He's a Vietnam veteran, a jazz pianist, a college professor, and a prognosticator of the apocalypse (and other things Earth-shattering). But that's neither here no there. Because at Tarkington College—where he teaches—the excrement is about to hit the air-conditioning. And its all Eugene's fault.

    A retired professional baseball player, he returns to his home in Detroit to purchase a major league franchise. Rion has to tackle government corruption and systematic racism in his quest. He didn’t realize that one person held the key to all of his dreams until she knocks him off his feet. Rion becomes completely mesmerized by hazel eyes along with a no nonsense attitude and tough city girl exterior. Tauri Patterson is the city Prosecutor and her job is to fight for the citizens of Detroit. Her strength and intelligence have made her one of the top litigators. Little did she know that when she received Rion Shaw’s case on her desk, her life would never be the same. The six-foot four decadent chocolate dream walks into her office and changes her life. She’s swept off her feet by the confident warrior who knows who he is and what he wants. Together they must overcome the threats against them in order to achieve the task before them. Rion and Tauri find that love and family can overcome every barrier.

    

    K. Chesterton's Father Brown is both a diminuitive, genial clergyman and a master sleuth. In these two stories involving the ingenious, unobtrusive priest, a murdered man denounces his killer with his dying breaths, and a brilliant French inspector follows a trail of carnage across London.

    After a successful career in the private sector, Nasir El-Rufai rose to the top ranks of Nigeria's political hierarchy, serving first as the privatization czar at the Bureau for Public Enterprises and then as Minister of the Federal Capital Territory of Abuja under former President Olesegun Obasanjo. In this tell-all memoir, El-Rufai reflects on a life in public service to Nigeria, the enormous challenges faced by the country, and what can be done while calling on a new generation of leaders to take the country back from the brink of destruction. The shocking revelations disclosed by El-Rufai about the formation of the current leadership and the actions of prominent statesmen make this memoir required reading for anyone seeking to understand the dynamics of power politics in Africa's most populous nation.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

    A woman can do what she likes with a man When She knows how to satisfy his appetite for food. "Long throat Memoirs presents a sumptuous menu of essays about Nigerian food, lovingly presented by the nation's top epicurean writer. As well as a mouth-watering appraisal of the cultural politics and erotics of Nigerian cuisine, it is therefore a series of love letters to the Nigerian palate. From innovations in soup, fish as aphrodisiac and the powerful seductions of the yam, Long Throat Memoirs examines the complexities, the peculiarities, the meticulousness, and the tactility of Nigerian food. Nigeria has a strong culture of oral storytelling, myth of creation, of imaginative traversing of worlds. Long Throat Memoirs collates some of Those stories into at irresistible soup-pot, overexpressed in the flawless love language of appetite and nourishment.A sensuous testament on why, When and how Nigerians eat the food they love to eat; this book is a welcome addition to the global dining table of ideas.

    As he strives to establish himself, he becomes closely involved with the fluid and dangerous politics of the newly-dependent state.

    When this investors’ darling was exposed as a house of cards, tales of fraudulent accounting, a lavish lifestyle involving multimillion-rand racehorses and ructions in the ‘Stellenbosch mafia’ made headlines around the world. As regulators tally up the cost, 'Financial Mail' editor Rob Rose reveals the real inside story behind Steinhoff. Based on dozens of interviews with key players in South Africa, the UK, Germany and the Netherlands – and documents not yet public – Steinheist reveals: how Bruno Steinhoff formed the company by doing business in the Communist bloc and apartheid South Africa; how the ‘Markus myth’ started in the dusty streets of Ga-Rankuwa and grew thanks to a ‘bit of luck’ in a 1998 takeover; how Jooste insiders shifted nasty liabilities off Steinhoff’s balance sheet to secretive companies overseas in order to present a false picture of the profits; how Wiese was lucky to lose only R59bn and how Shoprite narrowly escaped getting caught in Steinhoff’s web; and what happened behind closed boardroom doors in the frantic week before Jooste resigned.

    In those turbulent years, she gained a profound understanding of what it means to be black in America.While studying in America, she met Femi, an African man. They fell in love and she journeyed to Nigeria to become his wife. In Africa, plunged into a culture so very different from her own, but one she felt she should understand, Marita Golden learned about both her own new sprawling Nigerian family and Nigeria's large American community.But Femi, once her strength, began to insist she fit herself into the strict mold of his society and assume the submissive role of a Nigerian wife.In her new, strange surroundings, Marita Golden discovered that home is not simply a destination, but rather something you must carry always inside you."A marvelous journey . . . powerful imagery . . . distinctly drawn characters come alive, events pulsate with energy." -- The Washington Post Book World

    novel, Morocco, tr Paul Bowles

    Lawrence's frank portrayal of an extramarital affair and the explicit sexual explorations of its central characters caused this controversial book, now considered a masterpiece, to be banned as pornography until 1960.

    That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby - and that the baby should be raised as an Italian! - are matters requiring immediate correction by Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.