While there she was reunited with her sister Danka. Each day became a struggle to fulfill the promise Rena made to her mother when the family was forced to split apart--a promise to take care of her sister.One of the few Holocaust memoirs about the lives of women in the camps, Rena's Promise is a compelling story of the fleeting human connections that fostered determination and made survival a possibility. From the bonds between mothers, daughters, and sisters, to the links between prisoners, and even prisoners and guards, Rena's Promise reminds us of the humanity and hope that survives inordinate inhumanity.

    In a time of great horror, these children each found a way to make it through the nightmare of war. Some made daring escapes into the unknown, others disguised their true identities, and many witnessed unimaginable horrors. But what they all shared was the unshakable belief in-- and hope for-- survival. Their legacy of courage in the face of hatred will move you, captivate you, and, ultimately, inspire you.

    One's first steps are always small: I had begun by hiding food under a fence."Through this intimate and compelling memoir, we are witness to the growth of a hero. Irene Gut was just a girl when the war began: seventeen, a Polish patriot, a student nurse, a good Catholic girl. As the war progressed, the soldiers of two countries stripped her of all she loved -- her family, her home, her innocence -- but the degradations only strengthened her will.She began to fight back. Irene was forced to work for the German Army, but her blond hair, her blue eyes, and her youth bought her the relatively safe job of waitress in an officers' dining room. She would use this Aryan mask as both a shield and a sword: She picked up snatches of conversation along with the Nazis' dirty dishes and passed the information to Jews in the ghetto. She raided the German Warenhaus for food and blankets. She smuggled people from the work camp into the forest. And, when she was made the housekeeper of a Nazi major, she successfully hid twelve Jews in the basement of his home until the Germans' defeat.This young woman was determined to deliver her friends from evil. It was as simple and as impossible as that.

    This revised and expanded edition of Hilberg's classic work extends the scope of his study and includes 80,000 words of new material, particularly from recently opened archives in eastern Europe, added over a lifetime of research.

    LIKE BIRDS IN BLACK AND WHITE is the narrative of a young Jewish girl from the village of Wereszczyn, Poland. At the same time, LIKE BIRDS IN BLACK AND WHITE is a very painful human story, about the spark of goodness that exists – even in the depths of evil, and motivates us to be humane. Miriam Raz-Zunszajn-Winograd was born in 1933 on a small farm, in the village of Wereszczyn, located in Western Poland. She spent the duration of the Holocaust in the region where she was born, and she is the sole survivor of her family, as well as from the Jews of Wereszczyn. With her farewell to her readers, at the completion of her journey-story of torment, Miriam asks to tell us the lesson that is so very important to her: “I learned that in every place – even in the case of the most evil – there is always a handful of righteous people ready to endanger their own lives for the good of others. I never forget these righteous people that I encountered in my path to survive. They were my hope and my light in the darkness.” Miriam live today on Kibbutz and can be reached at miryamr@gan.org.il

    When a Nazi death squad raided his village at the outset of World War II, Jewish five-year-old Alex Kurzem escaped. After surviving the Russian winter by foraging for food and stealing clothes off dead soldiers, he was discovered by a Nazi-led Latvian police brigade that later became an SS unit. Not knowing he was Jewish, they made him their mascot, dressing the little ?corporal? in uniform and toting him from massacre to massacre. Terrified, the resourceful Alex charmed the highest echelons of the Latvian Third Reich, eventually starring in a Nazi propaganda film. When the war ended he was sent to Australia with a family of Latvian refugees. Fearful of being discovered?as either a Jew or a Nazi?Alex kept the secret of his childhood, even from his loving wife and children. But he grew increasingly tormented and became determined to uncover his Jewish roots and the story of his past. Shunned by a local Holocaust organization, he reached out to his son Mark for help in reclaiming his identity. A survival story, a grim fairy-tale, and a psychological drama, this remarkable memoir asks provocative questions about identity, complicity, and forgiveness.

    As deep-seated anti-Semitism and isolationism gripped much of the country, neither President Roosevelt nor Congress rallied to their aid.Yet one brave Jewish couple from Philadelphia refused to silently stand by. Risking their own safety, Gilbert Kraus, a successful lawyer, and his stylish wife, Eleanor, traveled to Nazi-controlled Vienna and Berlin to save fifty Jewish children. Steven Pressman brought the Kraus's rescue mission to life in his acclaimed HBO documentary, 50 Children. In this book, he expands upon the story related in the hour-long film, offering additional historical detail and context to offer a rich, full portrait of this ordinary couple and their extraordinary actions.Drawing from Eleanor Kraus's unpublished memoir, rare historical documents, and interviews with more than a dozen of the surviving children, and illustrated with period photographs, archival materials, and memorabilia, 50 Children is a remarkable tale of personal courage and triumphant heroism that offers a fresh, unique insight into a critical period of history.

     First published in 1988, each experience of the ‘journey back from hell’ is unique, and readers are free to draw their own conclusions from what the survivors tell them. But the combined effect of the stories is so poignant and important to the core experience of the 20th century that nobody can afford to turn away — or to forget. ‘Brilliant, compelling...an inspiration’ – Mail on Sunday ‘Excellent’ – Dirk Bogarde, Daily Telegraph Anton Gill has been a freelance writer since 1984, specialising in European contemporary history but latterly branching out into historical fiction. He is the winner of the H H Wingate Award for non-fiction for ‘The Journey Back From Hell’. He is also the author of ‘Into Darkness’, ‘Dance Between the Flames’ and ‘An Honourable Defeat’. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    This gruesomely sentimental and unmistakably authentic title introduces an disturbing collection of photographs, diaries, letters home, and confidential reports created by the executioners and sympathetic observers of the Holocaust. "The Good Old Days" reveals startling new evidence of the inhumanity of recent twentieth century history and is published now as yet another irrefutable response to the revisionist historians who claim to doubt the historic truth of the Holocaust.

    I cut off her hair, thick and beautiful, and she grasps my hand and begs me to remember that I too am a Jew. She knows that she is lost. ‘But remember,‘ she says, ‘you see what is being done to us. That‘s why my wish for you is that you will survive and take revenge for our innocent blood, which will never rest.‘ She has not had time to get up when a murderer who is walking between the benches lashes her on the head with his whip. Blood shows on her now shorn head. That evening, the blood of tens of thousands of victims, unable to rest, thrust itself upwards to the surface.—from The Last Jew of TreblinkaWhy do some live while so many others perish? Tiny children, old men, beautiful girls. In the gas chambers of Treblinka, all are equal. The Nazis kept the fires of Treblinka burning night and day, a central cog in the wheel of the Final Solution. There was no pretense of work here like in Auschwitz or Birkenau. Only a train platform and a road covered with sand. A road that led only to death. But not for Chil Rajchman, a young man who survived working as a “barber” and “dentist,” heartsick with witnessing atrocity after atrocity. Yet he managed to survive so that somehow he could tell the world what he had seen. How he found the dress of his little sister abandoned in the woods. How he was forced to extract gold teeth from the corpses. How every night he had to cover the body-pits with sand. How ever morning the blood of thousands still rose to the surface.Many have courageously told their stories, and in the tradition of Elie Wiesel’s Night and Primo Levi’s Survival at Auschwitz and The Drowned and the Saved, Rajchman provides the only survivors’ record of Treblinka. Originally written in Yiddish in 1945 without hope or agenda other than to bear witness, Rajchman’s tale shows that sometimes the bravest and most painful act of all is to remember.

    Yet its story is not fully known. In Auschwitz, Laurence Rees reveals new insights from more than 100 original interviews with Auschwitz survivors and Nazi perpetrators who speak on the record for the first time. Their testimonies provide a portrait of the inner workings of the camp in unrivalled detail—from the techniques of mass murder, to the politics and gossip mill that turned between guards and prisoners, to the on-camp brothel in which the lines between those guards and prisoners became surprisingly blurred.Rees examines the strategic decisions that led the Nazi leadership to prescribe Auschwitz as its primary site for the extinction of Europe's Jews—their "Final Solution." He concludes that many of the horrors that were perpetrated in Auschwitz were driven not just by ideological inevitability but as a "practical" response to a war in the East that had begun to go wrong for Germany. A terrible immoral pragmatism characterizes many of the decisions that determined what happened at Auschwitz. Thus the story of the camp becomes a morality tale, too, in which evil is shown to proceed in a series of deft, almost noiseless incremental steps until it produces the overwhelming horror of the industrial scale slaughter that was inflicted in the gas chambers of Auschwitz

    No objective historian, declared the judge, would manipulate the documentary record in the way that Irving did. Richard J. Evans, a Cambridge historian and the chief advisor for the defense, uses this pivotal trial as a lens for exploring a range of difficult questions about the nature of the historian's enterprise. For instance, don't all historians in the end bring a subjective agenda to bear on their reading of the evidence? Is it possible that Irving lost his case not because of his biased history but because his agenda was unacceptable? The central issue in the trial -- as for Evans in this book -- was not the past itself, but the way in which historians study the past. In a series of short, sharp chapters, Richard Evans sets David Irving's methods alongside the historical record in order to illuminate the difference between responsible and irresponsible history. The result is a cogent and deeply informed study in the nature of historical interpretation.

    In 1941, Marie Jalowicz Simon, a nineteen-year-old Berliner, made an extraordinary decision. All around her, Jews were being rounded up for deportation, forced labor, and extermination. Marie took off her yellow star, turned her back on the Jewish community, and vanished into the city.In the years that followed, Marie lived under an assumed identity, forced to accept shelter wherever she found it. Always on the run, never certain whom she could trust, Marie moved between almost twenty different safe-houses, living with foreign workers, staunch communists, and even committed Nazis. Only her quick-witted determination and the most hair-raising strokes of luck allowed her to survive.

    For nine months before the outbreak of World War II, Britain conducted an extraordinary rescue mission. It opened its doors to over 10,000 endangered children-90 per cent of them Jewish-from Germany, Austria, and Czechoslovakia. These children were taken into foster homes and hostels in Britain, expecting eventually to be reunited with their parents. Most of the children never saw their families again.Into the Arms of Strangers recounts the remarkable story of this rescue operation, known as the Kindertransport. It contains stories in their own words from the child survivors, rescuers, parents, and foster parents. The stories are heartbreaking, but they are also inspiring. These are the stories of those who survived with the help of others; they are stories about the strength and resolve of children; and most astonishing, these are stories not yet heard about the Holocaust.

    We hear from the persecutors themselves: the leaders of the Nazi party, the members of the Protestant and Catholic hierarchies, the university elites, and the heads of the business community. Most telling of all, perhaps, are the testimonies of ordinary German citizens, who in the main acquiesced to increasing waves of dismissals, segregation, humiliation, impoverishment, expulsion, and violence.