He's consumed with guilt for driving the night of the accident after a long evening of drinking and partying. With perceptiveness and compassion, Sharon M. Draper portrays an African-American teenager who feels driven to consider suicide in the wake of a devastating tragedy.

    As a poor kid in a wealthy school district, better-off kids crowd impatiently behind him as he tries to explain to the cashier that he’s on the free meal program. The lunch lady is hard of hearing, so Rex has to shout.Free Lunch is the story of Rex’s efforts to navigate his first semester of sixth grade—who to sit with, not being able to join the football team, Halloween in a handmade costume, classmates and a teacher who take one look at him and decide he’s trouble—all while wearing secondhand clothes and being hungry. His mom and her boyfriend are out of work, and life at home is punctuated by outbursts of violence. Halfway through the semester, his family is evicted and ends up in government-subsidized housing in view of the school. Rex lingers at the end of last period every day until the buses have left, so no one will see where he lives.Unsparing and realistic, Free Lunch is a story of hardship threaded with hope and moments of grace. Rex’s voice is compelling and authentic, and Free Lunch is a true, timely, and essential work that illuminates the lived experience of poverty in America.

    As a ghost, he observes the devastation that’s been unleashed on his family and community in the wake of what they see as an unjust and brutal killing.Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father’s actions.Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today’s world, and how one boy grows to understand American blackness in the aftermath of his own death.

    There’s just one problem—Gage doesn’t actually have a place to live.When Ari’s mother died four years ago, she had two final wishes: that Ari and her older brother, Gage, would stay together always, and that Ari would go to Carter, the middle school for gifted students. So when nineteen-year-old Gage decides he can no longer live with their bossy guardian, Janna, Ari knows she has to go with him. But it’s been two months, and Gage still hasn’t found them an apartment. He and Ari have been "couch surfing," staying with Gage’s friend in a tiny apartment, crashing with Gage’s girlfriend and two roommates, and if necessary, sneaking into a juvenile shelter to escape the cold Maine nights. But all of this jumping around makes it hard for Ari to keep up with her schoolwork, never mind her friendships, and getting into Carter starts to seem impossible. Will Ari be forced to break one of her promises to Mama? Told in an open, authentic voice, this nuanced story of hiding in plain sight may have readers thinking about homelessness in a whole new way.

    His parents farmed coca, a traditional Bolivian medicinal plant, until they got caught in the middle of the government’s war on drugs. Diego’s adjusted to his new life. His parents are locked up, but he can come and go: to school, to the market to sell his mother’s hand-knitted goods, and to work as a “taxi”, running errands for other prisoners. But then his little sister runs away, earning his mother a heavy fine. The debt and dawning realization of his hopeless situation make him vulnerable to his friend Mando’s plan to make big money, fast. Soon, Diego is deep in the jungle, working as a virtual slave in an illegal cocaine operation. As his situation becomes more and more dangerous, he knows he must take a terrible risk if he ever wants to see his family again.

    Tree, a six-foot-three-inch twelve-year-old, copes with his parents' recent divorce and his failure as an athlete by helping his grandfather, a Vietnam vet and recent amputee, and Sophie, a new girl at school.

    Harley Blevins, local king and emperor of Standard Oil, is in hot pursuit to clinch his fuel monopoly. To keep him at bay and her family out of foster care, Melia must come up with a father, and fast. And so when a hobo rolls out of a passing truck, Melia grabs opportunity by its beard. Can she hold off the hounds till she comes of age?

    He collects stubby pencils, plays chess, and maintains an elaborate –and public– fantasy life, starring himself as a brave knight. Z’s games were okay back in 3rd or 4th grade, but by now their other friends have ditched them both. Z doesn’t care, but Ella longs to be part of a group of friends, even though most of the class makes fun of her. Ella’s mother is black and her father (now deceased) was white, and she’s the only black girl in their sixth grade class. When a new boy, Bailey, moves to town, he befriends Ella, because they are now the only two black kids in class. But Bailey is popular – popular enough to make Ella cool and give her a wider circle of friends – but only if she stops hanging out with Z. Ella’s faced with a difficult decision – remain loyal to the boy who has been her best and only friend for years, or pass up the opportunity to be one of the popular kids that she has always longed to be.

    But he's gone . . . and he's left a whole lot of trouble behind.As danger closes in, Early, her mom, and her brother have to flee their apartment. With nowhere else to go, they are forced to move into a city shelter. Once there, Early starts asking questions and looking for answers. Because her father hasn't disappeared without a trace. There are patterns and rhythms to what's happened, and Early might be the only one who can use them to track him down and make her way out of a very tough place.With her signature, singular love of language and sense of mystery, Blue Balliett weaves a story that takes readers from the cold, snowy Chicago streets to the darkest corner of the public library, on an unforgettable hunt for deep truths and a reunited family.

    Anjali's mother is. And with this change comes many more adjustments designed to improve their country and use "ahimsa"—non-violent resistance—to stand up to the British government. First the family must trade in their fine foreign-made clothes for homespun cotton, so Anjali has to give up her prettiest belongings. Then her mother decides to reach out to the Dalit community, the "untouchables" of society. Anjali is forced to get over her past prejudices as her family becomes increasingly involved in the movement.When Anjali's mother is jailed, Anjali must step out of her comfort zone to take over her mother's work, ensuring that her little part of the independence movement is completed.Inspired by her great-grandmother's experience working with Gandhi, New Visions Award winner Supriya Kelkar shines a light on the Indian freedom movement in this poignant debut.

    Mia was adopted from South Korea as a baby, and the trip raises tough questions about where she really belongs. Then her dad is arrested for spying, just as forbidden photographs of North Korean slave-labor camps fall into Mia's hands. The only way to save Dad: get the pictures out of the country. Thus Mia and Simon set off on a harrowing journey to the border, without food, money, or shelter, in a land where anyone who sees them might turn them in, and getting caught could mean prison -- or worse.An exciting adventure that offers a rare glimpse into a compelling, complicated nation, In the Shadow of the Sun is an unforgettable novel of courage and survival.

    The sky is blue, the sun is blazing, and the days brim with possibility. But Leah feels. . . lost. She has been this way since one terrible afternoon a year ago, when everything changed. Since that day, her parents have become distant, her friends have fallen away, and Leah’s been adrift and alone.Then she meets Jasper, a girl unlike anyone she has ever known. There’s something mysterious about Jasper, almost magical. And Jasper, Leah discovers, is also lost. Together, the two girls carve out a place for themselves, a hideaway in the overgrown spaces of Atlanta, away from their parents and their hardships, somewhere only they can find.But as the days of this magical June start to draw to a close, and the darker realities of their lives intrude once more, Leah and Jasper have to decide how real their friendship is, and whether it can be enough to save them both.

    All thirteen-year-old Raspberry can think of is making money so that she and her mother never have to worry about living on the streets again.

    So while Mom "finds herself," Stella fantasizes that someday she'll come back to the Cape and settle down. The only obstacle to her plan? Angel, the foster kid Louise has taken in. Angel couldn't be less like her name—she's tough and prickly, and the girls hardly speak to each other.But when tragedy unexpectedly strikes, Stella and Angel are forced to rely on each other to survive, and they learn that they are stronger together than they could have imagined. And over the course of the summer they discover the one thing they do have in common: dreams of finally belonging to a real family.

    The two of them can explore the village on their own, climbing trees, playing sports, and more.But their transformation won’t last forever—unless the two best friends can figure out a way to make it stick and make their newfound freedoms endure.