But when Joe's father loses his job, Lassie must be sold. Three times she escapes from her new owner, and three times she returns home to Joe, until finally she is taken to the remotest part of Scotland—too far a journey for any dog to make alone.But Lassie is not just any dog.First published in 1940, Lassie Come-Home has become one of the best-loved dog stories in the world. This beautiful edition showcases the original text and illustrations within a striking new jacket.

    Recently, however, this friendship has been threatened by violence against the Indians. Then, Catharine and her brother are taken captive by the Lenape in retaliation. At first, Catharine is afraid of her captors. But when a handsome brave begins to teach her about the ways of the Lenape, she comes to see that all people share the same joys, hopes, and fears. Osborne crafts a thrilling story of romance and danger and remarkable courage.

    When Heidi goes to Frankfurt to work in a wealthy household, she dreams of returning to the mountains and meadows, her friend Peter, and her beloved grandfather.

    Mama is ill. Father has taken a job abroad. Nanny Jane is too busy to pay any attention to Henrietta and the things she sees -- or thinks she sees -- in the shadows of their new home, Hope House.All alone, with only stories for company, Henry discovers that Hope House is full of strange secrets: a forgotten attic, ghostly figures, mysterious firelight that flickers in the trees beyond the garden.One night she ventures into the darkness of Nightingale Wood. What she finds there will change her whole world...

    Horrified at having witnessed her father's murder and fearing that the killers are agents of Queen Elizabeth I, eleven-year-old Alice Tuckfield hides in the Yorkshire cathedral by disguising herself as one of the choirboys.

    But then Alison Ashley shows up, and right from the start, seems to threaten Erica's position. Can these classmates ever see past their difficulties and find friendship?

    Nobody wants Tulip in their gang. She bunks off school, is rude to the teachers and makes herself unpopular with her classmates by telling awful lies. But none of this matters to Natalie who finds Tulip's behaviour exciting and dangerous. At first she doesn't care that other people are upset by Tulip's bizarre games but as the games become increasingly dangerous and sinister, Natalie realises that Tulip is going too far. Way too far... Tulip becomes even more destructive and after a row with Natalie she commits a terrible crime.This is a compelling story in which Anne Fine explores the dark side of a friendship bordering on obsession, and sensitively depicts one girl's gradual decline into hostility and violence.

    Her selection of her favorite stories describes powerful—and sometimes exceedingly silly—monarchs, and commoners who are every bit their match; musicians and dancers who live for art rather than earthly reward; and a goldfish who wishes to “marry the Moon, surpass the Sun, and possess the World.”

    Her father is determined to marry her off to a rich man--any rich man, no matter how awful. But by wit, trickery, and luck, Catherine manages to send several would-be husbands packing. Then a shaggy-bearded suitor from the north comes to call--by far the oldest, ugliest, most revolting suitor of them all. Unfortunately, he is also the richest. Can a sharp-tongued, high-spirited, clever young maiden with a mind of her own actually lose the battle against an ill-mannered, piglike lord and an unimaginative, greedy toad of a father? Deus! Not if Catherine has anything to say about it!

    And if twelve-year-old Rose hadn't been so unhappy in her new home, where she'd been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn't, she never would have climbed up into another century, the world of the 1860s, and the chaos of Civil War...

    Young Miriam Willard, on a day that had promised new happiness, finds herself instead a captive on a forest trail, caught up in the ebb and flow of the French and Indian War. It is a harrowing march north. Miriam can only force herself to the next stopping place, the next small portion of food, the next icy stream to be crossed. At the end of the trail waits a life of hard work and, perhaps, even a life of slavery. Mingled with her thoughts of Phineas Whitney, her sweetheart on his way to Harvard, is the crying of her sister’s baby, Captive, born on the trail. Miriam and her companions finally reach Montreal, a city of shifting loyalties filled with the intrigue of war, and here, by a sudden twist of fortune, Miriam meets the prominent Du Quesne family, who introduce her to a life she has never imagined. Based on an actual narrative diary published in 1807, Calico Captive skillfully reenacts an absorbing facet of history.

    Here, fourteen-year-old Janie meets a mysterious apothecary and his son, Benjamin Burrows—a fascinating boy who’s not afraid to stand up to authority and dreams of becoming a spy. When Benjamin’s father is kidnapped, Janie and Benjamin must uncover the secrets of the apothecary’s sacred book, the Pharmacopoeia, in order to find him, all while keeping it out of the hands of their enemies—Russian spies in possession of nuclear weapons. Discovering and testing potions they never believed could exist, Janie and Benjamin embark on a dangerous race to save the apothecary and prevent impending disaster.

    Mary and her younger brother Peter set out on foot, lost in the vast, hot Australian outback. They are saved by a chance meeting with an Aboriginal boy on walkabout, who teaches them to find food and water in the wilderness, but whom Mary can’t bring herself to trust. Though on the surface Walkabout is an adventure story, darker themes lie just beneath. Peter’s innocent friendship with the Aboriginal throws into relief Mary’s no longer childish anxiety, and together raise questions about how Aboriginal and Western culture can meet. And in the vivid descriptions of the natural world, we realize that this story—a deep fairy tale in the spirit of Adalbert Stifter’s Rock Crystal—must also be a story about the closeness of death and the power of nature.

    Kidnapped by the crew of an Africa-bound ship, a thirteen-year-old boy discovers to his horror that he is on a slaver and his job is to play music for the exercise periods of the human cargo.

    But Sara is much missed - and most acutely by best friend Ermengarde, who laments that 'nothing is the same as it was before'. But life must go on at Miss Minchin's as new friendships are made, rivalries continued, lessons learned and, most importantly, fairytale endings are had.