Music for Silenced Voices looks at Shostakovich through the back door, as it were, of his fifteen quartets, the works which his widow characterized as a "diary, the story of his soul." The silences and the voices were of many kinds, including the political silencing of adventurous writers, artists, and musicians during the Stalin era; the lost voices of Shostakovich's operas (a form he abandoned just before turning to string quartets); and the death-silenced voices of his close friends, to whom he dedicated many of these chamber works.Wendy Lesser has constructed a fascinating narrative in which the fifteen quartets, considered one at a time in chronological order, lead the reader through the personal, political, and professional events that shaped Shostakovich's singular, emblematic twentieth-century life. Weaving together interviews with the composer's friends, family, and colleagues, as well as conversations with present-day musicians who have played the quartets, Lesser sheds new light on the man and the musician. One of the very few books about Shostakovich that is aimed at a general rather than an academic audience, Music for Silenced Voices is a pleasure to read; at the same time, it is rigorously faithful to the known facts in this notoriously complicated life. It will fill readers with the desire to hear the quartets, which are among the most compelling and emotionally powerful monuments of the past century's music.

    A former Soviet army intelligence officer, the author explains that Stalin's strategy leading up to World War II grew from Vladimir Lenin's belief that if World War I did not ignite the worldwide Communist revolution, then a second world war would be needed to achieve it. Stalin saw Nazi Germany as the power that would fight and weaken capitalist countries so that Soviet armies could then sweep across Europe. Suvorov reveals how Stalin conspired with German leaders to bypass the Versailles Treaty, which forbade German rearmament, and secretly trained German engineers and officers and provided bases and factories for war. He also calls attention to the 1939 nonaggression pact between the Soviet Union and Germany that allowed Hitler to proceed with his plans to invade Poland, fomenting war in Europe.Suvorov debunks the theory that Stalin was duped by Hitler and that the Soviet Union was a victim of Nazi aggression. Instead, he makes the case that Stalin neither feared Hitler nor mistakenly trusted him. Suvorov maintains that after Germany occupied Poland, defeated France, and started to prepare for an invasion of Great Britain, Hitler's intelligence services detected the Soviet Union's preparations for a major war against Germany. This detection, he argues, led to Germany's preemptive war plan and the launch of an invasion of the USSR. Stalin emerges from the pages of this book as a diabolical genius consumed by visions of a worldwide Communist revolution at any cost--a leader who wooed Hitler and Germany in his own effort to conquer the world. In contradicting traditional theories about Soviet planning, the book is certain to provoke debate among historians throughout the world.

    Instead it was played for pride, both personal and national. It was a confrontation twenty years in the making and it marked a turning point in the history of hockey.On December 31, 1975, the Montreal Canadiens, the most successful franchise in the NHL, hosted the touring Central Red Army, the dominant team in the Soviet Union. For three hours millions of people in both Canada and the Soviet Union were glued to their television sets. What transpired that evening was a game that surpassed all the hype and was subsequently referred to as "the greatest game ever played." Held at the height of the Cold War, this remarkable contest transcended sports and took on serious cultural, sociological, and political overtones. And while the final result was a 3-3 tie, no one who saw the game was left disappointed. This exhibition of skill was hockey at its finest, and it set the bar for what was to follow as the sport began its global expansion.

    An analysis of Vladimir Putin and the key role a resurgent Russia has to play in world affairs.

    Thompson also covers controversial topics including the impact of the Mongol conquest, the paradoxes of Peter the Great, the “inevitability” of the 1917 Revolution, the Stalinist terror, and the Gorbachev reform effort. This thoroughly revised and updated edition includes additional treatment of social and cultural issues as well as a new chapter on post-Soviet Russia and the Yeltsin and Putin eras. Distinguished by its brevity, it provides balanced coverage of all periods of Russian history and incorporates economic, social, and cultural developments as well as treating politics and foreign policy. The text is supplemented with maps and illustrations and includes a list of suggested readings at the end of each chapter.

    They included the Tsar’s mother, the Dowager Empress Marie, and his sister, the Grand Duchess Xenia, Prince Felix Youssupov, the murderer of Rasputin and a man once mooted as a future leader of Russia, and Grand Duke Nicholas, former Commander-in-Chief of the Russian Armies.As the ship prepared to set sail, a British sloop carrying 170 White Russian soldiers drew up alongside. The soldiers stood on deck and sang the Russian National Anthem. It was the last time the anthem was sung to members of the Imperial Family within Russian territory for over 70 years. The Dowager Empress stood on deck alone. Nobody dared to approach her.The Russian Court at Sea vividly recreates this unlikely voyage, with its bizarre assortment of warring characters and its priceless cargo of treasures, including rolled-up Rembrandts and Faberge eggs. It is a story, by turns exotic, comic and doomed, of an extraordinary group of people caught up in an extraordinary moment in history when their lives were in every way at sea.

    In their bizarre way, these were carefully controlled wars, carefully controlled in the sense that neither great power allowed itself to become directly engaged in a hot war with the other. Equally, neither allowed itself to go for broke in a grand sweep across the Third World in fear of provoking that final confrontation. But this fear of direct confrontation was never as rigidly controlled as one would think. Again and again events veered towards a clash between Eagle and Bear. The authors of this book make real such terrifying possibilities as Korea or the 67 War dragging in both superpowers; they predict the consequences of the United States or the Soviet Union attempting radical strategies in Vietnam or in a divided Germany, either to follow the British success in Malaya or to invade the North; they imagine the invasion of Cuba when the delicate signals failed to find a way out of the Missile Crisis and bring to life a scenario in which the Soviet Union knocks the Great Game off the board by using Afghanistan as base to bring down Pakistan and achieve its warm water port on the Indian Ocean. Cold War Hot vividly brings to life these and many other alternate scenarios, taking the reader behind the scenes at these momentous moments in history. In showing what could have happened, the authors show how precarious the Cold War peace actually was, and how little it would have taken to tip the balance into World War Three.

    He was relied on to smuggle nuclear secrets out of Moscow, to run an undercover operation in Sarajevo while the city was under siege, and was immersed in the underbelly of contemporary espionage. Four years after joining M16, tomlinson's career was abruptly terminated for reasons that are still not clear. When he tried to fight for unjust dismissal tomlinson was arrested and imprisoned for breaking the Official Secrets Act. Since then he has been hounded by smear campaigns and dogged by international bullying. Former attempts to publish this book were thwarted by M16's legal manoeuvring but now it's tomlinson's turn to have his say........

    A powerful autobiography written in the grand Russian tradition telling the story of how Nina Markovna endured life under Stalin and the tumult of World War II, being tossed back and forth between the opposing German and Soviet armies.

    

    As Andrew Meier explains in this utterly compelling account, the most recent Chechen war actually broke out on New Year's Eve in 1994 when Boris Yeltsin sent hundreds of tanks to the center of the city of Grozny in an effort to quell popular demands for independence from Russia. Six years later, Meier, braving great personal danger, traveled to the scene of one of the largest civilian massacres carried out by Russian troops, reporting on the carnage in which over 60 Chechen civiliansincluding a pregnant woman and many elderlywere brutally slaughtered in one of the war's most horrific "mop-up" operations. Days after a Chechen woman became the conflict's first female suicide bomber, Meier visited this war-torn province, encountering, among others, kidnappers, Wahhabi Islamists aligned with the Taliban, and a stream of Russian mothers arriving at the morgue to identify their fallen soldier sons. Chechnya is Meier's stunning report from a region where the death toll has already exceeded 100,000 people, and a book that attempts to comprehend what compels men to shoot children in the back.

    . . a marvelous source for the social history of Russian peasant society in the years before the revolution. . . . The translation is superb." —Steven Hoch" . . . one of the best ethnographic portraits that we have of the Russian village. . . . a highly readable text that is an excellent introduction to the world of the Russian peasantry." —Samuel C. RamerVillage Life in Late Tsarist Russia provides a unique firsthand portrait of peasant family life as recorded by Olga Semyonova Tian-Shanskaia, an ethnographer and painter who spent four years at the turn of the twentieth century observing the life and customs of villagers in a central Russian province. Unusual in its awareness of the rapid changes in the Russian village in the late nineteenth century and in its concentration on the treatment of women and children, Semyonova's ethnography vividly describes courting rituals, marriage and sexual practices, childbirth, infanticide, child-rearing practices, the lives of women, food and drink, work habits, and the household economy. In contrast to a tradition of rosy, romanticized descriptions of peasant communities by Russian upper-class observers, Semyonova gives an unvarnished account of the harsh living conditions and often brutal relationships within peasant families.

    What emerges is a vivid portrait of a reluctant leader, a young man forced by the death of his father into a role for which he was ill-equipped. A conformist andtraditionalist, Nicholas admired the order, ritual, and ceremony identified with the intangible grandeur of autocracy, and he hated everything that might shake that autocracy--the intelligentsia, the Jews, the religious sects. His reign, as Ferro documents, was one of continual trouble: ahumiliating war with Japan; the 1905 revolution that forced Nicholas to accept a constitutional assembly, the Duma; the international crisis of 1914, leading to World War I; and finally the Revolution of 1917, forcing his abdication. Throughout, we see a Tsar who was utterly opposed to change and tothe ferment of ideas that stirred his country, who felt it was his duty to preserve intact the powers God had entrusted in him. Ferro also provides an intimate portrait of Nicholas's personal life: his wife Alexandra; his four daughters, Olga, Tatiana, Maria, and Anastasia, sisters so close theysigned letters "OTMA," the initials of their Christian names; his son and heir Alexis, who suffered from hemophilia; and the various figures in the court, most notably Rasputin, whose ability to revive the frequently ailing Alexis made him indispensable to the Tsaritsa. (Ferro recounts that, whenAlexandra heard of Rasputin's murder, she collapsed in anguish, certain her son was lost; but when Nicholas heard the news while with the army, he simply walked off whistling cheerfully.) Perhaps most intriguing is Ferro's chapter on the fate of the Tsar and his family, examining all the rumors andcontradictory testimony that swirl around this still cloudy event. Ferro concludes that Alexandra and her daughters may have survived the revolution, and the woman who later surfaced in Europe claiming to be Anastasia may well have been so. This authoritative biography by one of the world's great historians shines a bright light on an ordinary man raised to an extraordinary station, who carried an unwanted burden, which crushed him.

    A longtime veteran of the CIA, Bearden knows the tricks of the trade, the price of honor, the bonds of blood, and the enduring lure of retribution.Praise for The Black Tulip "An irresistible page-turner . . . especially vivid because we know the author was a witness to events."--The Wall Street Journal "Milt Bearden really delivers. With thirty years in the CIA to back it up, he knows what he's talking about. . . . A terrific book."--Robert De Niro"A heart-stopping tale of espionage and betrayal. Forget Tom Clancy: this is the real thing."--Richard Holbrooke"A truly engrossing espionage read . . . Bearden explains how the CIA supplied Afghan guerrillas with the hardware--rockets, Stinger surface-to-air missiles, and night-vision equipment--which enabled them to chew a vastly stronger Soviet force to bloody ribbons. . . . Highly recommended."--The Washington Times

    To purchase the entire book, please order ISBN 1417913304.