Sex is only a release; he's not looking for love, a relationship or even a second night with the same man, until he walks into a bar and finds someone who makes leaving it all behind impossible. After one incredibly passionate encounter, he breaks his rule and goes back. He needs to see this man again. And again.Damaged goods. That's all Reed Kincaide sees and hears when he looks in the mirror. Anxiety and ADHD define his life and he’s learned to keep people at a distance, never letting them get close enough to know who he really is. When Carter proposes a monthly weekend of sex without strings, it's the ideal arrangement for him. Or so he thinks. Every month, leaving Carter proves to be more and more difficult. It’s not only the intensely hot sex they have in their hotel suite; Reed wonders about the secret life Carter refuses to share.As months pass and they grow closer Reed finds himself falling for Carter, but he needs more than hurried hugs and farewell kisses. He wants it all. Letting Reed into his carefully constructed family life could upset Carter’s whole world, but it might be the risk he’s finally willing to take, if it means keeping Reed. Once bodies are engaged, the heart is sure to follow, and Carter and Reed discover that holding on to each other is the first step in letting go of the past.

    Plus, Jonathan Brandon Sawyer’s (Critical Hit) expressive art style reminds us of Becky Cloonan and Sean Gordon Murphy, and it’s just perfect for Welcome Back.What It Is: Mali and Tessa have lived hundreds of different lives throughout time, caught up in an eternal cycle as they take part in a war so old that neither side remembers what they’re fighting for anymore. As Mali wakes up in her newest life, she suddenly becomes self-aware and starts to question everything, especially why she continues to fight. ?But elsewhere, Tessa is already on the hunt...

    For Danielle, the game had awoken feelings within her she thought long buried--feelings that scared as much as they excited.Then came the Hawaii trip. Hundreds of miles from home, was this the opportunity to take things further than they'd ever dared? When Sandy approached Danielle at the swanky bar/lounge, full of surfer-swagger and sun-kissed good looks, the answer was clear.While Just Watch Me follows characters from the short story Rediscovering Danielle, it's written as a stand alone tale, not a sequel. Dean and Danielle need no introduction. Just be prepared for a wild ride.

    One he’s been hiding since he graduated from South Haven all-boys academy—and that secret’s name is Lucas.When a work trip takes Jackson back to his old stomping grounds, memories of the year he shared with Lucas come crashing to the surface. With growing pressure from his father to settle down and take over the family business, Jackson knows he’s on borrowed time, and sets out to find the free-spirited daredevil he once knew.But Lucas isn’t the same man he was eight years ago.One night. A shattered heart. And an endless parade of nameless faces. Lucas Sullivan is South Haven’s ultimate playboy, a reputation he’s honed since the only boy he ever loved left without a trace. To the world, he’s brash and confident, an in-demand artist who spends his days designing one-of-a-kind pieces and his nights as king of the downtown scene.Many have tried and failed to get past the barrier he’s carefully constructed, but it’s the shy, studious boy he once coaxed out of his shell who still haunts him.Maybe it was a mistake. Maybe it was lust. Or maybe…it was a little bit like love.

    How does she fit in a world without Crush?Collects issues 6 through 11.

    What could go wrong?Apollo takes on a rather odd job at a brothel as a way to make some fast cash, but when one of the male prostitutes takes an interest in him, his days of gainful employment seem numbered.A paradise of sensuality, Shangri-La is a male brothel celebrating the glories of gay sex. Newly hired Apollo is in charge of getting the men ready for clients, but as a straight man, he’s a bit naive. Phi, one of the brothel’s most sought-after prostitutes, is tasked with getting him up to speed, but not before toying with him a bit. Too bad the rules of the brothel are clear—no orgasms, no penetration, and no falling in love!

    There is no she.Two cells make up one cell. This is the mathematics behind creation. One plus one makes one. Life begets life. We are the period to a sentence, the effect to a cause, always belonging to someone. We are never our own.This is why we are so lonely.She of the Mountains is a beautifully rendered illustrated novel by Vivek Shraya, the author of the Lambda Literary Award finalist God Loves Hair. Shraya weaves a passionate, contemporary love story between a man and his body, with a re-imagining of Hindu mythology. Both narratives explore the complexities of embodiment and the damaging effects that policing gender and sexuality can have on the human heart.Illustrations are by Raymond Biesinger, whose work has appeared in such publications as The New Yorker and the New York Times.Vivek Shraya is a multimedia artist, working in the mediums of music, performance, literature, and film. Her most recent film, What I LOVE about Being QUEER, has been expanded to include an online project and book with contributions from around the world. She is also author of God Loves Hairand Even This Page Is White.

    This collection summons multiple hauntings--ghosts of matriarchs that came before, those that were slain, and those that continue to speak to us, but also those horrors women of color strive to put to rest. Ghost in a Black Girl's Throat examines the haunting feeling of facing past demons while grappling with sexism, racism, and bigotry. They are all present: ancestral ghosts, societal ghosts, and spiritual, internal hauntings. This book calls out for women to speak their truth in hopes of settling the ghosts or at least being at peace with them.