Driven to investigate his grandfather's account of the four Mackenzie children and their monstrous family history, Ezra embarks on a horrific voyage of discovery, deception and revelation.

    Now readers can enjoy all three of Carol Shields’s short story collections – Various Miracles, The Orange Fish and Dressing Up for the Carnival – in one volume, along with the previously unpublished story, “Segue,” her last.With an eye for the smallest of telling details – a woman applying her lipstick so “the shape of pale raspberry fits perfectly the face she knows by heart” – and a willingness to explore the most fundamental relationships and the wildest of coincidences, Shields illuminates the absurdities and miracles that grace all our lives. From a couple who experiences a world without weather, to the gentle humor of an elderly widow mowing her lawn while looking back on a life of passion, to a young woman abandoned by love and clinging to a “slender handrail of hope,” Shields’s enormous sympathy for her characters permeates her fiction.Playful, charming, acutely observed and generous of spirit, this collection of stories will delight and enchant Carol Shields fans everywhere.Excerpt from The Collected Stories of Carol ShieldsLet me say it: I am an aging woman of despairing good cheer — just look into the imaginary camera lens and watch me as I make the Sunday morning transaction over the bread, then the flowers, my straw tote from our recent holiday in Jamaica, my smile, my upturned sixty-seven-year-old voice, a voice so crying-out and clad with familiarity that, in fact, I can’t hear it anymore myself, thank God; my ears are blocked. Lately everything to do with my essence has become transparent, neutral: Good morning, Jane Sexton smiles to one and all (such a friendly, down-to-earth woman). “What a perfect fall day.” “What glorious blooms!” “Why Mr. Henning, this bread is still warm! Can this be true?”From the Hardcover edition.

    Predictably, and almost immediately, his name retreated to the footnotes of history. And yet, as Wayne Johnston makes plain in his epic and affectionate fifth novel, The Colony of Unrequited Dreams, Smallwood's life was endearingly emblematic, an instance of an extraordinary man emerging at a propitious moment. The particular charm of Johnston's book, however, lies not merely in unveiling a career that so seamlessly coincided with the burgeoning self-consciousness of Newfoundland itself, but in exposing a simple truth--namely, that history is no more than the accretion of lived lives. Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock." The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson

    Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed.A powerful intergenerational family saga, The Break showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.

    Nathanael "Crybaby" Isbister was once the greatest baseball player in the world, but now he's a down-on-his-luck drifter on the road to oblivion.  That is until he wanders into a circus sideshow troupe stranded in a tiny Michigan town dominated by a hellfire-and brimstone religious sect.  The sect vows to drive the troupe out, but give them one unlikely chance to remain--the baseball game to end all baseball games.A funny, moving novel, Home Game walks the straight but delicate line between absurdity and compassion with dazzling style and expertise.

    She is working as a software engineer in an investment bank in USA. She has money ($$$$), she can afford sex outside marriage. She also has opinion on everything. She is dating various marriage prospects, will she get her dream guy?

    "They make us pay attention in new ways." In his second new and selected collection, Dunn subtly enlarges our sense of possibility. His new poems, suffused with affection and rue for our world, occasionally address the metaphysical, as in these lines—from “Talk to God”Ease into your misgivingsAsk him if in his weaknesshe was ever responsiblefor a pettiness—some weather, say,brought in to show who’s bosswhen no one seemed sufficiently movedby a sunset or the shape of an egg.Ask him if when he gave us desirehe had underestimated its power.

    A coming of age novel for today, The Age will appeal to readers of Annabel Lyon, Lisa Moore, Heather O'Neill.Set in Vancouver in 1984, as Soviet warships swarm the North Atlantic, The Age follows Gerry, a troubled teenager confronted with her single mom’s newest relationship. When she takes solace in a ragtag group of activists planning a subversive protest at the city’s upcoming peach march, her fascination with the group’s leader, and her struggle with sexual identity creates a rift between Gerry and her best friend, Ian. Bolstered by her grandfather, an eccentric ex-news anchor in the throes of a bitter divorce, Gerry tries to put herself at the centre of the protest group’s violent plot. When the demands of these complex relationship become too difficult, Gerry escapes to the role she knows best, survivor in a post-nuclear dystopia of her own creation. Gerry’s real life and fantasy life alternate and accelerate until a collision of events and consequences forces her towards life or death decisions in both worlds.Electric and engaging, with piercing observation, subversive wit, and the same fearlessness that caused a sensation amongst critics and fans of Dead Girls, The Age is at once a startling post-apocalyptic drama, a harrowing journey through adolescent recklessness and desire, and a dark portrait of a generation molded by nuclear anxiety. Its arrival confirms Nancy Lee as one of Canadian Literature’s most thrilling and compelling voices.

    In this novel America is in the grip of a deadly flu pandemic. When Frank catches the virus, his girlfriend Polly will do whatever it takes to save him—even if it means risking everything. When she finds out there’s a company that has invented time travel, she agrees to a radical contract: if she signs up for a one-way-trip into the future to work as a bonded laborer, the company will pay for the life-saving treatment Frank needs. Polly promises to meet Frank again in Galveston, Texas, where she will arrive in twelve years. But when Polly is re-routed an extra five years into the future, Frank is nowhere to be found. Alone in a transformed and divided America, with no status and no money, Polly must navigate a new life and find a way to locate Frank, to determine if he is alive, and if their love has endured.An Ocean of Minutes is a gorgeous and heartbreaking story that paints an intimate portrait of endurance and complexity of human relationships and the cost of holding onto the past—and the price of letting it go.

    Her infant son, already dead, lies on her chest still clinging to his mother.On the morning that is Patty found, she is not expected to survive but is taken to hospital where she eventually recovers. But, severely emotionally disturbed, Patty soon finds herself a patient at Hillside Asylum. There, Patty’s condition deteriorates, and the staff and doctors perform unnecessary experimental procedures on their patient.But when someone from Patty’s past learns about her incarceration, they vow to get her out. And those responsible for the abuse will be made to suffer . . .

    As her sophomore year begins, Karen enters into the back-to-school revelry--particularly at a fraternity called GBC. When she wakes up one morning on the lawn of Raghurst, a house of radical feminists, she gets a crash course in the state of feminist activism on campus. GBC is notorious, she learns, nicknamed "Gang Bang Central" and a prominent contributor to a list of date rapists compiled by female students. Despite continuing to party there and dating one of the brothers, Karen is equally seduced by the intellectual stimulation and indomitable spirit of the Raghurst women, who surprise her by wanting her as a housemate and recruiting her into the upper-level class of a charismatic feminist mythology scholar they all adore. As Karen finds herself caught between two increasingly polarized camps, ringleader housemate Dyann believes she has hit on the perfect way to expose and bring down the fraternity as a symbol of rape culture--but the war between the houses will exact a terrible price.The Red Word captures beautifully the feverish binarism of campus politics and the headlong rush of youth toward new friends, lovers, and life-altering ideas. With strains of Jeffrey Eugenides's The Marriage Plot, Alison Lurie's Truth and Consequences, and Tom Wolfe's I Am Charlotte Simmons, Sarah Henstra's debut adult novel arrives on the wings of furies.

    What happens when the man interviewing you for a job takes you on a date to see a hypnotist? How do you get rid of a psychosomatic case of bedbugs? What’s the best way to get rid of a beaver dam? How do you tell someone you just started seeing that you didn’t know you had scabies when you hooked up? In the Cuffer Prize–winning story, “Skin and Mud,” two boys have an intimate encounter as they wander through the barrens one day after school.Barrelling Forward is packed with unforgettable characters, vibrant humour, and acute insight into the overwhelming anxieties of new adults living their lives in the midst of a crumbling old economy.

    An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore.

    Fifty years later, his daughter, Anna, enters these same badlands. In her visit to the expedition site, she exposes not only the absurdity of her father's work, but also the folly of his male ambition.

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.