Since then, this idea has been constantly propagated for the benefit of the international community. For many living in the vast country, however, the old Chinese adage holds true: “the mountains are high and the emperor is far away.” Few Westerners make it far beyond the major cities—the Chinese government has made it difficult to do so. David Eimer undertook a dangerous journey to China’s unexplored frontiers (it borders on fourteen other countries), to the outer reaches where Beijing's power has little influence. His chronicle shines new light on the world’s most populous nation, showing clearly that China remains in many ways a divided state. Traveling through the Islamic areas of Xinjiang province, into the forbidden zone of Tibet and across Route 219, which runs the rough boundary shared with India, the only disputed frontier in China, Eimer exposes the country’s inner conflict. All the tensions in China today—from its war against drugs and terrorism and the unstable relationships it maintains with Russia and Korea to its internal social issues—take on new meaning when seen from China’s most remote corners. A brilliant melding of journalism and history, The Emperor Far Away is essential reading for anyone interested in contemporary China.

    Years ago, when In the Heights was just starting off-Broadway, Maria got the word out to our community to support this new musical about our neighborhoods. She has been a champion of our triumphs, a critic of our detractors, and a driving force to right the wrongs our society faces. When Maria speaks, I’m ready to listen and learn.” —Lin-Manuel Miranda Emmy Award–winning journalist and anchor of NPR’s Latino USA, Maria Hinojosa, tells the story of immigration in America through her family’s experiences and decades of reporting, painting an unflinching portrait of a country in crisis.Maria Hinojosa is an award-winning journalist who has collaborated with the most respected networks and is known for bringing humanity to her reporting. In this beautifully-rendered memoir, she relates the history of US immigration policy that has brought us to where we are today, as she shares her deeply personal story. For thirty years, Maria Hinojosa has reported on stories and communities in America that often go ignored by the mainstream media. Bestselling author Julia Alvarez has called her “one of the most important, respected, and beloved cultural leaders in the Latinx community.” In Once I Was You, Maria shares her intimate experience growing up Mexican American on the south side of Chicago and documenting the existential wasteland of immigration detention camps for news outlets that often challenged her work. In these pages, she offers a personal and eye-opening account of how the rhetoric around immigration has not only long informed American attitudes toward outsiders, but also enabled willful negligence and profiteering at the expense of our country’s most vulnerable populations—charging us with the broken system we have today. This honest and heartrending memoir paints a vivid portrait of how we got here and what it means to be a survivor, a feminist, a citizen, and a journalist who owns her voice while striving for the truth. Once I Was You is an urgent call to fellow Americans to open their eyes to the immigration crisis and understand that it affects us all. Also available in Spanish as Una vez fui tú.

    Memory is dangerous in a country built to function on national amnesia. A single act of public remembrance might expose the frailty of the state's carefully constructed edifice of accepted history, one kept aloft by strict censorship, blatant falsehood, and willful forgetting. Though the consequences of Tiananmen Square are visible everywhere throughout China, what happened there has been consigned to silence. In The People's Republic of Amnesia, NPR's China correspondent Louisa Lim offers an insider's account of this seminal tragedy, revealing the enormous impact it had on China and the reverberations still felt today. Official hypocrisy and the government's obsession with maintaining stability and silence have deepened June 4th's impact on the nation's psyche. Lim interweaves portraits of eight individuals whose lives have been shaped by June 4--including the two women who started Tiananmen Mothers, one of the first and most prominent grassroots organizations outside the Chinese government's control; a student survivor involved in the protests; a soldier who took part in the suppression; and a high-ranking government administrator who played a role in ordering the tanks into the square. In the process she offers a textured, intimate, and haunting look at the national tragedy and an unhealed wound.

    Those ex-slaves were in their declining years by the time of the Great Depression, but Elizabeth Sparks, Elige Davison, and others like them nonetheless provided a priceless record of life under the yoke: where slaves lived, how they were treated, what they ate, how they worked, how they adjusted to freedom. Here, Belinda Hurmence presents the interviews of 21 former Virginia slaves. This is a companion volume to Hurmence's popular collections of North Carolina and South Carolina slave narratives, My Folks Don't Want Me to Talk About Slaveryand Before Freedom, When I Just Can Remember.

    Without you, there is no us. It is a chilling scene, but gradually Suki Kim, too, learns the tune and, without noticing, begins to hum it. It is 2011, and all universities in North Korea have been shut down for an entire year, the students sent to construction fields - except for the 270 students at Pyongyang University of Science and Technology (PUST), a walled compound where portraits of Kim Il-sung and Kim Jong-il look on impassively from the walls of every room, and where Suki has accepted a job teaching English. Over the next six months, she will eat three meals a day with her young charges and struggle to teach them to write, all under the watchful eye of the regime. Life at PUST is lonely and claustrophobic, especially for Suki, whose letters are read by censors and who must hide her notes and photographs not only from her minders but from her colleagues - evangelical Christian missionaries who don't know or choose to ignore that Suki doesn't share their faith. She is mystified by how easily her students lie, unnerved by their obedience to the regime. To them, everything in North Korea is the best, the tallest, the most delicious, the envy of all nations. Still, she cannot help but love them - their boyish enthusiasm, their eagerness to please, the flashes of curiosity that have not yet been extinguished. As the weeks pass, she begins to hint at the existence of a world beyond their own - at such exotic activities as surfing the Internet or traveling freely and, more dangerously, at electoral democracy and other ideas forbidden in a country where defectors risk torture and execution. The students in turn offer Suki tantalizing glimpses into their lives, from their thoughts on how to impress girls to their disappointment that soccer games are only televised when the North Korean team wins. Then Kim Jong-il dies, leaving the students devastated, and leading Suki to question whether the gulf between her world and theirs can ever be bridged.Without You, There Is No Us offers a moving and incalculably rare glimpse of life in the world's most unknowable country, and at the privileged young men she calls "soldiers and slaves."

    Citizen 13660, Okubo's illustrated memoir of life in relocation centers in California and Utah, illuminates this experience with poignant drawings and witty, candid text.This classic in Asian American literature and American history, with a new introduction by Christine Hong, is available for the first time in both a traditional paperback format and an artist's edition, oversize and in hardcover to better illustrate the innovative artwork as originally envisioned by Okubo."[Mine Okubo] took her months of life in the concentration camp and made it the material for this amusing, heartbreaking book. . . . The moral is never expressed, but the wry pictures and the scanty words make the reader laugh - and if he is an American too - blush." - Pearl Buck"A remarkably objective and vivid and even humorous account. . . . In dramatic and detailed drawings and brief text, [Okubo] documents the whole episode . . . all that she saw, objectively, yet with a warmth of understanding." " - New York Times Book Review"

    A Hole in the Flag is both a chronicle of the changes that have taken place in Romania over the past year, and a personal portrait of a man and his emotional attachment to his mother country--a poetic look at joy and disappointment.

    Amid escalating nuclear tensions, Kim Jong-un and North Korea's other leaders have kept a tight grasp on their one-party state, quashing any nascent opposition movements and sending all suspected dissidents to its brutal concentration camps for "re-education." Kang Chol-Hwan is the first survivor of one of these camps to escape and tell his story to the world, documenting the extreme conditions in these gulags and providing a personal insight into life in North Korea. Sent to the notorious labor camp Yodok when he was nine years old, Kang observed frequent public executions and endured forced labor and near-starvation rations for ten years. In 1992, he escaped to South Korea, where he found God and now advocates for human rights in North Korea. Part horror story, part historical document, part memoir, part political tract, this book brings together unassailable firsthand experience, setting one young man's personal suffering in the wider context of modern history, giving eyewitness proof to the abuses perpetrated by the North Korean regime.

    In 1979, the young dancer arrived in Texas as part of a cultural exchange, only to fall in love with America-and with an American woman. Two years later, through a series of events worthy of the most exciting cloak-and-dagger fiction, he defected to the United States, where he quickly became known as one of the greatest ballet dancers in the world. This is his story, told in his own inimitable voice.THE BASIS FOR A MAJOR MOTION PICTURE

    The author's vast collection of historical and contemporary photographs, plus 40 full-color -portraits- of her most prized slippers, creates a uniquely poignant and evocative panorama.

    But when Comrade Li, one of Mao's political officers, moves into a room in their apartment, Ling begins to witness the gradual disintegration of her world. In an atmosphere of increasing mistrust, Ling fears for the safety of her neighbors and, soon, for herself and family. Over the course of four years, Ling manages to grow and blossom, even as she suffers more horrors than many people face in a lifetime.

    Her new preface considers the geisha today as a vestige of tradition as Japan heads into the 21st century.

    She happily immigrates to Oakland, California, expecting her new life to be far better in all ways than life in China. Instead, she discovers crumbling schools, unsafe streets, and racist people. In the land of the free, she comes of age amid the dysfunction of a city's brokenness and learns to hate in the shadows of urban decay. This is the unforgettable story of her journey from China to an American ghetto, and how she prevailed. --------------------------- "Direct and unvarnished, this book describes the endless possibilities of a free society that allows its citizens to chart their own destiny. Ying Ma takes her readers to dark corners where poverty, crime, and racism reign, all the while reminding us that even amid a sea of hate, individuals can choose to believe in kindness, decency, personal responsibility, and racial equality." -- Ward Connerly, Founder and President, American Civil Rights Institute, and author, Creating Equal: My Fight Against Race Preferences "A beautiful account of a young girl's encounter with the insidiousness of authoritarianism in China and the tragedies of inner-city America. Ying Ma boldly details some of the worst imperfections of American society, all the while showing, with her own example, why freedom is worth choosing." -- Xiao Qiang, Adjunct Professor, University of California at Berkeley, and Founder and Editor-in-Chief, China Digital Times

    16 pages of photos.

    On April 27, 1960, Harry Wu, a senior at Beijing's Geology Institute, was arrested by Chinese authorities and, without ever being formally charged or tried, spent the next nineteen years in hellish prison labor camps. Exiled to the bitter desolation of this extensive gulag, he was transformed from a member of China's privileged intellectual elite into a pariah, a faceless cipher denied even the most basic human rights. He was subjected to grinding labor, systematic starvation, and torture, yet he refused to give up his passionate hold on life. From the tough peasants and petty criminals imprisoned with him, like chicken thief Big Mouth Xing, he learned the harsh lessons of survival. Driven by incessant hunger, he became expert at scavenging for edible weeds in the barren camp fields and capturing snakes and frogs in the irrigation ditches. Reduced at one point to a walking skeleton, he took part in elaborate "food imagining" sessions with his squad mates in the barracks at night. In the crucible of the nightmarish Qinghe prison farm, he watched as, night after night, prisoners succumbed to disease and starvation to be buried in unmarked graves outside the camp walls. Throughout this stunning chronicle are moving stories of the prisoners who became Wu's trusted friends. The gentle, lute-playing Ao, unblinking in his insistence on the dignity of humanity, serves as a beacon in the moral abyss of the camps. Handsome and virile Lu, tormented by unfulfilled longing for a woman's touch, is driven to insanity and finallysuicide. Buffeted by the worst horrors of the Chinese communist tragedy, these poignant figures provide a rare, detailed portrait of the depths of human despair. Released from prison in 1979, Harry Wu was eventually allowed to leave China for the United States. But his story doe