John of Washington, D.C., seeking sanctuary, and FBI Special Agent James Quinlan who's undercover and after her. He's got a murder to solve, and he believes she's the key. But is she really?

    Ruthless. Savage. And she's the good guy.Abby Sinclair had a desperate childhood until she was rescued and adopted by a retired army ranger who molded her into a master of self-defense. Now, she's a cunning and fearless assassin thrust into assignment after dangerous assignment, using everything she has-nerve, resilience, strength, sex-to come out on top. Her only rule: trust no one.Abby's latest assignment is in Columbia: go undercover and snuff out a dangerous arms dealer active in the underground sex trade. But when Abby purposely blows her cover in a last-ditch attempt to free the helpless victims, deadly mercenary Kane Woodland is recruited as back-up. His mission: get Abby out of that hell hole.The last thing Kane expects is to feel a primal attraction for Abby. But when she convinces him to join her on her perilous mission, their newfound passion could put the lives of their whole team at risk.

    As the owner of Odd Jobs, she's gone from rags to riches...sort of. Because Lacey's harboring a secret -- she was born Lillian Dumont, and spent her childhood with a silver spoon in her mouth, until the deaths of her wealthy parents and the evil schemes of an abusive uncle forced her to take drastic measures. She'd never planned to return to her former life or her abandoned identity -- but when her childhood sweetheart, Ty, resurfaces and urges her to claim her rightful inheritance, she decides that maybe being the Dumont heiress wouldn't be so bad. Lacey's uncle doesn't see it that way, though -- and he's willing to do anything to stop her.Now, it's up to Ty to protect Lacey before that silver spoon becomes a silver bullet. But if they live through this, the future's looking bright for this downtown guy and his brand-new uptown girl!

    Now Clare learns that Beth lives in the small town of Farley, South Carolina but when she goes there to reunite with Beth, Clare discovers her sister is missing and that someone in the town is responsible for her disappearance. Clare receives an offer to help with the search from fellow FBI Special Agent Jake Sutton. The offer is too good to refuse though that is exactly what Clare wants to do. Jake is Clare’s former lover, a man she cannot forget and who has an agenda of his own.Now while Clare tracks her sister, someone is tracking Clare, and finding her sister may cost Clare her life.

    Kate and Alex have a strong marriage and a lovely home. Don and Debbie are their good friends; and the couple has two girls: Sarah and Emily. Everything changes with one phone call... Sarah accuses Alex of sexual assault, and a vicious rift occurs between the two couples. Kate watches helplessly as her innocent husband is convicted of rape and sent to prison; but then her grief turns to anger...Fern Michaels' style! With a steel-edged resolve to clear her husband's good name, and ruin those who have destroyed their lives; Kate sets out to take revenge on the family who were once her closest friends.

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?