Inspired by seventeenth-century French trade engravings, Anita Lobel's brilliant paintings of the shopkeepers on Market Street—each composed of his or her wares—will provide blissful hours for all who join the Lobels on an unforgettable shopping spree. "In a delightful and unusual book, a boy trots down Market Street buying presents for a friend, each one starting with a letter of the alphabet. Every letter is illustrated by a figure ingeniously composed of, for instance, apples or wigs or quilts. The notion is original, and the sum total enjoyable and unique."—The Horn BookA Caldecott Honor Book, a New York Times Best Illustrated book, an ALA Notable Book, and a Boston Globe/Horn Book Honor Book for IllustrationSupports the Common Core State Standards

    It doesn't pretend to be anything else. And yet it is an extraordinary creation, in which author and artist speak to children in a very special way. The fanciful nonsense and marvelously intricate pictures are full of sly subtleties and happy surprises for both eye and ear. It is a book of absurd delights, of tiny, fey graphic details, of captivating scenes and lyrical phrases that stretch the imagination. Children will return to it again and again for new meanings, new images, new responses.

    He is an orphan, and he spends half of each year with his mother's people in the Lowlands, while the other half finds him in the Highlands with his father's kin. Both sides of Gillis's family are eager for him to settle down and adopt their ways. In the Lowlands, he is taught to herd cattle, learning how to call them to him in even the heaviest of evening fogs. In the rocky Highlands, he stalks stags from outcrop to outcrop, holding his breath so as not to make a sound. Wee Gillis is a quick study, and he soon picks up what his elders can teach him. And yet he is unprepared when the day comes for him to decide, once and for all, whether it will be the Lowlands or the Highlands that he will call his home.Robert Lawson and Munro Leaf's classic picture book is a tribute to the powers of the imagination and a triumph of the storyteller's and illustrator's art.

    Unfortunately, Nothing at All gets inadvertently left behind-not out of cruelty, but because he is invisible! He is horribly lonely until he meets a bird, a Jackdaw, who says that he knows how to make the puppy visible. Nothing at All doesn't think much of the bird at first, but follows the instructions anyway, and after a little time, hard work, and a lot of dizziness, the puppy becomes visible and is adopted along with his brothers. Best known for her Newbery Honor winner Millions of Cats, Wanda Gág (1893-1946) was a pioneer in children's book writing, integrating text and illustration. Born in New Ulm, Minnesota, she rose to international acclaim. In recognition of her artistry, she was posthumously awarded the 1958 Lewis Carroll Shelf Award for Millions of Cats and the 1977 Kerlan Award for her body of work.

    Williams' Caldecott Honor Book cry out for more more more! The stars of three little love stories - toddlers with nicknames like "Little Pumpkin" - run giggling until they are scooped up by adoring adults to be swung around, kissed, and finally tucked into bed. Quirky watercolor drawings and colorful text feature multiethnic families, and young readers will rejoice in seeing the center of all the attention: the wiggly, chubby, irresistible toddlers.

    Not the man with the hat or the lady with the umbrella. Not even the television or the radio forecasters. But one boy and his dog have faith that the snow will amount to something spectacular, and when flakes start to swirl down on the city, they are also the only ones who know how to truly enjoy it.Uri Shulevitz' playful depiction of a snowy day and the transformation of a city is perfectly captured in simple, poetic text and lively watercolor and pen-and-ink illustrations.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    Beautiful watercolors.

    But so does the Strawberry Snatcher, and unfortunately for the Grey Lady he is not far away and getting closer all the time. Past flower shops and bakeries he stalks her, silently, steadily, biding his time. He pursues her by foot along haunting red-brick paths, and then by skateboard into the mysterious depths of a swamp both beautiful and terrifying.Closer and closer he gets, and yet the Grey Lady escapes him, in fantastic and marvelously improbable ways, until, in the heart of the forest the Strawberry Snatcher discovers instead -- blackberries!In this wordless allegory, author-illustrator Molly Bang has created a visual feast full of surprise and wonder. Her lively tale skillfully blends fantasy, suspense, and humor, and the magnificent illustrations are a treat for young and old alike.

    Can Pearl, a pig, and her new friend, a small talking bone, outwit a band of robbers and a hungry fox?The Amazing Bone is a 1976 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, a 1977 Caldecott Honor Book, and a 1977 Boston Globe - Horn Book Awards Honor Book for Picture Books.

    It certainly wasn't the day that Alan Mitz stumbled into the garden of Abdul Gasazi. For in this bizarre and eerie place—where strange topiary trees loomed—the evil visage of Gasazi casts its shadow. And even after Alan escaped, the spell of Gasazi still seemed to penetrate into his everyday world. In this extraordinary, unusual, and unique picture book, Chris Van Allsburg explores both the real and surreal worlds with incredible deftness. In doing so, he has created exquisite and beautiful images that will continue to haunt readers long after they have left the enchanted garden of Abdul Gasazi.

    Peppe's family is very poor, and though he is just a boy he needs to find work. Being a lamplighter is not the job his father had dreamed of for Peppe, but when Peppe's job helps save his little sister, he earns the respect of his entire family.Supports the Common Core State Standards.

    Perfect entertainment for bath time or for bedtime, the joyful music and hilarious rhyming tale will provide hours of fun for young readers.

    Katy couldn't find anything until she went up to the attic. And there she discovered a very special set of eggs...Grandmom had painted them when she was a little girl. And now, she hung them from the branches of a tiny tree -an egg tree! So began a very special Easter tradition.

    Woodcut illustrations and brief text from an American folk song relate the story of the animals on Noah's ark.