is an ode both to the soil, and those who have worked it alongside her' Daily Telegraph Joan Bomford wanted to be a farmer so much she always wore a tie like her dad. She ran away from school whenever she could to help him. As an 8 year-old she was the first person in the family to drive a tractor. No job was ever too tough for her. Now aged 83, she's still as active, still driving tractors, still feeding the farm's beef cattle and horses, and still giving riding lessons.This is her account of a lifelong love-affair with the land and the people who work on it. With the warmth and wit of a born story teller, she tells us what it's been like to live through an era of enormous change, her love of animals kindled by her father's shire horses who did all the heavy work until machinery took over. Up With The Lark is not only the portrait of a forgotten era, but also the story of one woman's overwhelming desire to do the thing she cared about more than anything else - being Farmer Joan.

    

    This edition contains 778 poems, 100 of them previously unpublished, and has, in addition, a context piece, author's words and CD of readings. It is a definitive (though not complete) collection.

    Our fortunes were once founded on sheep, and this book tells a story of wool and money and history, of merchants and farmers and shepherds, of English yeomen and how they got their freedom, and above all, of the soil. Sheep have helped define our culture and topography, impacting on everything from accent and idiom, architecture, roads and waterways, to social progression and wealth. With his eye for the idiosyncratic, Philip meets the native breeds that thrive in this country; he tells stories about each breed, meets their shepherds and owners, learns about their past - and confronts the present realities of sheep farming. Along the way, Philip meets the people of the countryside and their many professions: the mole-catchers, the stick-makers, the tobacco-twisters and clog-wrights. He explores this artisan heritage as he re-discovers the countryside, and finds a lifestyle parallel to modern existence, struggling to remain unchanged - and at its heart, always sheep.

    She first told her story on Yorkshire Television's award-winning "Too Long a Winter" and its sequel "A Winter Too Many".

    Bill Bryson must weep when he reads it." Whether describing ruined gothic arches at Glastonbury or hilarious encounters with the inhabitants of Norfolk, Morton recalls a way of life far from gone even at the beginning of a new century.

    Throughout her life she has always tended sheep - first as a young girl in The Cheviots, then on an uninhabited island off New Zealand with a bonfire as her only means of communication with the mainland. After a brutal attack she was forced to leave her island and returned to England, where she married, became a smallholder in Sussex and finally bought a hill farm in Somerset. Underpinning this account is the author's attachment to the land and her total commitment to combine the principles of conservation with successful farming.

    Matt Baker is at his happiest on the farm.Away from the bright lights of hosting our favourite television programmes, Countryfile, The One Show, Blue Peter and many more, he is often in the company of his family, dogs, array of sheep, Mediterranean miniature donkeys and a whole host of wildlife in the farm's ancient woodland.Now, following the ever-changing seasons, Matt takes us on a journey with his family on the farm.We see woodland animals emerge after a long winter of hibernation, hear the dawn chorus in the height of summer and see the preparations unfold for the harsh and wild winter months.Peppered with hand drawn sketches, unforgettable moments from his TV career and stories of a landscape you'll fall in love with, Matt offers readers a touching insight into life on the farm, and how the power and beauty of the countryside can be an inspiration and source of joy for all of us.A celebration of the natural year, Matt Baker takes us on a journey through the seasons, his life on the farm and how the power and beauty of the countryside has made him who he is.

    His account of this time perfectly captures the city-dweller's naivety and wonder both at the workings of nature and the toughness of life on a farm. Collis's thoughtful curiosity leads him to explore a broad variety of subjects - from humorous sketches of the characters he works alongside to beautifully written pieces such as Contemplation Upon Ants, The Mystery of Clouds, Colloquy on the Rick and celebrations of the earthworm, the pea and potato.Includes While Following the Plough (1946) and Down to Earth (1947).Cover illustration by Angie Lewin.

    As the daughter of King Malcolm of Scotland, she has always been expected to achieve great things, and so she was sent to England to receive an education at just seven years old. Now, at fourteen, her aunt wants her to take vows to become a nun. A knight hospitaller wants her to join the fight against the Saracens in the Holy Land. And, her father wants her to marry a man she does not love just for the money and political benefits. But… perhaps she might become queen of England instead? After all, she is rumored to be the only woman to have ever turned the king of England’s head. And anyway, King William is far kinder and prettier than the man her father chose for her. As dawn breaks, she runs away from the abbey without any solid plan. And just as she takes a deep breath and allows her legs to rest, she is found by the king’s little brother, Lord Henry. He won’t let her travel alone. When she protests his company, he forces her in his horse's saddle and rides away with her into the forest. In this stunning tale of Matilda of Scotland's "lost" seven years, great love is lost and found, a kingdom rises, and a queen is made.

    A quick-witted and vastly entertaining novel that takes Douglas Skelton into the crime fiction big league.” Alex Gray“If you like your humour black and your detective novels hard boiled, The Dead Don’t Boogie is a cut above the rest.” Theresa Talbot“A white-knuckle, wisecracking thriller.” Caro Ramsay A missing teenage girl should be an easy job for Dominic Queste – after all, finding lost souls is what he does best. But sometimes it’s better if those souls stay lost. Jenny Deavers is trouble, especially for an ex-cokehead like Queste. Some truly nasty characters are very keen indeed to get to Jenny, and will stop at nothing... including murder. 
As the bodies pile up, Queste has to use all his street smarts both to protect Jenny and to find out just who wants her dead. The trail leads him to a vicious world of brutal gangsters, merciless hitmen, dark family secrets and an insatiable lust for power in the highest echelons of politics.

    A. Baker’s extraordinary classic of British nature writing.Despite the association of peregrines with the wild, outer reaches of the British Isles, The Peregrine is set on the flat marshes of the Essex coast, where J A Baker spent a long winter looking and writing about the visitors from the uplands – peregrines that spend the winter hunting the huge flocks of pigeons and waders that share the desolate landscape with them.Including original diaries from which The Peregrine was written and its companion volume The Hill of Summer, this is a beautiful compendium of lyrical nature writing at its absolute best.Such luminaries as Richard Mabey, Robert Macfarlane, Ted Hughes and Andrew Motion have cited this as one of the most important books in 20th Century nature writing, and the bestselling author Mark Cocker has provided an introduction on the importance of Baker, his writings and the diaries – creating the essential volume of Baker's writings.Since the hardback was published in 2010, papers, maps, and letters have come to light which in turn provide a little more background into J A Baker’s history. Contemporaries – particularly from while he was at school in Chelmsford – have kindly provided insights, remembering a school friend who clearly made an impact on his generation. In the longer term, there is hope of an archive of these papers being established, but in the meantime, and with the arrival of this paperback edition, there is a chance to reveal a little more of what has been learned.Among fragments of letters to Baker was one from a reader who praised a piece that Baker had written in RSPB Birds magazine in 1971. Apart from a paper on peregrines which Baker wrote for the Essex Bird Report, this article – entitled On the Essex Coast – appears to be his only other published piece of writing, and, with the kind agreement of the RSPB, it has been included in this updated new paperback edition of Baker’s astounding work.

    'Go to Lochinver and ask for a man named Norman MacAskill - if he likes you he may tell you where it is. If you catch a fish, I shall be delighted. If you fail, then looking down from a place in which I do not believe, I shall be most amused.' The quest sounds simple and irresistible, but the loch is as demanding as it is beautiful. In the course of days of outdoor living, meetings, and fishing with friends in the remote hill lochs of far North-West Scotland, the search broadens. The waters of the Green Corrie finally reflect personal memoir, joy and loss, poetry, geology, land ownership in the Highlands, the ambiguous roles of whisky, love and friendship. At the Loch of the Green Corrie is a richly atmospheric narrative, a celebration of losing and recovering oneself in a unique landscape, the consideration of a particular culture, and a homage to a remarkable poet and his world.

    She finds London a very lonely place, until a charming young artist literally drops in on her rooftop garden... Across two quietly powerful novels, Bel's story unfolds as she moves from London to a fishing hotel in the rugged Scottish highlands and then finally to a picturesque cottage in the Cotswolds in need of repair, all while attempting to navigate unexpected friendships and romances. Filled with all the warmth and charm which D. E. Stevenson readers have come to anticipate, The Bel Lamington Novels are beautifully written gentle romances, sure to satisfy steadfast Stevenson fans and newcomers alike.

    Her father was deeply conservative, with romantic, old-fashioned views about England. After his death, wanting to understand him better, Bunting began to explore his passionate, lifelong attachment to a small plot of land in North Yorkshire. Delving deep into the rich history of this acre, she uncovers traces of its Neolithic inhabitants and of the Cistercian monks; she learns of the medieval battles and considers the changing face of agriculture and leisure. The result sheds a fascinating light on what a contested, layered place England is, and on what belonging to a place might mean to all of us. "The Plot" is an original, heartfelt, and deeply political book.