. Ansley has always put her three daughters first, especially when she found out that her late husband, despite what he had always promised, left her with next to nothing. Now the proud owner of a charming waterfront design business and finally standing on her own two feet, Ansley welcomes Caroline and her brood back with open arms. But when her second daughter Sloane, whose military husband is overseas, and youngest daughter and successful actress Emerson join the fray, Ansley begins to feel like the piece of herself she had finally found might be slipping from her grasp. Even more discomfiting, when someone from her past reappears in Ansley's life, the secret she’s harbored from her daughters their entire lives might finally be forced into the open. Exploring the powerful bonds between sisters and mothers and daughters, this engaging novel is filled with Southern charm, emotional drama, and plenty of heart.