In it, Reed, one of our preeminent African-American authors, mixes portraits of historical figures and fictional characters with sound bites on subjects ranging from ragtime to Greek philosophy. Cited by literary critic Harold Bloom as one of the five hundred most significant books in the Western canon, Mumbo Jumbo is a trenchant and often biting look at black-white relations throughout history, from a keen observer of our culture.

    With the fire and patriotism of youth they sign up. What follows is the moving story of a young ‘unknown soldier’ experiencing the horror and disillusionment of life in the trenches.

    At its heart is Madeleine Lee, a young widow who comes to Washington, D.C., to understand the workings of power. Pursued by Silas Ratcliffe, the most influential member of the Senate, Madeleine soon sees enough of power and its corrupting influence to last her a lifetime.

    The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his side of the story in a book William Gass called "one of the finest of our contemporary fictions."

    Sofia and her fated daughters, Fe, Esperanza, Caridad, and la Loca, endure hardship and enjoy love in the sleepy New Mexico hamlet of Tome, a town teeming with marvels where the comic and the horrific, the real and the supernatural, reside.

    To the tough-minded and self-reliant farmers, the monopolistic, land-grabbing railroad represented everything they despised: consolidation, organization, conformity. But Norris idealizes no one in this epic depiction of the volatile situation, for the farmers themselves ruthlessly exploited the land, and in their hunger for larger holdings they resorted to the same tactics used by the railroad: subversion, coercion and outright violence. In his introduction, Kevin Starr discusses Norris's debt to Zola for the novel's extraordinary sweep, scale and abundance of characters and details.

    It is a tale of love and courage, of power abused, and of the terrible choice between family loyalty and justice.

    An extraordinarily well-crafted work, this book is a work of vision. Through its deft negotiation of race, class, gender and cultural change, it dramatizes the 'nervousness' of the 'postcolonial' conditions that bedevil us still. In Tambu and the women of her family, we African women see ourselves, whether at home or displaced, doing daily battle with our changing world with a mixture of tenacity, bewilderment and grace.

    Set in Old California, this powerful narrative richly depicts the life of the fading Spanish order, the oppression of tribal American communities and inevitably, the brutal intrusion of white settlers. Ramona, an illegitimate orphan, grows up as the ward of the overbearing Senora Moreno. But her desire for Alessandro, a Native American, makes her an outcast and fugitive...

    Through pithy and poetic chapter-moments - "spring landscape: detail," "death of grandmother," "first beau," "low yellow," "everybody will be surprised" - Maud Martha grows up, gets married, and gives birth to a daughter. Maud Martha, a gentle woman with "scraps of baffled hate in her, hate with no eyes, no smile..." who knows "while people did live they would be grand, would be glorious and brave, would have nimble hearts that would beat and beat," is portrayed with exquisitely imaginative and tender detail by Gwendolyn Brooks, the first African-American to win a Pulitzer Prize

    But as both a writer and an African American, he is offended and angered by the success of We's Lives in Da Ghetto, the exploitative debut novel of a young, middle-class black woman who once visited "some relatives in Harlem for a couple of days." Hailed as an authentic representation of the African American experience, the book is a national bestseller and its author feted on the Kenya Dunston television show. The book's success rankles all the more as Monk's own most recent novel has just notched its seventh rejection." "Even as his career as a writer appears to have stalled, Monk finds himself coping with changes in his personal life. In need of distraction from old memories, new responsibilities, and his professional stagnation, Monk composes, in a heat of inspiration and energy, a fierce parody of the sort of exploitative, ghetto wanna-be lit represented by We's Lives in Da Ghetto." But when his agent sends this literary indictment (included here in its entirety) out to publishers, it is greeted as an authentic new voice of black America. Monk - or his pseudonymous alter ego, Stagg R. Leigh - is offered money, fame, success beyond anything he has known. And as demand begins to build for meetings with and appearances by Leigh, Monk is faced with a whole new set of problems.

    Since the 1980s, Eliza Haywood's literary works have been gaining in recognition and interest. She wrote and published over seventy works during her lifetime including fiction, drama, translations, poetry, conduct literature and periodicals. Haywood is a significant figure of the long 18th century as one of the important founders of the novel in English. Her writing career began in 1719 with the first two installments of Love in Excess. Many of her works were published anonymously. Amongst her other works are Fantomina; or, Love in a Maze (1724), The Fortunate Foundlings (1744), Life's Progress Through the Passions; or, The Adventures of Natura (1748) and The History of Miss Betsy Thoughtless (1751).

    There's Ivy League Caroline, who dreams of graduating from the typing pool to an editor's office, naive country girl April, who within months of hitting town reinvents herself as the woman every man wants on his arm; Gregg, the free-spirited actress with a secret yearning for domesticity. Now a classic, and as page-turning as when it first came out, The Best of Everything portrays their lives and passions with intelligence, affection and prose as sharp as a paper cut.(back cover)

    Each of the 15 stories offers glimpses into the lives of ordinary Dubliners, and collectively they paint a portrait of a nation.

    With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers. Burr is a portrait of perhaps the most complex and misunderstood of the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. Burr retains much of his political influence if not the respect of all. And he is determined to tell his own story. As his amanuensis, he chooses Charles Schermerhorn Schuyler, a young New York City journalist, and together they explore both Burr's past and the continuing political intrigues of the still young United States.