The catch? The last tenant, Brody Walsh, killed himself.Or did he?As disturbing dreams and hauntings start to occur, Harley realizes there may be much more behind the previous tenant’s death than a simple suicide. She finds her life further entangled with his when she learns that her new boss, Nolan, was also his best friend. Could this handsome but evasive pub owner have something to do with Brody’s death?Trying to piece together the events surrounding Brody’s death proves to be a daunting task, but Harley can’t give up. Brody won’t let her. He is still in the apartment with her, trapped in limbo until she finds his killer.But he’s not waiting for revenge.Harley’s next.

    Noah has never been ordinary. He loves to make up stories, and he is constantly surprising her with random trivia someone his age has no right knowing. She always chalked it up to the fact that Noah was precocious―mature beyond his years. But Noah’s eccentricities are starting to become worrisome. One afternoon, Noah’s preschool teacher calls Janie: Noah has been talking about shooting guns and being held under water until he can’t breathe. Suddenly, Janie can’t pretend anymore. The school orders him to get a psychiatric evaluation. And life as she knows it stops for herself and her darling boy.For Jerome Anderson, life as he knows it has already stopped. Diagnosed with aphasia, his first thought as he approaches the end of his life is, I’m not finished yet. Once an academic star, a graduate of Yale and Harvard, a professor of psychology, he threw everything away to pursue an obsession: the stories of children who remembered past lives. Anderson became the laughing stock of his peers, but he never stopped believing that there was something beyond what anyone could see or comprehend. He spent his life searching for a case that would finally prove it. And with Noah, he thinks he may have found it.Soon, Noah, Janie, and Anderson will find themselves knocking on the door of a mother whose son has been missing for eight years. When that door opens, all of their questions will be answered.Gorgeously written and fearlessly provocative, Sharon Guskin’s debut explores the lengths we will go for our children. It examines what we regret in the end of our lives and hope for in the beginning, and everything in between.

    Though she’s been dealing with a quarter-life crisis and post-college syndrome like any other twenty-something, she’s still not what you would call “ordinary.” For one thing, there’s her past which she likes to pretend never happened, and then there’s the fact that she sees ghosts. Luckily for her, that all comes in handy when she stumbles across Dex Foray, an eccentric producer for an upcoming webcast on ghost hunters. Even though the show’s budget is non-existent and Dex himself is a maddening enigma, Perry is instantly drawn into a world that both threatens her life and seduces her with a sense of importance. Her uncle’s haunted lighthouse provides the perfect catalyst and backdrop for a horrific mystery that unravels the threads of Perry’s fragile sanity and causes her to fall for a man, who, like the most dangerous of ghosts, may not be all that he seems.

    Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Soon, though, they come to realize that more is wrong than their diminished privacy. Surely the house can't be "haunted," yet something about it seems to destroy the goodness of every person who comes to live in it, until the entire heart of this friendly neighborhood threatens to be torn apart.

      Now she’s out and determined to uncover who put her in that cellar and why.   When Clementine was a child, dangerous and inexplicable things started happening in New South Bend. The townsfolk blamed the fiendish people out in the Willows and burned their homes to the ground. But magic kept Clementine alive, walled up in the cellar for ten years, until a boy named Fisher sets her free. Back in the world, Clementine sets out to discover what happened all those years ago. But the truth gets muddled in her dangerous attraction to Fisher, the politics of New South Bend, and the Hollow, a fickle and terrifying place that seems increasingly temperamental ever since Clementine reemerged.

    Soon, they return from the grave…and ask for blood. And with blood, they stop being dead. They continue to remain the children they once were...but only for a short time, as they need more blood to live. The average human body holds ten pints of blood, so the inevitable question for parents everywhere becomes: How far would you go to bring your child back?