A gun is fired into a car which swerves on to the pavement, killing the person standing at a bus stop. It seems that a chilling gang initiation has cost an innocent victim their life. But the reality is far more sinister.

    As DS Morrow tries to uncover one family's secrets, she must protect her own.

    After ten years working for the murder squad in London, a traumatic event has left him grief-stricken. He’s tried to resign from his job, but his boss has persuaded him to take three months to reconsider.Ben plans to work in his uncle Ray’s boatyard, on the tiny Scilly island of Bryher where he was born, hoping to mend his shattered nerves. His plans go awry when the body of sixteen year old Laura Trescothick is found on the beach at Hell Bay. Her attacker must still be on the island because no ferries have sailed during a two-day storm.Everyone on the island is under suspicion. Dark secrets are about to resurface. And the murderer could strike again at any time.

    He leaves no clues and the police are helpless.When his name is found carved into the charred remains of the third victim, disgraced detective Washington Poe is brought back from suspension and into an investigation he wants no part of.Reluctantly partnered with the brilliant but socially awkward civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only he is meant to see. The elusive killer has a plan and for some reason Poe is part of it.As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he's ever believed about himself, Poe will learn that there are things far worse than being burned alive...

    After working with the bestselling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

    She's disturbed to discover the culprit is a raven, and tries to shoo it away. Which is when the killer strikes.DS Nathan Cody, still bearing the scars of an undercover mission that went horrifyingly wrong, is put on the case. But the police have no leads, except the body of the bird - and the victim's missing eyes.As flashbacks from his past begin to intrude, Cody realises he is battling not just a murderer, but his own inner demons too.And then the killer strikes again, and Cody realises the threat isn't to the people of Liverpool after all - it's to the police.Following the success and acclaim of the Callum Doyle novels, A Tapping at My Door is the first instalment of David Jackson's new Nathan Cody series.From the bestselling author of Cry Baby, the beginning of a brilliant and gripping police procedural series set in Liverpool, perfect for fans of Peter James and Mark Billingham"Recalls Harlan Coben - though for my money Jackson is the better writer." Guardian

    She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. 'Jess and Jason', she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Now Rachel has a chance to become a part of the lives she's only watched from afar. Now they'll see; she's much more than just the girl on the train...

    She’s locked in a bitter struggle with her ex-husband and teenage daughter, and her reckless new partner is anything but trustworthy.Still, she has a job to do: there’s a killer at large, and a pregnant woman has gone missing. Once Devlin and her partner get to work, they quickly unearth secrets involving Birmingham’s most esteemed citizens. Each new layer of the investigation brings Devlin closer to the killer and the missing woman, who starts looking more like a suspect than a victim.But just as answers come into view, the case twists, expands, and slithers into Devlin’s personal life. There’s a much more sinister game at work, one she doesn’t even know she’s playing—and she must unravel the truth once and for all to stop the killer before she loses everything.

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

    Her career with the FBI looks promising, and her wedding is on the horizon. But, she learns, all is not as it seems in suburbia. Chloe begins to see the underside—the gossip, the secrets, the lies—and she finds herself haunted by her own demons: her mother’s mysterious death when she was 10, and her father’s imprisonment. And when a fresh body is found, Chloe soon realizes that her past, and this small town, might hold the key to solving both.An emotionally wrought psychological suspense with layered characters, small-town ambiance and heart-pounding suspense, NEXT DOOR is book #1 in a riveting new series that will leave you turning pages late into the night.

    One who enabled her and her husband to carry on, when more bad things began to happen...But that woman’s husband died last week. And Jean doesn’t have to be her anymore.There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment. Now there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage. The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything…

    Morse is sure the other hitchhiker can tell him much of what he needs to know. But his confidence is shaken by the cool inscrutability of the girl he's certain was Sylvia's companion on that ill-fated September evening. Shrewd as Morse is, he's also distracted by the complex scenarios that the murder set in motion among Sylvia's girlfriends and their Oxford playmates. To grasp the painful truth, and act upon it, requires from Morse the last atom of his professional discipline.

    One girl, Rachel, is later found unharmed but unable to remember anything except that her abductor was a woman.Over thirty years later the mother of the still missing Sophie commits suicide. Superintendent Llewellyn, who was a young constable on the 1978 case, asks DI Francis Sadler and DC Connie Childs to look again at the kidnapping to see if modern police methods can discover something that the original team missed. However, Sadler is convinced that a more recent event triggered Yvonne Jenkins’s suicide.Rachel, with the help of her formidable mother and grandmother, recovered from the kidnapping and has become a family genealogist. She remembers nothing of the abduction and is concerned that, after Yvonne Jenkins’s suicide, the national media will be pursuing her for a story once more. Days later, the discovery of one of her former teachers’ strangled body suggested a chain of events is being unleashed.Rachel and the police must unpick the clues to discover what really happened all those years ago. But in doing so, they discover that the darkest secrets can be the ones closest to you.

    A big city detective. Can she unravel the gruesome trail of clues before the killer strikes again? Detective Inspector Ruth Hunter lives with the pain of her partner’s mysterious and unsolved disappearance. About to hit fifty, the veteran police officer trades in the crime-ridden streets of London for a more peaceful life in rural North Wales. But Ruth has barely settled into her new position in North Wales Police, when the body of a brutally murdered woman is discovered…with strange symbols carved into her skin. Teaming up with an obstinate deputy, Ruth struggles to eliminate anyone from a long line of suspects. When another slain victim is discovered with the same cryptic markings, she’s forced to re-think the investigation. Has Ruth got what it takes to solve the case before the murderer attacks again? The Snowdonia Killings is the first book in the DI Ruth Hunter Crime Thriller series and set against the majestic backdrop of Snowdonia, a timeless land of Arthurian legend, folklore and myth. If you like dark police procedurals, psychologically complex characters, and shocking twists, then you’ll love Simon McCleave’s pulse-pounding debut novel.

    A young woman is found naked and strangled in an alley in well-to-do St John’s Wood.The African. The neighbours would love to pin it on the enigmatic black stranger who has just moved in.The Pariah. Detective Sergeant Cathal Breen is convinced there’s more to the case than anyone wants to admit; no-one’s listening.The Outsider. In walks WPC Helen Tozer – awkward chatterbox, farmgirl, and the first woman to enter the murder unit – and gives Breen a breakthrough.A Song from Dead Lips is a crime thriller that shows the glorified sixties close-up, as it really was – comfortably sexist, racially prejudiced, class-bound and crawling with corruption.