. . Federal Agent Clayton Munro, a criminal profiler with the Australian Federal Police (AFP), has been called upon to assist in hunting down a vicious murderer who is intent upon carving up his victims while they’re still alive. Guilt-stricken over his wife’s suicide, Clayton’s forced to set aside his personal issues in order to focus on the case. Detective Ellie Cooper is also no stranger to heartache. Pregnant and abandoned at the altar by a fiancé intent on pursuing a career with the AFP, her opinion of the elite body of officers is anything but favorable. Angered when her boss orders her to partner with the Fed, she’s determined not to cut him any slack. But women are dying on the streets of western Sydney and the pressure is mounting to find the person responsible. Will Clayton and Ellie be able to put aside their animosity and work together to catch a killer before it’s too late? And what about the special fascination the killer seems to have with Ellie . . .

    It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.The first in her Detective Emmanuel Cooper series, "A Beautiful Place to Die" marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I

    Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a 'nurse'. Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl's past is a sexual scandal with a powerful man. They pray for rescue - but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.

    And safer. But soon her crime-writer ex-boyfriend turns up in town to promote his new novel, in which a woman is found dead — murdered — in a country lake. Hours later, Brigitte watches the police pull a body from the water near her Gippsland home.Her husband, a country cop now, is at the scene, though it’s not his investigation; he’s only helping the Melbourne Homicide Squad. But there’s something he’s not telling Brigitte.With her personal life spiralling out of control once more, and fearing her family is in danger, who can Brigitte turn to? And what if she makes the wrong choice?'Dead in the Water' is about trying to escape the cycle of trauma. It delves into the darkness beneath the surface of fear, betrayal, and revenge, to find a glimmer of hope.

    He meets the beautiful Georgie Mackenzie and in an instant knows that she is the subject he has been looking for. As the heat intensifies, Georgie and Pom begin to wonder if they have a future together; but first, they must survive the blaze.Almost sixty years later, Sky Stewart returns to the area in search of her grandfather. Did he survive the Black Friday bushfires? Who is the exotic woman in the photograph she found? But when she arrives in Elysian, the closest town to where Mackenzie Crossing used to be, she finds more of her hidden past than she bargained for. A more recent past which she would prefer stayed forgotten…

    A runaway in the past.Eliza Carmody returns home to the country to work on the biggest law case of her career. The only problem is this time she’s on the ‘wrong side’ – defending a large corporation against a bushfire class action by her hometown of Kinsale.On her first day back Eliza witnesses an old friend, Luke Tyrell, commit an act of lethal violence. As the police investigate that crime and hunt for Luke they uncover bones at The Castle, a historic homestead in the district. Eliza is convinced that they belong to someone from her past.As Eliza becomes more and more entangled in the investigation, she is pulled back into her memories of youthful friendships and begins to question everyone she knows … and everything she once thought was true.

    When a local printer is found dead in his workshop, his body in the shape of an X, Martin and his co-investigator, journalist Lucy Tan, are drawn into a mystery that is stranger than anything they have encountered before. Someone is leaving typographical clues at the scenes of a series of murders. All the trails lead back to Pieter van Floogstraten, a Dutch design genius who disappeared without trace in the 1970s, and who has since been engaged in a mystical scheme to create the world's most perfect font, which is concealed in locations around the globe. But is he really the killer, and how are the crimes connected to his secret font? In solving the mystery, Martin and Lucy may have to expose Martin's hero as a psychopath. The main plot of the novel unfolds in Melbourne, while interleaved chapters set variously in a Tibetan monastery, on the plains of Peru, in London, Naples and Amsterdam, gradually reveal the story of Floogstraten in flashback. Other characters include a noir-style private font investigator, a typographical monk from the Renaissance, a Dutch prog rock group named I Am A Dolphin, and a collective of Italian typo-terrorists. This novel takes the reader into the arcane world of typographers and their typefaces, of symbols, swashes and glyphs, where the difference between a serif and sans serif could mean life and death.

    Which was fine when she was a tearaway teen, but not so useful now she’s trying to run a hipster urban cafe, invent the perfect trendy dessert, and stop feeding the many (oh so unfashionable) policemen in her life.When a dead muso is found in the flat upstairs, Tabitha does her best (honestly) not to interfere with the investigation, despite the cute Scottish blogger who keeps angling for her help. Her superpower is gossip, not solving murder mysteries, and those are totally not the same thing, right?But as that strange death turns into a string of random crimes across the city of Hobart, Tabitha can’t shake the unsettling feeling that maybe, for once, it really is ALL ABOUT HER.And maybe she’s figured out the deadly truth a trifle late…

    Our fears pick us.Tash Carmody has been traumatised since childhood, when she witnessed her gruesome imaginary friend Sparrow lure young Mallory Fisher away from a carnival. At the time nobody believed Tash, and she has since come to accept that Sparrow wasn’t real. Now fifteen and mute, Mallory’s never spoken about the week she went missing. As disturbing memories resurface, Tash starts to see Sparrow again. And she realises Mallory is the key to unlocking the truth about a dark secret connecting them. Does Sparrow exist after all? Or is Tash more dangerous to others than she thinks?

    It's hot. Stormy. Dangerous. The waters of the Brisbane River are rising. The rains won't stop. People's nerves are on edge. And then...A body is found. And then another.And another.A string of seemingly ritualized but gruesome murders. All the victims are men. Affluent. Guys with nice houses, wives and kids at private schools. All have had their throats cut. Tabloid headlines shout, THE VAMPIRE KILLER STRIKES AGAIN!Detective Sergeant Lara Ocean knows the look. The 'my-life-will-never-be-the-same-again look'. She's seen it too many times on too many faces. Telling a wife her husband won't be coming home. Ever again. Telling her the brutal way he was murdered. That's a look you never get used to.Telling a mother you need her daughter to come to the station for questioning. That's another look she doesn't want to see again.And looking into the eyes of a killer, yet doubting you've got it right. That's the worst look of all - the one you see in the mirror. Get it right, you're a hero and the city is a safer place. Get it wrong and you destroy a life. And a killer remains free. Twenty years down the track, Lara Ocean will know the truth.

    Having saved his life, can she now rescue him from his dark past? Or will that endanger all she holds most dear? Noah, keeper of the peace and guardian of the Banksia Cove secrets, can’t tell Darcy the real reason this stranger has washed up on their shores. If she understood the links between him and her own dysfunctional family, he’d lose her love for good. As they take refuge in an old whaling station for the night, only one thing is certain – by morning, no one will be the same again. Lies will surface. Hearts will break, and not all will find safe harbour. A heart-stopping novel of high drama and desire by Australia’s award-winning master of romantic suspense.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    The woman quotes a phrase from the Karlson fragments that Caddie knows does not exist—and yet to Caddie, who knows Inga Karlson’s work like she knows her name, it feels genuine.Caddie is electrified. Jolted her from her sleepy, no-worries life in torpid 1980s Brisbane, she is driven to investigate: to find the clues that will unlock the greatest literary mystery of the twentieth century

    The spate of cold, methodical attacks has the city on edge, but the serial killer may not even be the darkest player in this story.Desperate for a breakthrough, decorated homicide detective David Murphy draws into the case his art historian sister, Joanna, and his wife, Sylvia. Unravelling the mystery of who is behind the killings pushes each beyond the limits of what they thought possible.The Tribute is a subversive take on modern masculinity and misogyny told through an irresistible crime narrative. Dark and unpredictable, chilling but sympathetic, it weaves a tapestry of narrative threads towards a mesmerizing climax that will challenge the way you think about everyone you meet. Meticulously researched, hugely ambitious and superbly crafted, The Tribute is the most outstanding crime novel of 2021.

    When she travels to Sydney on assignment and finds her best friend murdered, she soon discovers a deadly puzzle of suspicious photographers, hired thugs, mysterious lovers and the handsome, jaded Detective Andy Flynn investigating the Stiletto Murders - the most violent serial killings Australia has ever known. In her quest to uncover the truth behind her best friend's murder, Mak falls headlong into a deadly game of cat and mouse, unaware she has become the obsession of a sadistic psychopath. When a photo from her portfolio disappears, her borrowed flat is ransacked and Andy Flynn suddenly goes underground, Mak knows she must run. But where can she go and to whom can she turn? Mak has scratched the seedy underbelly of a foreign city and is driven into a corner, an evil place where, for her own well-being and state of mind, she must suspect everyone and everything... The first book in the Mak Vanderwall series, FETISH is followed by SPLIT, COVET, HIT, SIREN and ASSASSIN.