Florence is a talented musician who dreams of a career on the concert stage and of the perfect life she will create with Edward, an earnest young history student at University College of London, who unexpectedly wooed and won her heart. Newly married that morning, both virgins, Edward and Florence arrive at a hotel on the Dorset coast. At dinner in their rooms they struggle to suppress their worries about the wedding night to come. Edward, eager for rapture, frets over Florence’s response to his advances and nurses a private fear of failure, while Florence’s anxieties run deeper: she is overcome by sheer disgust at the idea of physical contact, but dreads disappointing her husband when they finally lie down together in the honeymoon suite. Ian McEwan has caught with understanding and compassion the innocence of Edward and Florence at a time when marriage was presumed to be the outward sign of maturity and independence. On Chesil Beach is another masterwork from McEwan—a story of lives transformed by a gesture not made or a word not spoken.

    In the ancient town of Ephesus, Mary lives alone, years after her son's crucifixion. She has no interest in collaborating with the authors of the Gospel—her keepers, who provide her with food and shelter and visit her regularly. She does not agree that her son is the Son of God; nor that his death was “worth it;” nor that the “group of misfits he gathered around him, men who could not look a woman in the eye,” were holy disciples. Mary judges herself ruthlessly (she did not stay at the foot of the Cross until her son died—she fled, to save herself), and is equally harsh on her judgment of others. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes, in Toibin’s searing evocation, a tragic heroine with the relentless eloquence of Electra or Medea or Antigone. This tour de force of imagination and language is a portrait so vivid and convincing that our image of Mary will be forever transformed.

    Marvellous Ways is a ninety-year-old woman who's lived alone in a remote creek for nearly all her life. Recently she's taken to spending her days sitting on the steps of her caravan with a pair of binoculars. She's waiting for something - she's not sure what, but she'll know it when she sees it. Freddy Drake is a young soldier left reeling by the war. He's agreed to fulfil a dying friend's last wish and hand-deliver a letter to the boy's father in Cornwall. But Freddy's journey doesn't go to plan, and sees him literally wash up in Marvellous' creek, broken in body and spirit. When Marvellous comes to his aid, an unlikely friendship grows between the two. Can Freddy give Marvellous what she needs to say goodbye to the world, and can she give him what he needs to go on?

    A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading with murderous attention, must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.The Sentence begins on All Souls' Day 2019 and ends on All Souls' Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.

    Hilarious misadventures abound as Lady Bobbin's serenely beautiful daughter, Philadelphia, meets the advances of the very eligible, and equally dull, Lord Lewis and of the charming but penniless Paul Fotheringay, whose terribly serious first novel has, to his dismay, just been hailed by critics as the funniest book of the year. With signature wit and gentle mockery, not to mention her acid malice for the second-rate, Nancy Mitford romps rippingly through the wold and the life of the county set in the cozy English 1930s.

    But the darkly handsome Mr. Edward Sharpe is no run-of-the-mill London merchant. He’s grim and silent. A man of little emotion—or perhaps no emotion at all. After two months of courtship, she’s ready to put an end to things. A Last Chance for Love But severing ties with her taciturn suitor isn’t as straightforward as Sophie envisioned. Her parents are outraged. And then there’s Charles Darwin, Prince Albert, and that dratted gaslight. What’s a girl to do except invite Mr. Sharpe to Appersett House for Christmas and give him one last chance to win her? Only this time there’ll be no false formality. This time they’ll get to know each other for who they really are.

    Since her husband died three years ago, Gaby's four children have drifted apart, each consumed by the turbulence of their own lives. They haven't celebrated Christmas together since their father's death, but when Gaby announces that she's getting married--and that the groom will remain a secret until the wedding day--she may finally be able to bring them home for the holidays.But the wedding isn't Gaby's only surprise--she has one more gift for her children, and it could change all their lives forever. With deeply affecting characters and the emotional twists of a James Patterson thriller, The Christmas Wedding is a fresh look at family and the magic of the season.

    It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.

    It pulls him away from his wife and children and into a bewildering mystery.He arrives at his parents house and discovers that they have a visitor. His sister Tara. Not so unusual you might think, this is Christmas after all, a time when families get together. But twenty years ago Tara took a walk into the woods and never came back and as the years have gone by with no word from her the family have, unspoken, assumed that she was dead. Now she's back, tired, dirty, disheveled, but happy and full of stories about twenty years spent traveling the world, an epic odyssey taken on a whim.But her stories don't quite hang together and once she has cleaned herself up and got some sleep it becomes apparent that the intervening years have been very kind to Tara. She really does look no different from the young woman who walked out the door twenty years ago. Peter's parents are just delighted to have their little girl back, but Peter and his best friend Richie, Tara's one time boyfriend, are not so sure. Tara seems happy enough but there is something about her. A haunted, otherworldly quality. Some would say it's as if she's off with the fairies. And as the months go by Peter begins to suspect that the woods around their homes are not finished with Tara and his family...

    Jude, Ohio, mourning the loss of the woman who raised her—her grandmother, June. But a knock on the door forces her out of isolation. Cassie has been named the sole heir to legendary matinee idol Jack Montgomery's vast fortune. How did Jack Montgomery know her name? Could he have crossed paths with her grandmother all those years ago? What other shocking secrets could June’s once-stately mansion hold?Soon Jack’s famous daughters come knocking, determined to wrestle Cassie away from the inheritance they feel is their due. Together, they all come to discover the true reasons for June’s silence about that long-ago summer, when Hollywood came to town, and June and Jack’s lives were forever altered by murder, blackmail, and betrayal. As this page-turner shifts deftly between the past and present, Cassie and her guests will be forced to reexamine their legacies, their definition of family, and what it truly means to love someone, steadfastly, across the ages.

    For a decade she’s hidden her career as a Christmas romance novelist from her family. Her talent has made her a bestseller even as her chronic illness has always kept the kind of love she writes about out of reach.But when her diversity-conscious publisher insists she write a Hanukkah romance, her well of inspiration suddenly runs dry. Hanukkah’s not magical. It’s not merry. It’s not Christmas. Desperate not to lose her contract, Rachel’s determined to find her muse at the Matzah Ball, a Jewish music celebration on the last night of Hanukkah, even if it means working with her summer camp archenemy—Jacob Greenberg.Though Rachel and Jacob haven’t seen each other since they were kids, their grudge still glows brighter than a menorah. But as they spend more time together, Rachel finds herself drawn to Hanukkah—and Jacob—in a way she never expected. Maybe this holiday of lights will be the spark she needed to set her heart ablaze.