Now, one half of the duo, Ethan Coen, adds playwriting to his eclectic bio. In these three short plays that ran to sold-out audiences Off-Broadway in 2008, the theme is hell–both on earth and in the hereafter.In “Waiting,” a man faces an uncertain future in an uncertain location that seems to be some kind of waiting room. The anxiety and despair hark back to dramas of the fifties–Sartre, Beckett, Pinter.“Four Benches” depicts an unlikely meeting in a steam room between a straight-talking Texan and an uptight Brit. Both men learn from the encounter, though only one survives it.In “Debate,” the cantankerous god of the Old Testament roundly abuses the mealymouthed god of the New. His profanity and ill humor receive a startling comeuppance, and further reversals and changes of point of view lead to a denouement that is no more preposterous than anything else in the play.Clever, provocative, and as engaging as the best fiction, these plays showcase yet another talent of one of our most celebrated contemporary writers.

    This abridgment of Nan Dunbar's widely acclaimed edition of Birds, published in 1995, preserves all the material designed to help the less advanced student of Greek or the non-specialist to translate, understand, and enjoy the play. It also retains the notes on staging, but the metrical, textual, and ornithological problems are dealt with more summarily, and purely illustrative parallels are omitted.

    Friendship. Aaron, Candice, sex and Connor Jones. Chewing Gum Dreams is a one-woman play that recalls those last days of innocence before adulthood.Written and performed by Michaela Coel who spent her childhood in Hackney, London, Chewing Gum Dreams won the 2012 Alfred Fagon Award."Coel is by turns casually cruel, hilariously funny, naïve, wise and vulnerable. Her play tackles some difficult themes, including sexual assault, violence, and underachievement across generations…a serious new talent." Londonist"An engrossing, engaging and compelling one-woman show... nothing short of virtuosic." What's On Stage"A promising, resilient artist." Ché Walker

    This book is written by a stand-up comedian that takes you through tragedy after tragedy on its path to hilarity. Will it make you laugh? Eventually. Will it make you cry? Probably. But the hope is that it will also make you smile, dream, and reflect, while simultaneously inspiring you to never stop chasing your dreams (even if your very own family is constantly trying to derail them). Brandt tells his life story with candor, detailing the many pit stops, wrong turns, crazy connections, and lucky breaks he experienced along the way to his comedy career, all while trying to balance a toxic relationship with his jailbird dad. Brandt's storytelling will make you laugh (it better because that's his job!) and believe, as he does, that when it comes to defining family, blood isn't always thicker than water.

    The hugely popular Gareth Malone recounts the heart-warming stories and transformations behind the award-winning BBC2 series The Choir

    . . . Mr. Eno's voice, which teases out the poetry in the pedestrian and finds glinting humor in the static that infuses our faltering efforts to communicate, is as distinctive as any American playwright's today."—The New York Times"Weird and wonderful . . . Eno's familiar sudden-shifting between profound and playful verbiage is delightfully disarming and sometimes awfully funny."—VarietyA wonderfully moving new play by the Pulitzer Prize–finalist author of Thom Pain (based on nothing).Meet Bob and Jennifer and their new neighbors John and Pony, two suburban couples who have more in common than their identical last names. Boasting the playwright's quintessential existential quirkiness, this new comedy finds poetry in the banal while humorously exploring our ever-floundering efforts at communication. Listed as one of New York Times's Best Plays of 2012, The Realistic Joneses will receive its Broadway premiere in spring 2014 starring Toni Collete, Michael C. Hall, Tracy Letts and Marisa Tomei.Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Middletown, The Flu Season, Tragedy: a tragedy, Intermission, and Gnit, an adaptation of Henrik Ibsen's Peer Gynt. His many awards include the PEN/Laura Pels International Foundation for Theatre Award, the Horton Foote Prize, and the first-ever Marian Seldes/Garson Kanin Fellowship by the Theater Hall of Fame.

    Lyly’s Endymion (1588) represents his famous Euphuistic style at its best and also gives us vintage Lyly as courtier and dramatist. In this love comedy, Lyly retells an ancient legend of the prolonged sleep of the man with whom the moon (Cynthia) fell in love. The fable is piquantly relevant to Queen Elizabeth and her exasperated if adoring courtiers. This edition makes a new and compelling argument for the relevance of Endymion to the threat of the Spanish Armada invasion of 1588 and to the role of the Earl of Oxford in England’s politics of that troubled decade. Full commentary is provided on every aspect of the play, including its philosophical allegory about the relation of the moon to mortal life on earth.

    Zany, thought-provoking, and always original, this anthology brings together all the one-acts from the Off-Broadway hit Mere Mortals and from the all-new Lives of the Saints, as well as several new and uncollected plays, including Bolero, Arabian Nights (which premiered at the celebrated Humana Festival in Louisville), The Green Hill, and Captive Audience.

    HEY, U UP? tackles all the milestones of relationships today—both glorious and embarrassing— with sections ranging from “How to Ask Someone Out After You’ve Slept with Them” all the way to “Establish Your Family as the Christmas Family by Turning Your Significant Other Against Their Own Parents.” In addition to the laugh-out-loud essays, lists, questionnaires, and even flowcharts further enliven the pages.

    It really is a dog’s life, and Blake has kindly taken the time to keep a diary of a year in his own life—providing a hilarious glimpse into the mind and world of your average mutt. Adorably illustrated throughout in his own hand, Blake gives insight into the canine world from a true dog's dog, including what it means to be pack leader, living with the threat of castration, what dogs really think about canned food, the joys of leg-humping, and, of course, the political and social injustices of the traditional human–canine relationship. Backed up by a host of friends, including Scottie, a geriatric, sex-mad Westie, and Constable, a dim-witted best-of-breed TV personality, Blake's plans take unexpected turns as the year progresses.  Hilarious, wise, and often touching, Blake shows us exactly why there will always be a place in the human world for dogs.

    It's OK." Over one hundred contributors share their failures, setbacks and most embarrassing moments for this compilation of hilarity with the hopes that their stories would give the embarrassed and struggling souls some comic and inspirational relief. Life is riddled with pain, disappointments, and failures, but given enough time, they're folly. "We're All A Mess. It's OK" captures life's most absurd moments honestly and without a filter. It's filled with funny essays and one-liners that highlight the grainier sides of being human and imperfect. The book covers everything from horrible internet dating experiences, the strangest of co-workers, vacations that went array, to the worst holiday gifts of all time. It's an anthology of real-life disasters. You'll enjoy comedian/actor Kim Banta's tale, "My First Date and a Sluggish Toilet," detailing a first date in the nicest home in town, ending with an overflowing toilet and panicked placement of poo into her purse. And... "You Must Have Me Confused With Someone Else" depicts Dane Levent's severe behavior problems with her golden retriever, Buddy, after picking him up from boarding, only to find out a week later that she had the wrong dog. And... "He's Worth the Wait" by Bes. D describes her mother-in-law's long-term relationship with a convicted felon she had met on Meet-An-Inmate.com. And... "Saying ‘I'm Sorry' Will Not Fix This Situation" by Ashley P. is a hilarious tale of turning her best date into her worst date by leaping onto her partner's lap, causing what is called in medical terminology, a penile fracture. And... Follow along with Traci Jo's daily embarrassment by her mother, picking her up from school wearing different wigs, such as Dorothy Hamill and Marilyn Monroe. And... Read an entire chapter dedicated to strange conditions, such as Shelley Miner Gardler's need to gather her pets before she goes to work to tell them goodbye and to assign one to be in charge while she's away. And... Discover why Christine T sorts M&Ms in ROYGBIV order and eats them first by frequency until they're even, and then one of each color in order, until they're gone. These humorous essays and quips are about the blunders and snafus, and of everyday life that most of us can relate to. It's like "Chicken Soup for the Soul" if you threw in snark and expletives. If you like Jenn Mann, Samantha Irby and Jenny Lawson, you will love "We're All A Mess. It's OK." Get a copy for your funniest friends, or for grouchy people, maybe it will cheer them up. The book is an easy read and offers a real message that we all can survive, even the worst of failures and ultimately, even though we're all a mess, it's OK. Snarky women, quip, short stories, essays, funny, humorous essays, humor essays, gifts for women, funny stories, dating, relationships, failures, work, family, cats, dogs, alpacas.

    Stumble for short.' 'Kim Jong-May awkward and incredulous as journalist asks question.' 'Supreme leader produces pure TV Valium on The One Show.' Throughout 2017 John Crace, the Guardian's parliamentary sketch writer, has watched Prime Minister Theresa May's efforts to remain strong and stable - and, indeed, Prime Minister. He coined the term 'Maybot' for her malfunctioning public appearances. And now, in this edited collection of his unremittingly witty sketches, he tells the full story of Theresa May's turbulent first year in Westminster. As waspishly hilarious as Craig Brown's diaries in Private Eye, I, Maybot is essential and hysterically funny reading for anyone trying to make sense of our crazy political year.

    For Rodney Poole, a friendly and unassuming lover of clever wordplay and television sports of all stripes, Boyle's Irish Pub is a haven of good cheer, pleasantly pointless conversation, elaborate jokes, heated trivia contests, well-poured pints, and familiar faces. The pressures and demands of the outside world hold no sway there- the crowd at Boyle's is his family, and with family all sins are forgiven. But reality cannot be kept at bay forever, and now Rodney's best friend and partner in inertia, Keith, is getting married and moving to Chicago. Since Rodney has for the most part enjoyed his bachelorhood vicariously through Keith, the prospect of being single, middle-aged, unemployed, and without his pal to while away the nights with is causing Rodney to rethink--or rather, create--his priorities. When Keith introduces him to the lovely Mairead (rhymes with "parade"), a cheerful career woman who seems to enjoy his bad puns, ambitionless nature, and love of literature, Rodney can spy an honorable path to grown-up-hood at last. But a series of comic mishaps jeopardize his budding relationship with Mairead, his friendship with Keith, and most serious of all, his place on a barstool in the idyllic world of Boyle's.

    

    A satirical poem that intentionally over-dramatizes an incident in which a lock of a woman's hair is cut without her permission.