But a few brave souls struck out into that desolate wilderness, desperate to free themselves from the restrictions of the civilized world…KING OF THE MOUNTAIN: Nathaniel King doesn’t need much incentive to escape the confining, bustling city of New York. When his uncle starts spinning tales of a great treasure hidden in the wilderness, Nathaniel finds the lure of the West impossible to resist. Nathaniel’s trail leads from danger to danger, and into the uninhabited Rocky Mountains. If he can survive, Nathaniel will unearth a treasure far more valuable than he ever imagined.LURE OF THE WILD: Nineteen-year-old Nathaniel King and a rugged mountain man named Shakespeare McNair are headed to a rendezvous of trappers and fur traders in the Rocky Mountains. But hostile Utes and Blackfeet Indians pursue them relentlessly, determined to have their scalps. Despite the protection of a friendly band of Shoshone, Nathaniel and his companion risk the loss of their freedom…and their lives.

    Yes, she is a geek, a very cool geek at that, and when Maya and her family move into the old three-story house that belonged to her grandpa, Maya’s life changes. Her grandmother always claimed that the house was filled with hidden wonders and Maya is not prepared for what lies in wait for her arrival. With the encouragement of her best friend, Tammy, Maya learns to tackle the challenges in her path including Dexter Rose, the boy Maya has a little crush on (a very little one) and who is also her biggest class rival. If you’re a fan of the Diary of a Super Girl series, you are sure to enjoy this series too! It’s packed full of humor, action and lots of fun, a fabulous book for girls 9 – 12.

    As the novel opens, Jack's twin brother, a Denver homicide detective, has just killed himself. Or so it seems. But when Jack begins to investigate the phenomenon of police suicides, a disturbing pattern emerges, and soon suspects that a serial murderer is at work - a devious cop killer who's left a coast-to-coast trail of "suicide notes" drawn from the poems of Edgar Allan Poe. It's the story of a lifetime - except that "the Poet" already seems to know that Jack is trailing him. . . Here is definitive proof that Michael Connelly is among the best suspense novelists working today. Blood Work: Thanks to a heart transplant, former FBI agent Terrell McCaleb is enjoying a quiet retirement, renovating the fishing boat he lives on in Los Angeles Harbor. But McCaleb's calm seas turn choppy when a story in the "What Happened To?" column of the LA Times brings him face-to-face with the sister of the woman whose heart now beats in his chest. From her, McCaleb learns a terrible truth: that the donor of his heart was not killed in an accident, as he'd been told, but was murdered. Wracked with guilt over the fact that he's alive because another human being was killed, McCaleb embarks on a private investigation of his donor's murder - a crime as horrific as anything he ever encountered as a serial killer investigator for the FBI.

    More information to be announced soon on this forthcoming title from Penguin USA

    GIFT BOX SET OF 4 BOOKS TITLED: THE PUPPET MASTERS - ISBN 0345330145, WALDO&MAGIC - ISBN 0345330153, DOUBLE STAR - ISBN 0345330137 AND THE DOOR INTO SUMMER - ISBN 0345330129

    And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground. Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber

    These colorful, illustrated presentations use the latest features of the free Adobe Acrobat format to make compelling presentations easy to use on any computer. Each presentation contains dozens of slides detailing all of the background material that makes reading literature such a rich experience.