Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devyani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, My lust for pleasure is unsatisfied. His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son s youth.

    Combining stories from the Adi Parva which precede the main narrative of the Pandav-Kaurav war for succession.

    When the beautiful and lonely lady of the manor invites him to stay and share a story, his grief at the destruction of his glorious city spills forth in a story of two brothers, Taka and Wara - wolf and boy - a tale of love and loyalty, hurt and distrust. The storyteller is amazed when the lady, or Begum, responds with a tale of her own, of Aresh and Barab, and a friendship that transcends death. Transfixed by their storytelling duel and shocked by the discovery of forbidden love, the pair draw out their stories in order to delay the moment of their parting. Part fable, part fantasy, The Storyteller's Tale captures the twilight of the Mughals and transports the reader to the stunning setting of an unforgettable brief encounter. Adapting ancient traditions of storytelling, skilfully weaving history and the lives of ordinary people in a landscape of war and devastation, Ahmad's finely drawn tale draws from the great folklore traditions of One Thousand and One Nights and the Tales of Genji.

    In the suburban streets of Calcutta where they wandered before dusk and in the hyacinth-strewn ponds where they played for hours on end, Udayan was always in his older brother's sight. So close in age, they were inseparable in childhood and yet, as the years pass - as U.S tanks roll into Vietnam and riots sweep across India - their brotherly bond can do nothing to forestall the tragedy that will upend their lives. Udayan - charismatic and impulsive - finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty. He will give everything, risk all, for what he believes, and in doing so will transform the futures of those dearest to him: his newly married, pregnant wife, his brother and their parents. For all of them, the repercussions of his actions will reverberate across continents and seep through the generations that follow. Epic in its canvas and intimate in its portrayal of lives undone and forged anew, The Lowland is a deeply felt novel of family ties that entangle and fray in ways unforeseen and unrevealed, of ties that ineluctably define who we are. With all the hallmarks of Jhumpa Lahiri's achingly poignant, exquisitely empathetic story-telling, this is her most devastating work of fiction to date.

    Yui struggles to continue on, alone with her pain. Then, one day she hears about a man who has an old disused telephone booth in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone booth spreads, people travel to it from miles around. Soon Yui makes her own pilgrimage to the phone booth, too. But once there she cannot bring herself to speak into the receiver. Instead she finds Takeshi, a bereaved husband whose own daughter has stopped talking in the wake of her mother’s death. Simultaneously heartbreaking and heartwarming, The Phone Booth at the Edge of the World is the signpost pointing to the healing that can come after.

    It is here that Kazu’s life in Tokyo began, as a labourer in the run up to the 1964 Olympics, and later where he ended his days, living in the park’s vast homeless ‘villages’, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics.Akutagawa-award-winning author Yū Miri uses her outsider’s perspective as a Zainichi (Korean-Japanese) writer to craft a novel of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan’s most vulnerable people.

    The Rajput kingdom of Mewar is at the height of its power. It is locked in war with the Sultanates of Delhi, Gujarat and Malwa. But there is another deadly battle being waged within Mewar itself. who will inherit the throne after the death of the Maharana? The course of history, not just of Mewar but of the whole of India, is about to be changed forever. At the centre of Cuckold is the narrator, heir apparent of Mewar, who questions the codes, conventions and underlying assumptions of the feudal world of which he is a part, a world in which political and personal conduct are dictated by values of courage, valour and courtesy; and death is preferable to dishonour. A quintessentially Indian story, Cuckold has an immediacy and appeal that are truely universal.

    The rain drops hit the parched earth with a vengeance. The aroma of soaked earth fills the air. A sense of rejuvenation spreads around, as new life springs out, transforming the barren landscape into a thriving oasis. Abhilasha, the mother of a grown up girl felt the same when she finally meets the love she had longed for. A union in the most unusual of circumstances and in the most unusual of places—the internet. Abhilasha was caught in a dilemma whether to listen to her mind or to follow the beats of her heart.But this conflict served as an impetus which pushed her to a new height. Going through an emotional roller-coaster, finally she reached a stage where her passion turned into compassion, the most powerful form of love, where all conflicts appear trivial, finding their way into a harmonious homogeneity. In this new scenario none of her loved ones was left behind. A strong conviction bonded and inspired everyone to undertake life's journey where the rough edges were smoothened by the healing touch of love.A story woven around the life of an Air Force officer's wife with a glimpse into what goes on behind the closed gates, guarded by vigilant men in uniform. An insight into the life of Abhilasha and her dilemmas, the seemingly ordinary incidents but which are interwoven into a complex puzzle that she must solve.

    Years later, she is miserable, having been gradually shut out by the coldness of her husband’s family and his indifference to her and her daughter’s needs.Finally she flees to England to escape the loveless union—but at what price to herself and those she loves? The moving story of one woman’s painful journey of self-discovery, Ancient Promises is about a marriage, a divorce, and motherhood. It is about why we love and lose, sometimes seeming to have little control over our destinies.About the AuthorJaishree Misra is the best-selling author of Ancient Promises, Accidents Like Love and Marriage and Afterwards. She lives in the United Kingdom.

    Unable to live with the man she loves, Karutthamma marries Palani, who, despite the scandal about his wife's past, never stops trusting her, a trust that is reaffirmed each time he goes to sea and comes back safe since the 'sea-mother' myth among the fishermen community goes that the safe return of a fisherman depends on the fidelity of his wife. Then, one night, Karutthamma and Pareekkutty meet and their love is rekindled while Palani is at sea, baiting a shark ... The hugely successful novel was adapted into a film of the same name, and won critical acclaim and commercial success. Anita Nair's evocative translation brings this classic of Indian literature to a new generation that hasn't had the opportunity to savour this tale of love and longing.

    We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

    Rangarajan, one of the most popular authors in Tamil literature; his literary career spanned more than four decades. Of his many works, Anita—A Trophy Wife (Ilam Manaivi) was one of the most well-known.Featuring Advocate Ganesh, of the author’s Ganesh–Vasanth duo, the novel describes the strained relationship between a middle-aged man and a beautiful young woman in poignant and simple terms. It brings out the nuances of a power struggle, while retaining the humour and wit that is a trademark of Sujatha’s novels.At one level a detective story and, at another, a psychological humdinger, in Sujatha’s deft telling, this story acquires a timelessness. Ably translated by Meera Ravishankar, the book is quintessential Sujatha—gripping, perceptive and superbly written.

    The mighty black river, after which the town is named, is now no more than a trickle. People have begun to listen to weather forecasts on the radio rather than looking out of the window to see if it’s going to rain. The jackfruit tree in the middle of town has suddenly started fruiting. And, most seismic of all, Paachu Yemaan, the Inspector of Police, who has terrorized the town for decades has retired. Desperate to find him something to do, his wife, Sharada, and the good-hearted Barber Sureshan decide that ex-Inspector Paachu’s post retirement project will be the reforming of the town drunk, Joby. What the two good Samaritans haven’t counted on is the chain of extraordinary events that their project is about to set in motion.

    Twenty-one year old Fenfang Wang has traveled one thousand eight hundred miles to seek her fortune in contemporary urban Beijing, and has no desire to return to the drudgery of the sweet potato fields back home. However, Fenfang is ill-prepared for what greets her: a Communist regime that has outworn its welcome, a city under rampant destruction and slap-dash development, and a sexist attitude seemingly more in keeping with her peasant upbringing than the country’s progressive capital. Yet Fenfang is determined to live a modern life. With courage and purpose, she forges ahead, and soon lands a job as a film extra. While playing roles like woman-walking-over-the bridge and waitress-wiping-a-table help her eke out a meager living, Fenfang comes under the spell of two unsuitable young men, keeps her cupboard stocked with UFO noodles, and after mastering the fever and tumult of the city, ultimately finds her true independence in the one place she never expected.At once wry and moving, Twenty Fragments of a Ravenous Youth gives us a clear-eyed glimpse into the precarious and fragile state of China’s new identity and asserts Xiaolu Guo as her generation’s voice of modern China.

    Hatterr is one of the most perfectly eccentric and strangely absorbing works modern English has produced. H. Hatterr is the son of a European merchant officer and a lady from Penang who has been raised and educated in missionary schools in Calcutta. His story is of his search for enlightenment as, in the course of visiting seven Oriental cities, he consults with seven sages, each of whom specializes in a different aspect of “Living.” Each teacher delivers himself of a great “Generality,” each great Generality launches a new great “Adventure,” from each of which Hatter escapes not so much greatly edified as by the skin of his teeth. The book is a comic extravaganza, but as Anthony Burgess writes in his introduction, “it is the language that makes the book. . . . It is not pure English; it is like Shakespeare, Joyce, and Kipling, gloriously impure.”