But who hid this magnificent treasure and why? In Tun-huang, the great modern Japanese novelist Yasushi Inoue tells the story of Chao Hsing-te, a young Chinese man whose accidental failure to take the all-important exam that will qualify him as a high government official leads to a chance encounter that draws him farther and farther into the wild and contested lands west of the Chinese Empire. Here he finds love, distinguishes himself in battle, and ultimately devotes himself to the strange task of depositing the scrolls in the caves where, many centuries later, they will be rediscovered. A book of magically vivid scenes, fierce passions, and astonishing adventures, Tun-huang is also a profound and stirring meditation on the mystery of history and the hidden presence of the past.

    As they walk through the city, Kandagawa relives moments of their relationship and questions their decision to be apart. Lose Your Private Life Waterumi Yano is a successful young novelist, her books winning prestigious prizes and the hearts of readers all over the world. However, Waterumi is herself a fiction, a penname for the 28 year old Terumi Yano, a woman struggling to hold on to her identity as she is increasingly recognized by her loved ones as Waterumi.A GenealogyA fable-like retelling which broadly sketches the evolution of mankind. Despite fictional / magical retellings ('The frog gave birth to the dinosaur'), the narrative begins with of a rock and ending with Kandagawa, sitting in a bath in her apartment, remembering how, in the past, she used to be a fish. Though the narrative appears to be summarizing thousands of years' worth of development, Kandagawa's closing memory of being a fish seems to imply that the whole evolution has simply taken place in the time it has taken for us to read the short story (which, because this evolution exists only as the short story, it technically has). Or, we are left wondering if Kandagawa is accessing a kind of collective memory.Translated by Polly Barton. Design by Nigel Aono-Billson.

    As Gran’s eightieth birthday approaches, her middle-aged children get together to make preparations. Family secrets are revealed and long-time sibling rivalries flare up with renewed vigour. As Shengqiang struggles unsuccessfully to juggle the demands of his mistress and his wife, the biggest surprises of all come from Gran herself…

    An aging and well-respected female newscaster at a provincial TV station finds herself caught up in an illicit affair with her boss, who insists that she recite the news while they have sex. An anonymous city prone to vanishing storefronts begins to plant giant mushrooms for its citizens to live in, with disastrous consequences.In this first book in the brand-new Calico Series, we bring you work by some of today’s most exciting writers from China and Hong Kong, including Dorothy Tse (tr. Natascha Bruce), Zhu Hui (tr. Michael Day), and Enoch Tam (tr. Jeremy Tiang). Lightly touching on issues of urbanization, sexuality, and propaganda, the collection builds a world both utterly disorienting and disturbing familiar, prompting the question: Where does reality end and absurdity begin in a world pushed to its very limits?

    Drawing from her own experiences growing up in a Syrian refugee camp, as well as her current life in Gaza, these stories stitch together a patchwork of different perspectives into what it means to be a woman in Palestine today. Whether following the daily struggles of orphaned children fighting to survive in the rubble of recent bombardments, or mapping the complex, cultural tensions between different generations of refugees in wider Gazan society, these stories offer rare insights into one of the most talked about, but least understood cities in the Middle East. Taken together, the collection affords us a local perspective on a global story, and it does so thanks to a cast of (predominantly female) characters whose vantage point is rooted, firmly, in that most cherished of things, the home.

    His first novel, Almost Transparent Blue, won Japan’s most coveted literary prize and sold over a million copies, and his most recent psychosexual thriller, In the Miso Soup, gave readers a further taste of his incredibly agile imagination. In Piercing, Murakami, in his own unique style, explores themes of child abuse and what happens to the voiceless among us, weaving a disturbing, spare tale of two people who find each other and then are forced into hurting each other deeply because of the haunting specter of their own abuse as children.

    New life begins at the cellular level, but when that cell contains restless mitochondria, it will aspire to be much more than just a speck in a petri dish. Parasite Eve was the basis of the hugely popular video game of the same name and has been cinematized in Japan, where the novel’s smashing success helped set off a horror boom that has only been intensifying ever since.When Dr. Nagashima loses his wife in a mysterious car crash, he is overwhelmed with grief but also an eerie sense of purpose; he becomes obsessed with the idea that he must reincarnate his dead wife. Her donated kidney is transplanted into a young girl with a debilitating disorder, but the doctor also feels compelled to keep a small sample of her liver in his laboratory. When these cells start mutating rapidly, a consciousness bent on determining its own fate awakens from an eonic sleep.

    Passing through a glowing mirror, they gather in a magnifcent castle which becomes their playground and refuge during school hours. The students are tasked with locating a key, hidden somewhere in the castle, that will allow whoever finds it to be granted one wish. At this moment, the castle will vanish, along with all memories they may have of their adventure. If they fail to leave the castle by 5 pm every afternoon, they will be eaten by the keeper of the castle, an easily provoked and shrill creature named the Wolf Queen.Delving into their emotional lives with sympathy and a generous warmth, Lonely Castle in the Mirror shows the unexpected rewards of reaching out to others. Exploring vivid human stories with a twisty and puzzle-like plot, this heart-warming novel is full of joy and hope for anyone touched by sadness and vulnerability.

    . . It was life-making.Tomura is startled by the hypnotic sound of a piano being tuned in his school. It seeps into his soul and transports him to the forests, dark and gleaming, that surround his beloved mountain village. From that moment, he is determined to discover more.Under the tutelage of three master piano-tuners – one humble, one cheery, one ill-tempered – Tomura embarks on his training, never straying too far from a single, unfathomable question: do I have what it takes?Set in small-town Japan, this warm and mystical story is for the lucky few who have found their calling – and for the rest of us who are still searching. It shows that the road to finding one’s purpose is a winding path, often filled with treacherous doubts and, for those who persevere, astonishing moments of revelation.

    Their bond forms instantly.Upon their first meeting, after Makino’s concert in Tokyo, they begin a conversation that will go on for years, with long spells of silence broken by powerful moments of connection. She’s drawn by Makino’s tender music and his sensitivity, and he is intrigued by Yoko’s refinement and intellect. But neither knows enough about love to see it blooming nor has the confidence to make the first move. Will their connection endure, weaving them back together like instruments in a symphony, or will fate lead them apart?Blending the harmonies of Kazuo Ishiguro’s Nocturnes and the sensuality of Ian McEwan’s Enduring Love, At the End of the Matinee is an enchanting and thought-provoking love story.

    "In fact, I'm very modern. Why do you look at me like that?"Left to her own devices in Biarritz, fourteen-year-old Russian Liza meets an older English boy, Cromwell, on a beach. He thinks he has found a magical, romantic beauty and insists upon calling her Isolde; she is taken with his Buick and ability to pay for dinner and champagne. Disaffected and restless, Liza, her brother Nikolai and her boyfriend Andrei enjoy Cromwell's company in restaurants and jazz bars after he follows Liza back to Paris - until his mother stops giving him money. When the siblings' own mother abandons them to follow a lover to Nice, the group falls deeper into its haze of alcohol, and their darker drives begin to take over.First published in 1929, Isolde is a startlingly fresh, disturbing portrait of a lost generation of Russian exiles by Irina Odoevtseva, a major Russian writer who has never before appeared in English.

    The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.

    Are his fables, in which acorns quarrel and flowers fret about losing their looks, written for children or adults? They are for both: for adventurous young minds, but also for older readers in whom the spark of curiosity, combined with a taste for fantasy and a love of language, is still alight.This collection, appearing for the first time in paperback, brings together the best of his stories. They range from cautionary tales to small prose poems, from social satire to unmistakable tragedy. All share an intense delight in the natural world -- a sense of oneness with other living creatures and with the vast universe around us.Miyazawa is entirely original. No other Japanese writer, before or since, has told stories as fresh in detail but universal in scope as this man who lived and died, still young, in Japan's far north.

    Haiku are practiced by poets, lovers, and schoolchildren, by “political haiku” twitterers, by anyone who has the desire to pin preception and experience into a few quick phrases. This essay offers readers unparalleled insight into the living heart of haiku—how haiku work and what they hold, and how to read through and into their images to find a full expression of human life and perceptions, sometimes profound, sometimes playful.

    This thought-provoking trilogy of stories explores the very essence of loneliness and stands as a stirring introduction to modern Japanese literature.