It reveals the purpose of the moon, explains the difference between criminals and outlaws, examines the conflict between social activism and romantic individualism, and paints a portrait of contemporary society that includes powerful Arabs, exiled royalty, and pregnant cheerleaders. It also deals with the problem of redheads.

    It took a desperate call from his mother to force him home to see his ailing father. As soon as he returned, Jess found himself embroiled in two suspicious deaths, emotional turmoil with his family, and a supernatural secret that involved them all—winding up in an unmarked grave in the middle of the Coachella Desert. In a tale that spreads from the California Desert to the jungles of Mexico and set in a town that time has practically forgotten, Descending Son is rooted in the sins of Jess’s past and a future that threatens his life. Sure, Jess can go home again, but there’s a heavy price to pay.

    After a long career of being shot at, he’s about to be retired. The mildly larcenous, backwater island of Mancreu is the ideal place to serve out his time, a former British colony in legal limbo, belching toxic clouds of waste and facing imminent destruction by an international community concerned for their own safety. The perfect place for Lester is also the perfect location for a multinational array of shady businesses. Hence the Black Fleet of illicit ships lurking in the bay: spy stations, arms dealers, offshore hospitals, money laundering operations, drug factories and torture centres. None of which should be a problem, since Lester's brief is to sit tight and turn a blind eye.Meanwhile, he befriends a brilliant, internet-addled street kid with a comic book fixation who will need a home when the island dies. When Mancreu's fragile society erupts in violence, Lester must be more than just an observer: he has no choice but to rediscover the man of action he once was, and find out what kind of hero the island—and the boy—will need.From the award-winning author of Angelmaker and The Gone-Away World, Tigerman is a novel at once deeply heartfelt and headlong thrilling—about parenthood, friendship and secret identities, about heroes of both the super and the everyday kind.

    In Ron Currie's provocative, wise, and emotionally resonant novel we meet God himself; the Dinka woman whose mortality He must suffer when He inhabits her body; people all over the world coping with the devastating news of God's demise; a group of young men who, fearing the end of the world, take fate into their own hands; mental patients who insist that a god still exists; armies taking up the eternal war between fate and free will; and parents who, in the absence of a deity and the “lack of anything to do on Sundays,” worship their children. On the surface, this is a world utterly transformed—yet certain things remain unchanged: protective parents clash with willful, idealistic teenagers; idols are exalted; small-town rumor mills run unabated; and children often don't realize how to forgive their parents until it's too late.In God Is Dead, Currie brings together a prescient satirical gift worthy of Jonathan Swift, the raw appeal of Chuck Palahniuk's blackest comedy, and the thought-provoking ethical questions of Kurt Vonnegut, all with a light touch, empathy, and wisdom that make for an exhilarating reading experience. Offbeat yet accessible, God Is Dead is an exciting debut from a fresh new voice in contemporary fiction.

    Yearning for connection and the prospect of family, Roy embarks on a journey across America, visiting childhood haunts in the South to confront his troubled memories and history, and making a stop in Nevada to call on a retired Navy SEAL who may hold the answer to Tommy's fate. The ultimate destination is San Francisco, where a potential Russian bride and his long-lost niece await, and where Roy may finally recover the Joseph line.With The Other Joseph, Skip Horack delivers a powerful, spellbinding tale of a man nearly defeated by life who is given one last chance at redemption—one last shot to find meaning and alter the course of his solitary existence.

    Businesses went under by the hundreds, debt and foreclosures boomed, and breadlines grew in many American cities. In the midst of this misery, some folks explored unscrupulous ways to make money. Angel-faced John Partlow and carnival huckster Ginger LaFrance are among the worst of this lot. Joining together they leave their small time confidence scams behind to attempt an elaborate kidnapping-for-ransom scheme in New Orleans.In a different part of town, Curtis Mayhew, a young black man who works as a redcap for the Union Railroad Station, has a reputation for mending quarrels and misunderstandings among his friends. What those friends don't know is that Curtis has a special talent for listening... and he can sometimes hear things that aren't spoken aloud.One day, Curtis Mayhew's special talent allows him to overhear a child's cry for help (THIS MAN IN THE CAR HE'S GOT A GUN), which draws him into the dangerous world of Partlow and LaFrance.This gritty depression-era crime thriller is a complex tale enriched by powerfully observed social commentary and hints of the supernatural, and it represents Robert McCammon writing at the very top of his game.

    Against a backdrop of petty crime, she struggles to live her dreams, calling on cultural masters Charlie Chaplin, Kafka, and da Vinci for inspiration. In an effort to support herself and her layabout performance-artist boyfriend, Clown Girl finds herself unwittingly transformed into a corporate clown, trapping herself in a cycle of meaningless, high-paid gigs that veer dangerously close to prostitution. Monica Drake has created a novel that riffs on the high comedy of early film stars -- most notably Chaplin and W. C. Fields -- to raise questions of class, gender, economics, and prejudice. Resisting easy classification, this debut novel blends the bizarre, the humorous, and the gritty with stunning skill.

    It also has a very, very old one.   Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die?  The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

    Inquisition. Accusation. Fear.  Torture. The guilty and the innocent dying for sins real and imagined in the flames of the burning stake. Neilsville, 1978. Peter Blasam has come to this sleepy desert town to teach its youth, and finds a mystery of mounting horror. Something is happening to the young girls of St. Francis Xavier High School—something evil. In bloodlet and terror a suicide contagion has swept the town... while a dark order of its holy men enacts a secret medieval ritual. Is hysteria manipulating these innocent children into violent self-destruction? Or has a supernatural force, a thirteenth-century madness, returned to... Punish The Sinners.

    He'd like to say he has nothing to do with the series of monstrous murders that keep coming closer to his home. But how can Thad disown the ultimate embodiment of evil that goes by the name he gave it-and signs its crimes with Thad's bloody fingerprints?________________________Alternate cover editions:New English Library, 1990New English Library Early Export Edition, 1990

    On the outside, there's Violet, an eighteen-year-old dancer days away from the life of her dreams when something threatens to expose the shocking truth of her achievement.On the inside, within the walls of the Aurora Hills juvenile detention center, there's Amber, locked up for so long she can't imagine freedom.Tying their two worlds together is Orianna, who holds the key to unlocking all the girls' darkest mysteries…What really happened on the night Orianna stepped between Violet and her tormentors? What really happened on two strange nights at Aurora Hills? Will Amber and Violet and Orianna ever get the justice they deserve—in this life or in another one?In prose that sings from line to line, Nova Ren Suma tells a supernatural tale of guilt and of innocence, and of what happens when one is mistaken for the other.

    Wait. There it is again, at the cornfield. Some movement, some thing. Mom and I have been on the run for years. Every time he catches up with us, we move to a new place and start over.But this place is different.This place is full of secrets. And they won't leave me alone.

    . .Lucia’s fingers found her own. She gazed at Caro as if from a distance. Her lips parted, her words a whisper: ‘He knows.’London, 1782. Desperate for her politician husband to return home from France, Caroline 'Caro' Corsham is already in a state of anxiety when she finds a well-dressed woman mortally wounded in the bowers of the Vauxhall Pleasure Gardens. The Bow Street constables are swift to act, until they discover that the deceased woman was a highly-paid prostitute, at which point they cease to care entirely. But Caro has motives of her own for wanting to see justice done, and so sets out to solve the crime herself. Enlisting the help of thieftaker, Peregrine Child, their inquiry delves into the hidden corners of Georgian society, a world of artifice, deception and secret lives.But with many gentlemen refusing to speak about their dealings with the dead woman, and Caro's own reputation under threat, finding the killer will be harder, and more treacherous than she can know . . .

    The others—those were definitely me. Brilliant yet poor, Ramesh Kumar grew up working at his father’s tea stall in the Old City of Delhi. Now, he makes a lucrative living taking tests for the sons of India's elite—a situation that becomes complicated when one of his clients, the sweet but hapless eighteen-year-old Rudi Saxena, places first in the All Indias, the national university entrance exams, thanks to him.Ramesh sees an opportunity—perhaps even an obligation—to cash in on Rudi’s newfound celebrity, not knowing that Rudi’s role on a game show will lead to unexpected love, followed by wild trouble when both young men are kidnapped. But Ramesh outwits the criminals who’ve abducted them, turning the tables and becoming a kidnapper himself. As he leads Rudi through a maze of crimes both large and small, their dizzying journey reveals an India in all its complexity, beauty, and squalor, moving from the bottom rungs to the circles inhabited by the ultra-rich and everywhere in between.A caper, social satire, and love story rolled into one, How to Kidnap the Rich is a wild ride told by a mesmerizing new talent with an electric voice.

    Pamela Emerson lives a lonely new widowhood outside of Baltimore, with only a house full of ticking clocks for company. Then she hires eccentric Elizabeth Abbott as a handyman and both discover that parts don't have to be a perfect match to work.