I had been sending horror stories to mainstream magazines who rewarded me with a stack of rejection slips, many of which included a scribbled note: "A little too weird for our readers."My next step was to send these stories out to the men's magazines, who included "horror stories" in their listings in the Writer's Market. Once again I was rewarded with a stack of rejection slips with this note: "You write very well, but we do not publish any stories that do not include at least three explicit sex scenes." (By this time I'd papered most of my bathroom with rejection slips.) Ah-ha! I said. I shall write an erotic fable. Cat's Karma came out of that effort. Actually, after no one accepted the story I cleaned out the explicit sex scenes so I could show this story to my friends without them thinking I was a hopeless horndog, and this version is the end result. -- Christopher Moore

     In 1950, Constantine Stassos, a Greek immigrant laborer, marries Mary Cuccio, an Italian-American girl, and together they produce three children: Susan, an ambitious beauty, Billy, a brilliant homosexual, and Zoe, a wild child. Over the years, a web of tangled longings, love, inadequacies and unfulfilled dreams unfolds as Mary and Constantine's marriage fails and Susan, Billy, and Zoe leave to make families of their own. Zoe raises a child with the help of a transvestite, Billy makes a life with another man, and Susan raises a son conceived in secret, each extending the meaning of family and love. With the power of a Greek tragedy, the story builds to a heartbreaking crescendo, allowing a glimpse into contemporary life which will echo in one's heart for years to come.

    In their obsessions, Gass’s Midwestern dreamers are like the "grotesques" of Sherwood Anderson, but in their hyper-linguistic streams of consciousness, they are the match for Joyce’s Dubliners. First published in 1968, this book begins with a beguiling thirty-three page essay and has five fictions: the celebrated novella "The Pedersen Kid," "Mrs. Mean," "Icicles," "Order of Insects," and the title story.

    "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination.Here are more than twenty of Matheson's most memorable tales of fear and paranoia, including:"Duel," the nail-biting tale of man versus machines that inspired Steven Spielberg's first film;"Prey," in which a terrified woman is stalked by a malevolent Tiki doll, as chillingly captured in yet another legendary TV moment;"Blood Son," a disturbing portrait of a strange little boy who dreams of being a vampire;"Dress of White Silk," a seductively sinister tale of evil and innocence.Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.

    Although she loves her children and husband, April is plagued by the growing doubt that she has not lived up to her mother's expectations for her--until one day when something terrible and unexpected happens, and April must face the truth about her own life and discover what really matters.

    This is evident from the moment we meet them, isolated and wordless before a beautiful fire. Their only correspondence is an occasional invective jotted on a scrap of paper--this discreetly flicked across the room to the recipient's lap.A bizarre situation to be sure, but ideal for Simenon. Taking marriage born of a desperate need for companionship and following it to its devastation eight years later, Simenon patiently makes hate almost as alluring as love.

    Emma, his youngest daughter, twenty-seven years old and afraid of men. Cressida, her sister, a war widow, blindly searching for love in her affairs with married men. Esme, Julius’ widow, still attractive at fifty-eight, but aimlessly lost in the routine of her perfect home. Felix, Esme’s old lover, who left her when Julius died and who is still plagued by guilt for his action. And Dan, an outsider. Throughout a disastrous — and revelatory — weekend in Sussex, the influence of the dead Julius slowly emerges.

    However, this anecdote is told ninety-nine more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

    It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son.The man-called simply the "Walking Man" --paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Maths Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling - a realm where loss is not merely an absence, but a life force of its own.

    The journal is committed to finding new voices, publishing work of gifted but underappreciated writers, and pushing the literary form forward at all times.

    Family Happiness (Russian: Семейное счастье [Semeynoye Schast'ye]) is an 1859 novella written by Leo Tolstoy, first published in The Russian Messenger.

    To celebrate their accomplishments, bestselling authors have honored the winners by writing short stories inspired by their lives and work.This special eBook is yours at no charge because Harlequin is committed to celebrating women's efforts and supporting the causes that are meaningful to them. By sharing Rhonda Clemons' story, we hope to turn awareness into action and mobilize others to make a difference.To find out more or to nominate a woman you know, please visit HarlequinMoreThanWords.com.

    This brilliant collection, often cited as the first of its kind, explores fundamental questions about ourselves and our treatment of the universe (and other beings) around us and ultimately what it means to be human.Contents: * Cordwainer Smith: The Shaper of Myths (1975) • essay by John J. Pierce [as by J. J. Pierce] * The Instrumentality of Mankind (timeline) (1975) • essay by John J. Pierce * Scanners Live in Vain [The Instrumentality of Mankind] (1950) / novelette by Cordwainer Smith: meet Martel, a human altered to be part machine-a scanner-to be able withstand the trauma space travel has on the body. Despite the stigma placed on him and his kind, he is able to regrasp his humanity to save another; Fantasy Book #6 ’50 * The Lady Who Sailed The Soul [The Instrumentality of Mankind] (1960) / novelette by Cordwainer Smith, Genevieve Linebarger; Galaxy Apr ’60 * The Game of Rat and Dragon [The Instrumentality of Mankind] (1955) / short story by Cordwainer Smith; Galaxy Oct ’55 * The Burning of the Brain [The Instrumentality of Mankind] (1958) / short story by Cordwainer Smith; If Oct ’58 * Golden the Ship Was - Oh! Oh! Oh! [The Instrumentality of Mankind] (1959) / short story by Cordwainer Smith, Genevieve Linebarger; Amazing Apr ’59 * The Crime and the Glory of Commander Suzdal [The Instrumentality of Mankind] (1964) / short story by Cordwainer Smith; Amazing May ’64 * The Dead Lady of Clown Town [The Instrumentality of Mankind] (1964) / novella by Cordwainer Smith: get to know the underpeople-animals genetically altered to exist in human form, to better serve their human owners-and meet D'Joan, a dog-woman who will make readers question who is more human: the animals who simply want to be recognized as having the same right to life, or the people who created them to be inferior; Galaxy Aug ’64 * Under Old Earth [The Instrumentality of Mankind] (1966) / novelette by Cordwainer Smith; Galaxy Feb ’66 * Mother Hitton's Littul Kittons [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * Alpha Ralpha Boulevard [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * The Ballad of Lost C'mell [The Instrumentality of Mankind] (1962) / novelette by Cordwainer Smith: the notion of love being the most important equalizer there is, is put into action when an underperson, C'mell, falls in love with Lord Jestocost. Who is to say her love for him is not as valid as any true-born human? She might be of cat descent, but she is all woman!; Galaxy Oct ’62 * A Planet Named Shayol [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith: it is an underperson of bull descent, and beings so mutilated and deformed from their original human condition to be now considered demons of a hellish land, who retain and display the most humanity when Mankind commits the most inhumane action of all; Galaxy Oct ’61aka: Paul M. A. Linebarger, Paul Myron Anthony Linebarger, Paul Linebarger, Felix C. Forrest, Carmichael Smith, Kordvejner Smit..

    It is based on Robert Sheckley's 1953 short story "Seventh Victim". He published a novelization of the film in 1966. The film begins with a man chasing a woman thru the streets whilst shooting at her. He's stopped by a policeman for questioning. The man shows his licence to kill. The policeman allows him to continue. Scenes switch between the pursuit & a narrator explaining the rules & justification of the game. In the near future, big wars are avoided by giving violence-prone individuals a chance to kill in the Big Hunt. The Hunt is the world's most popular form of entertainment, attracting participants seeking fame & fortune. It includes ten rounds for each competitor, five as hunter & five as victim. The survivor of the ten rounds becomes the ultimate champion. Caroline Meredith is the huntress armed with a high caliber Bosch Shotgun looking for her 10th victim. Marcello Poletti is the victim. He's reluctant to kill Meredith as he's unsure she's his hunter. Killing the wrong person would get him locked up in prison for 30 years. To maximize her financial gain, Meredith wants to get a perfect kill in front of the cameras as she's negotiated a major sponsor from the Ming Tea Company.

    In this selection of 100 popular poems, poets of every age consider that most universal of themes: love. As well as traditional lovers' favourites such as Elizabeth Barrett Browning's 'How do I love thee?' and Shakespeare's 'Shall I compare thee to a summer's day?' there are contemporary voices such as Adrian Mitchell, Wendy Cope and John Fuller, whose erudite yet salacious 'Valentine' would melt the most fridgid heart. There are even poems for those more melancholic moments, Hardy's haunting 'After a Journey', for example, and Larkin's poignant 'Love Songs in Age'. So, wherever you are in the tunnel of love, dip into this book of poetry and you will be reassured to discover that at one time or another a poet has been there before you.