It was a Sunday Times Top Ten bestseller and won the Somerset Maugham Award.On a cold February afternoon, Stella catches sight of a man she hasn't seen for many years, but instantly recognises. Or thinks she does. At the same moment on the other side of the globe, in the middle of a crowd of Chinese New Year revellers, Jake realises that things are becoming dangerous.They know nothing of one another's existence, but both Stella and Jake flee their lives: Jake in search of a place so remote it doesn't appear on any map, and Stella for a destination in Scotland, the significance of which only her sister, Nina, will understand.

    Victor, with a gang of criminals, uses French privateer Sebastien Falconer as the scapegoat for his crimes. When Victor spreads the lie that Rachael informed on Falconer’s smuggling activities, Falconer vows revenge on the girl. Gripping suspense and romance play out in front of numerous historical details, including a violent storm that devastated England in 1703 and swept the Eddystone Lighthouse into the sea.

    Still weak from imprisonment herself, she takes a knife from her kitchen and goes out into London's West End, determined to protest for women's rights in the most dramatic way she can.Across the Irish sea, her younger sister, Deborah Cavendish, is lonely and unloved. When her husband returns home to join the Ulster Volunteers and fight the government, she faces an agonizing choice - to end her affair with James Rankin, the trade union leader whom she she thinks can give her all the love her husband has denied her, or face social ostracism and the loss of her beloved son. When she reads about her sister's act of defiance, she resolves to go to her aid.United by their cause, Sarah and Deborah combine to fight both male corruption and a German plot to foment civil war in Ireland,

    Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called ‘The Improbability of Love’. Delving into the painting’s past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.

    Their once solid relationship now broken and beaten by unfathomable events, leaving only a shell of past promise. When pressure cracks the last vestiges of their bond, Ben hastily leaves their Southern California home, pointing the car east to what he hopes is the edge of the Earth. After driving until he can no further, he settles in the small, coastal town of Swintonport, Maine to lose himself in quiet and anonymity, renting the quaint guesthouse of Maggie and her ten-year-old daughter, Smoof. But when tragedy strikes his landlord’s family, Ben is confronted with a sobering truth reminiscent of the one he left behind.

    He’s found his teacher’s bad side, and she wants him expelled. Although learning is his favorite thing to do, and Teddy is good at it, what he really wants is a friend. Friendship can be hard to find and sometimes fades, but Teddy keeps trying. Even at a young age, Teddy is kind, with a strong sense of right and wrong. When Mrs. Braunshausen gives away his turn to feed Mr. Chompers, the class tortoise, Teddy is not happy about it. He loves Mr. Chompers. This is the story of a young genius who grows into a hopeless romantic. We follow his life from age six, through high school at age twelve, and on to his decision to go back to college (for a PhD in Literature) after finishing his bachelor’s and master’s degrees in physics at eighteen. A coming of age novel about life, decisions, love, and genius. Killing Hemingway is a perfect book for teen and young adult readers, those who never liked Hemingway, and anyone who enjoys a bit of humorous fiction with a side of cute.

    Not only is he five years younger than her, and as sexy as sin, he seems like her exact opposite.She likes to work hard, he likes to work out.She sets goals and milestones, he sets hearts on fire.But Nadine only needs him for one weekend.Just one weekend, for an overnight stay at a hotel.What could possibly go wrong?Don't miss The Proposal—an older woman, younger man romance, featuring a sexy male escort with a heart of gold, and the female corporate executive with no time for romance. A feel-good inspirational romance.

    Award-winning Japanese author Shion Miura’s novel is a reminder that a life dedicated to passion is a life well lived.Inspired as a boy by the multiple meanings to be found for a single word in the dictionary, Kohei Araki is devoted to the notion that a dictionary is a boat to carry us across the sea of words. But after thirty-seven years creating them at Gembu Books, it’s time for him to retire and find his replacement.He discovers a kindred spirit in Mitsuya Majime—a young, disheveled square peg with a penchant for collecting antiquarian books and a background in linguistics—whom he swipes from his company’s sales department.Led by his new mentor and joined by an energetic, if reluctant, new recruit and an elder linguistics scholar, Majime is tasked with a career-defining accomplishment: completing The Great Passage, a comprehensive 2,900-page tome of the Japanese language. On his journey, Majime discovers friendship, romance, and an incredible dedication to his work, inspired by the bond that connects us all: words.

    Now, ten years later, it stands out like a proud maharani amid Edison's bustling Little India. But when Anjali learns the shop is on the brink of bankruptcy, she feels her world unraveling...To the rescue comes Anjali's wealthy, dictatorial Uncle Jeevan and his business partner, Rishi Shah -- a mysterious Londoner, complete with British accent, cool gray eyes, and skin so fair it makes it hard to believe he's Indian. Rishi's cool, foreign demeanor triggers distrust in Anjali and her mother. But for Anjali, he also stirs something else, a powerful attraction she hasn't felt in a decade. And the feeling is mutual...Love disappointed Anjali once before and she's vowed to live without it -- though Rishi is slowly melting her resolve and, as the shop regains its footing, gaining her trust. But when a secret from Rishi's past is revealed, Anjali must turn to her family and her strong cultural upbringing to guide her in finding the truth...

    Since her eccentric father’s untimely death, she is the presumed heir to a long-rumored trove of diaries, paintings, letters, and early novel drafts passed down from the Brontë family - a hidden fortune never revealed to anyone outside of the family, but endlessly speculated about by Brontë scholars and fanatics. Samantha, however, has never seen this alleged estate and for all she knows, it’s just as fictional as Jane Eyre or Wuthering Heights.But everything changes when Samantha enrolls at Oxford University and long lost objects from the past begin rematerializing in her life, beginning with an old novel annotated in her father’s handwriting. With the help of a handsome but inscrutable professor, Samantha plunges into a vast literary mystery and an untold family legacy, one that can only be solved by decoding the clues hidden within the Brontës’ own works

    Rosemary begins her story in the middle. She has her reasons. “Until Fern’s expulsion...,” Rosemary says, “she was my twin, my funhouse mirror, my whirlwind other half and I loved her.” As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence.In We Are All Completely Beside Ourselves, Karen Joy Fowler weaves her most accomplished work to date—a tale of loving but fallible people whose well-intentioned actions lead to heartbreaking consequences.

    With no recourse in mind, and with a desire to see the country on one last trip, the man signs up as a census taker for a mysterious governmental bureau and leaves town with his son. Traveling into the country, through towns named only by ascending letters of the alphabet, the man and his son encounter a wide range of human experience. While some townspeople welcome them into their homes, others who bear the physical brand of past censuses on their ribs are wary of their presence. When they press toward the edges of civilization, the landscape grows wilder, and the towns grow farther apart and more blighted by industrial decay. As they approach “Z,” the man must confront a series of questions: What is the purpose of the census? Is he complicit in its mission? And just how will he learn to say good-bye to his son? Mysterious and evocative, Census is a novel about free will, grief, the power of memory, and the ferocity of parental love, from one of our most captivating young writers.

    There is a reward for his capture. A hired killer is stalking him. He is alone and anonymous in the huge, pitiless modern city. Adam has nowhere to go but down - underground. He decides to join that vast army of the disappeared and the missing that throng the lowest level of London's population as he tries to figure out what to do with his life and struggles to understand the forces that have made it unravel so spectacularly. His quest will take him all along the River Thames, from affluent Chelsea to the sink estates of the East End, and on the way he encounters all manner of London's denizens - aristocrats, prostitutes, priests and policewomen amongst them - and version after new version of himself.William Boyd's electric follow-up to Costa Novel of the Year Restless is a heart-in-mouth conspiracy novel about the fragility of social identity, the scandal of big business, and the secrets that lie hidden in the filthy underbelly of every city.

    In the cafés on College Hill, the wised-up kids are inhaling Derrida and listening to the Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine tries to understand why "it became laughable to read writers like Cheever and Updike, who wrote about the suburbia Madeleine and most of her friends had grown up in, in favor of reading the Marquis de Sade, who wrote about deflowering virgins in eighteenth century France," real life, in the form of two very different guys, intervenes. Leonard Bankhead - charismatic loner, college Darwinist, and lost Portland boy - suddenly turns up in a semiotics seminar, and soon Madeleine finds herself in a highly charged erotic and intellectual relationship with him. At the same time, her old "friend" Mitchell Grammaticus - who's been reading Christian mysticism and generally acting strange - resurfaces, obsessed with the idea that Madeleine is destined to be his mate. Over the next year, as the members of the triangle in this amazing, spellbinding novel graduate from college and enter the real world, events force them to reevaluate everything they learned in school. Leonard and Madeleine move to a biology laboratory on Cape Cod, but can't escape the secret responsible for Leonard's seemingly inexhaustible energy and plunging moods. And Mitchell, traveling around the world to get Madeleine out of his mind, finds himself face-to-face with ultimate questions about the meaning of life, the existence of God, and the true nature of love. Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? With devastating wit and an abiding understanding of and affection for his characters, Jeffrey Eugenides revives the motivating energies of the Novel, while creating a story so contemporary and fresh that it reads like the intimate journal of our own lives.

    Golden Richards, husband to four wives, father to twenty-eight children, is having the mother of all midlife crises. His construction business is failing, his family has grown into an overpopulated mini-dukedom beset with insurrection and rivalry, and he is done in with grief: due to the accidental death of a daughter and the stillbirth of a son, he has come to doubt the capacity of his own heart. Brady Udall, one of our finest American fiction writers, tells a tragicomic story of a deeply faithful man who, crippled by grief and the demands of work and family, becomes entangled in an affair that threatens to destroy his family's future. Like John Irving and Richard Yates, Udall creates characters that engage us to the fullest as they grapple with the nature of need, love, and belonging. Beautifully written, keenly observed, and ultimately redemptive, The Lonely Polygamist is an unforgettable story of an American family—with its inevitable dysfunctionality, heartbreak, and comedy—pushed to its outer limits.