In the aftermath of the Great War and a devastating family tragedy, Laurence Bartram has turned his back on the world. But with a well-timed letter, an old flame manages to draw him back in. Mary Emmett’s brother John—like Laurence, an officer during the war—has apparently killed himself while in the care of a remote veterans’ hospital, and Mary needs to know why. Aided by his friend Charles—a dauntless gentleman with detective skills cadged from mystery novels—Laurence begins asking difficult questions. What connects a group of war poets, a bitter feud within Emmett’s regiment, and a hidden love affair? Was Emmett’s death really a suicide, or the missing piece in a puzzling series of murders? As veterans tied to Emmett continue to turn up dead, and Laurence is forced to face the darkest corners of his own war experiences, his own survival may depend on uncovering the truth. At once a compelling mystery and an elegant literary debut, The Return of Captain John Emmett blends the psychological depth of Pat Barker’s Regeneration trilogy with lively storytelling from the golden age of British crime fiction.

    Aunt Sabrina invites her to Essex England, for help with the Order of the New Dawn. Aunt Jagger beats the servants to suicide, and someone feeds her Death mushrooms. Next door, Sir Charles photographs a fresh body in an archaeological dig, and seeks his killer.

    Perfect for readers of Tasha Alexander, Anne Perry, and Deanna Raybourn. Nineteen-year-old Nell Hallam lives in a modest corner of Mayfair with her brother Matthew, an inspector at Scotland Yard. An exceptionally talented pianist, she aspires to attend the Royal Academy; but with tuition beyond their means, Nell sets out to earn the money herself—by playing piano in a popular Soho music hall. And the fact that she will have to disguise herself as a man and slip out at night to do it doesn’t deter her.Spending evenings at the Octavian is like entering an alternate world, one of lively energy, fascinating performers, raucous patrons—and dark secrets. And when Nell stumbles upon the operations of an infamous crime ring working in the shadows of the music hall, she is drawn into a conspiracy that stretches the length of London. To further complicate matters, she has begun to fall for the hall owner's charismatic son, Jack, who has secrets of his own. The more Nell becomes a part of the Octavian’s world, the more she risks the relationships with the people she loves. And when another performer is left for dead in an alley as a warning, she realizes her future could be in jeopardy in more ways than one.

    Stories of cursed giant rats and malign spirits haunt the garrets of Limehouse. A group of merchants are, one by one, dying: murdered, somehow. The elementary choice to investigate these mysterious deaths is, of course, Holmes and Dr Watson. Yet instead of deduction, it will be the unique gifts of their housekeeper, Mrs Hudson and her orphaned assistant Flotsam that will be needed to solve the case. Can she do it all under the nose of Sherlock himself?From the coal fire at Baker Street to the smog of Whitechapel and the jungles of Sumatra, from snake bites in grand hotels to midnight carriage chases at the docks, it's time for Mrs Hudson to step out of the shadows. Playfully breaking with convention, Martin Davies brings a fresh twist to classic Victorian mystery.Martin Davies grew up in north-west England. All his writing is done in cafes, on buses or on trains, and all his first drafts are written in longhand. He has travelled widely, including in the Middle East, India and Sicily. In addition to the Holmes & Hudson Mysteries, he is the author of four other novels, including The Conjurer’s Bird, which sold over 150,000 copies and was selected for the Richard & Judy Book Club and Havana Sleeping, which was shortlisted for the 2015 CWA Historical Dagger award. He works as a consultant in the broadcasting industry.

    While war rages in Europe, Fenella Churche is doing her bit in the green fields of England. But when she finds a letter addressed to her on the scrubbed farmhouse table, she knows the news won’t be good. She hasn’t heard from her fiancé Arthur since he was posted to France on a dangerous undercover mission, and from his very first words she knows he may not be coming back.I fear this may be my last letter to you, my darling, Arthur writes. Fen won’t give up hope and calls the war office, wanting to know if Arthur is still alive; they refuse to tell her anything. Searching for answers, she returns to his letter, but parts of it just don’t make sense. Through her tears Fen realises that her darling Arthur is giving her all the clues she needs to find out what happened to him.1945. With the war behind them and nothing left for her in England, Fen travels to the deceptively pretty French village where she thinks Arthur might be, but there’s no sign of him. She’s close to giving up when she finds his silver cigarette case and another letter full of clues. But when the local priest is killed, it’s clear someone wants to keep wartime secrets buried. If Arthur, a brilliant spy, was outwitted and betrayed, can Fen stay alive long enough to find out what happened to the man she loves?

    Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.