Sadie’s Jim was an ambitious young slave and seer who, when faced with the prospect of being sold, escaped down the Mississippi with a white boy named Huck Finn. Sadie is suddenly left alone, worried about her children, reviled as a witch, punished for Jim’s escape, and convinced her husband is dead. But Sadie’s will and her love for Jim animate her life and see her through.Told with spare eloquence and mirroring the true stories of countless slave women, My Jim recreates one of the most controversial characters in American literature. A nuanced critique of the great American novel, My Jim is a haunting and inspiring story about freedom, longing, and the remarkable endurance of love.Look for the Reader’s Group Guide at the back of this book.

    Money is personified in this haunting story, which chronicles its troubled history following the arrival of the Hilson and Bryant families.Tass Hilson and Emmett Till were young and in love when Emmett was brutally murdered in 1955. Anxious to escape the town, Tass marries Maximillian May and relocates to Detroit.Forty years later, after the death of her husband, Tass returns to Money and fantasy takes flesh when Emmett Till's spirit is finally released from the dank, dark waters of the Tallahatchie River. The two lovers are reunited, bringing the story to an enchanting and profound conclusion.Gathering of Waters mines the truth about Money, Mississippi, as well as the town's families, and threads their history over decades. The bare-bones realism--both disturbing and riveting--combined with a magical realm in which ghosts have the final say, is reminiscent of Toni Morrison's Beloved.

    Now comes a reissue of the best-selling debut novel that launched her remarkable career. St. Elizabeth's, a home for unwed mothers in Habit, Kentucky, usually harbors its residents for only a little while. Not so Rose Clinton, a beautiful, mysterious woman who comes to the home pregnant but not unwed, and stays. She plans to give up her child, thinking she cannot be the mother it needs. But when Cecilia is born, Rose makes a place for herself and her daughter amid St. Elizabeth's extended family of nuns and an ever-changing collection of pregnant teenage girls. Rose's past won't be kept away, though, even by St. Elizabeth's; she cannot remain untouched by what she has left behind, even as she cannot change who she has become in the leaving.

      Coming of age as a free-born Black girl in Reconstruction-era Brooklyn, Libertie Sampson was all too aware that her purposeful mother, a practicing physician, had a vision for their future together: Libertie would go to medical school and practice alongside her. But Libertie, drawn more to music than science, feels stifled by her mother’s choices and is hungry for something else—is there really only one way to have an autonomous life? And she is constantly reminded that, unlike her mother, who can pass, Libertie has skin that is too dark.When a young man from Haiti proposes to Libertie and promises she will be his equal on the island, she accepts, only to discover that she is still subordinate to him and all men. As she tries to parse what freedom actually means for a Black woman, Libertie struggles with where she might find it—for herself and for generations to come.   Inspired by the life of one of the first Black female doctors in the United States and rich with historical detail, Kaitlyn Greenidge’s new novel resonates in our times and is perfect for readers of Brit Bennett, Min Jin Lee, and Yaa Gyasi.

    Ambitious, charismatic, and beautiful, Nefertiti is destined to marry Amunhotep, an unstable young pharaoh. It is hoped by all that her strong personality will temper the young Amunhotep's heretical desire to forsake Egypt's ancient gods, overthrow the priests of Amun, and introduce a new sun god for all to worship. From the moment of her arrival in Thebes, Nefertiti is beloved by the people. Her charisma is matched only by her husband's perceived generosity: Amunhotep showers his subjects with lofty promises. The love of the commoners will not be enough, however, if the royal couple is not able to conceive an heir, and as Nefertiti turns her attention to producing a son, she fails to see that the powerful priests, along with the military, are plotting against her husband's rule. The only person wise enough to recognize the shift in political winds--and brave enough to tell the queen--is her younger sister, Mutnodjmet.Observant and contemplative, Mutnodjmet has never shared her sister's desire for power. She yearns for a quiet existence away from family duty and the intrigues of court. Her greatest hope is to share her life with the general who has won her heart. But as Nefertiti learns of the precariousness of her reign, she declares that her sister must remain at court and marry for political gain, not love. To achieve her independence, Mutnodjmet must defy her sister, the most powerful woman in Egypt, while also remaining loyal to the needs of her family. Love, betrayal, political unrest, plague, and religious conflict, Nefertiti brings ancient Egypt to life in vivid detail. Fast-paced and historically accurate, it is the dramatic story of two unforgettable women living through a remarkable period in history.

    When his master's eccentric brother chooses him to be his manservant, Wash is terrified of the cruelties he is certain await him. But Christopher Wilde, or "Titch," is a naturalist, explorer, scientist, inventor, and abolitionist. He initiates Wash into a world where a flying machine can carry a man across the sky; where two people, separated by an impossible divide, might begin to see each other as human; and where a boy born in chains can embrace a life of dignity and meaning. But when a man is killed and a bounty is placed on Wash's head, Titch abandons everything to save him. What follows is their flight along the eastern coast of America, and, finally, to a remote outpost in the Arctic, where Wash, left on his own, must invent another new life, one which will propel him further across the globe. From the sultry cane fields of the Caribbean to the frozen Far North, Washington Black tells a story of friendship and betrayal, love and redemption, of a world destroyed and made whole again--and asks the question, what is true freedom?

    A young girl suffers her first betrayal. A widow flirts with an elderly blind man against the wishes of her grown-up children. A neighborhood loan shark teaches o white social worker a lesson in responsibility. And there is more. Sharing the world of Toni Cade Bambara's "straight-up fiction" is a stunning experience.

    His struggle to find her and save them both plummets them both into the nightmare of a society violently splitting itself into white and black. Spiraling outward from the core image of a cattle killing--the Xhosa people's ritual destruction of their herd in a vain attempt to resist European domination--the novel expands its narrator's search for meaning and love into the America, Europe and South Africa of yesterday and today.

    Madu, a young African, is captured by the Elizabethan slave-trader, Sir John Hawkins. Tom Oakley is a young sailor in charge of the slaves. At first the two boys hate each other. But as the story develops their roles are reversed, and each comes to depend on the other more than either would have once thought possible.This is a fast-moving adventure story based around real historical events. History as you never learned it in school!

    My son Thomas, who is publishing this book, tells me, it is customary at this place in a novel to give the reader a little taste of the story that is held within these pages. As your storyteller, I am to convey that this tale is set in Jamaica during the last turbulent years of slavery and the early years of freedom that followed. July is a slave girl who lives upon a sugar plantation named Amity and it is her life that is the subject of this tale. She was there when the Baptist War raged in 1831, and she was present when slavery was declared no more. My son says I must convey how the story tells also of July's mama Kitty, of the negroes that worked the plantation land, of Caroline Mortimer the white woman who owned the plantation and many more persons besides - far too many for me to list here. But what befalls them all is carefully chronicled upon these pages for you to peruse. Perhaps, my son suggests, I might write that it is a thrilling journey through that time in the company of people who lived it. All this he wishes me to pen so the reader can decide if this is a novel they might care to consider. Cha, I tell my son, what fuss-fuss. Come, let them just read it for themselves.

    Lincoln's Dressmaker and Mrs. Lincoln's Rival imagines the inner life of Julia Grant, beloved as a Civil War general’s wife and the First Lady, yet who grappled with a profound and complex relationship with the slave who was her namesake—until she forged a proud identity of her own.In 1844, Missouri belle Julia Dent met dazzling horseman Lieutenant Ulysses S Grant. Four years passed before their parents permitted them to wed, and the groom’s abolitionist family refused to attend the ceremony.Since childhood, Julia owned as a slave another Julia, known as Jule. Jule guarded her mistress’s closely held twin secrets: She had perilously poor vision but was gifted with prophetic sight. So it was that Jule became Julia’s eyes to the world.And what a world it was, marked by gathering clouds of war. The Grants vowed never to be separated, but as Ulysses rose through the ranks—becoming general in chief of the Union Army—so did the stakes of their pact. During the war, Julia would travel, often in the company of Jule and the four Grant children, facing unreliable transportation and certain danger to be at her husband’s side.Yet Julia and Jule saw two different wars. While Julia spoke out for women—Union and Confederate—she continued to hold Jule as a slave behind Union lines. Upon the signing of the Emancipation Proclamation, Jule claimed her freedom and rose to prominence as a businesswoman in her own right, taking the honorary title Madame. The two women’s paths continued to cross throughout the Grants’ White House years in Washington, DC, and later in New York City, the site of Grant’s Tomb.Mrs. Grant and Madame Jule is the first novel to chronicle this singular relationship, bound by sight and shadow.

    Her husband, Richard, works for a humanitarian organization dedicated to the health and prosperity of developing countries and wants her help on an extended AIDS assignment in the Dominican Republic. But Alma begs off joining him: the publisher is breathing down her neck. She promises to work hard and follow him a bit later. The truth is that Alma is seriously sidetracked by a story she has stumbled across. It's the story of a much earlier medical do-gooder, Spaniard Francisco Xavier Balmis, who in 1803 undertook to vaccinate the populations of Spain's American colonies against smallpox. To do this, he required live "carriers" of the vaccine. Of greater interest to Alma is Isabel Sendales y Gómez, director of La Casa de Expósitos, who was asked to select twenty-two orphan boys to be the vaccine carriers. She agreed— with the stipulation that she would accompany the boys on the proposed two-year voyage. Her strength and courage inspire Alma, who finds herself becoming obsessed with the details of Isabel's adventures. This resplendent novel-within-a-novel spins the disparate tales of two remarkable women, both of whom are swept along by machismo. In depicting their confrontation of the great scourges of their respective eras, Alvarez exposes the conflict between altruism and ambition.Julia Alvarez’s new novel, Afterlife, is available now.

    Three slaves infected with Dysaethesia Aethipica (a term coined in the nineteenth century for the disease that makes Negroes run away) escape from Virginia. Not satisfied with leaving slavery halfway, one of the trio has vowed to go the whole distance to Canada; his master, Arthur Swille, determined to recover his property, pursues, hot on Raven Quickskill's trail.With his myth-bending ingenuity, Reed merges history, fantasy, political reality, and high comedy as he parodies the fugitive slave narrative: the slave-poet Quickskill flees to Canada on a nonstop jumbo jet; Abe Lincoln waltzes through slave quarters to the tune of "Hello Dolly"; the plantation mistress lies in bed watching the Beecher Hour on TV. Flight to Canada's preposterous episodes leap out from the pages of history to reveal a keen sense of America past and present.

    For speaking a few innocuous words in French to a white woman, Armstrong is killed. And the precariously balanced world and its determined people--white and black--are changed, then and forever, by the horror of poverty, the legacy of justice, and the singular gift of love's power to heal.

    But constrained by the times, instead she marries her cousin Thomas, a boat builder, and settles down to raise a family.Janet's loving spirit - the passionate yearning for adventure and for love - is passed down to her son, and through him to his children's children. As generations of the family struggle against hardship and loss, their intricately plotted history is set against the greater backdrop of war and social change in Britain.