Carol Ann Duffy's 'Rapture' is about the loss and rediscovery of love in all its aspects - erotic, intellectual, emotional.

    Two choices. One chance to follow her dreams.Emily has come a long way since she lost her two passions fifteen years ago: music, and Rob. She's a psychologist at NYU who helps troubled college students like the one she once was. Together with her caring doctor husband, Ezra, she has a beautiful life. They're happy. They hope to start a family. But when a tragic event in Emily's present too closely echoes her past, and parts of her story that she'd hoped never to share come to light, her perfect life is suddenly upturned. Then Emily hears a song on the radio about the woman who got away. The melody and voice are hauntingly familiar. Could it be? As Emily's past passions come roaring back into her life, she'll find herself asking: Who is she meant to be? Who is she meant to love?

    And few episodes in postwar literature have the legendary stature of Hughes's romance with, and marriage to, the great American poet Sylvia Plath.The poems in Birthday Letters are addressed (with just two exceptions) to Plath, and were written over a period of more than twenty-five years, the first a few years after her suicide in 1963. Some are love letters, others haunted recollections and ruminations. In them, Hughes recalls his and Plath's time together, drawing on the powerful imagery of his work--animal, vegetable, mythological--as well as on Plath's famous verse.Countless books have discussed the subject of this intense relationship from a necessary distance, but this volume--at last--offers us Hughes's own account. Moreover, it's a truly remarkable collection of poems in its own right.

    After a frivolous six months of backpacking through New Zealand, Australia, and Southeast Asia, she finds herself broke on the Mediterranean without enough money for a plane ticket home to California. There are worse places to be stuck than the gorgeous coastline of southern Italy, but the only job she manages to secure involves teaching English to two of the brattiest children she’s ever met.It doesn’t help that the children are under the care of their brooding older brother, Italian ex-motorcycle racer Desiderio Larosa. Darkly handsome and oh-so-mysterious, Derio tests Amber’s patience and will at every turn—not to mention her hormones.But when her position as teacher turns into one as full-time nanny at the crumbling old villa, Amber finds herself growing closer to the enigmatic recluse and soon has to choose between the safety of her life back in the States and the uncertainty of Derio’s closely guarded heart.

    She used to play fiddle and tour the music circuit with her sister, Julie, who sang and played guitar. That ended when country music execs swooped in and signed Julie to a solo deal. Never mind that Julie and Bailey were a duet, or that Bailey was their songwriter. The music scouts wanted only Julie, and their parents were content to sit by and let her fulfill her dreams while Bailey’s were hushed away.Bailey has tried to numb the pain and disappointment over what could have been. And as Julie’s debut album is set to hit the charts, her parents get fed up with Bailey’s antics and ship her off to granddad’s house in Nashville. Playing fiddle in washed-up tribute groups at the mall, Bailey meets Sam, a handsome and oh-so-persuasive guitarist with his own band. He knows Bailey’s fiddle playing is just the thing his band needs to break into the industry. But this life has broken Bailey’s heart once before. She isn’t sure she’s ready to let Sam take her there again…

    Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love – and that our lives make tales no less dramatic and powerful than those of the old gods.