Traveling from Portsmouth to the south of France, Tarquin Winot, the book's snobbish narrator, instructs us in his philosophy on everything from the erotics of dislike to the psychology of the menu. Under the guise of completing a cookbook, Winot is in fact on a much more sinister mission that only gradually comes to light.

    Oliver Wendell Holmes, and James Russell Lowell, along with publisher J. T. Fields—are finishing America's first translation of The Divine Comedy and preparing to unveil Dante's remarkable visions to the New World. The powerful Boston Brahmins at Harvard College are fighting to keep Dante in obscurity, believing that the infiltration of foreign superstitions into American minds will prove as corrupting as the immigrants arriving at Boston Harbor.The members of the Dante Club fight to keep a sacred literary cause alive, but their plans fall apart when a series of murders erupts through Boston and Cambridge. Only this small group of scholars realizes that the gruesome killings are modeled on the descriptions of Hell's punishments from Dante's Inferno. With the lives of the Boston elite and Dante's literary future in America at stake, the Dante Club members must find the killer before the authorities discover their secret.Dr. Oliver Wendell Holmes and an outcast police officer named Nicholas Rey, the first black member of the Boston police department, must place their careers on the line to end the terror. Together, they discover that the source of the murders lies closer to home than they ever could have imagined.The Dante Club is a magnificent blend of fact and fiction, a brilliantly realized paean to Dante's continued grip on our imagination, and a captivating thriller that will surprise readers from beginning to end.

    As avant-garde novelist Antony Lamont struggles to write a "new wave murder mystery," his frustrating emotional and sexual life wreaks havoc on his work-in-progress. As a result, his narrative (the very book we are reading) turns into a literary "stew": an uproariously funny melange of journal entries, erotic poetry, parodies of all kinds, love letters, interviews, and lists - as Hugh Kenner in Harper's wrote, "for another such virtuoso of the List you'd have to resurrect Joyce." Soon Lamont's characters (on loan from F. Scott Fitzgerald, Flann O'Brien, James Joyce, and Dashiell Hammett) take on lives of their own, completely sabotaging his narrative.

    At the center of this outlandishly funny, fiercely intelligent novel is the bewitching heroine, Lenore Stonecipher Beadsman. The year is 1990 and the place is a slightly altered Cleveland, Ohio. Lenore’s great-grandmother has disappeared with twenty-five other inmates of the Shaker Heights Nursing Home. Her beau, and boss, Rick Vigorous, is insanely jealous, and her cockatiel, Vlad the Impaler, has suddenly started spouting a mixture of psycho-babble, Auden, and the King James Bible. Ingenious and entertaining, this debut from one of the most innovative writers of his generation brilliantly explores the paradoxes of language, storytelling, and reality.

    After witnessing a profoundly traumatic event, a boy is left alone in a remote house on a hilltop with his increasingly deranged parent. When a stranger knocks on his door, the boy senses that his days of isolation are over—but by what authority does this man keep the meticulous records he carries? Is he the boy’s friend? His enemy? Or something altogether other?

    And hid her bruises. And stayed with Bobby because she wanted her son to have a father. And because, in spite of everything, she loved him. Then one night, when she saw the look on her ten-year-old son's face, Fran finally made a choice--and ran for both their lives.Now she is starting over in a city far from home, far from Bobby. And in this place she uses a name that isn't hers, and cradles her son in her arms, and tries to forget. For the woman who now calls herself Beth, every day is a chance to heal, to put together the pieces of her shattered self. And every day she waits for Bobby to catch up to her. Because Bobby always said he would never let her go. And despite the flawlessness of her escape, Fran Benedetto is certain of one thing: It is only a matter of time...

    Eric, a Nordic Adonis, is graced by a seemingly endless supply of good fortune. Tommy is a lame black boy, cursed with health problems, yet he remains optimistic and strong.After tragedy rips their makeshift family apart, the lives of these boys diverge astonishingly: Eric, the golden youth, is given everything but trusts nothing; Tommy, motherless and impoverished, has nothing, but feels lucky every day of his life. In a riveting story of modern-day resilience and redemption, the two confront separate challenges, and when circumstances reunite them years later, they draw on their extraordinary natures to confront a common enemy and, ultimately, save their lives.

    Jekyll's dutiful and intelligent housemaid.Faithfully weaving in details from Robert Louis Stevenson's classic, Martin introduces an original and captivating character: Mary is a survivor-scarred but still strong-familiar with evil, yet brimming with devotion and love. As a bond grows between Mary and her tortured employer, she is sent on errands to unsavory districts of London and entrusted with secrets she would rather not know. Unable to confront her hideous suspicions about Dr. Jekyll, Mary ultimately proves the lengths to which she'll go to protect him. Through her astute reflections, we hear the rest of the classic Jekyll and Hyde story, and this familiar tale is made more terrifying than we remember it, more complex than we imagined possible.

    This highly accomplished debut novel reverberates with ideas, impassioned lyricism, and poignant historical detail as it captures an essential and moving portrait of the Washington, DC community.

    When a mysterious woman comes into their lives, she upsets their delicate equilibrium sets in motion a chain of events that could be the making—or the ruin—of them all.From the two-time Booker Prize–winning author and recipient of the Commonwealth Prize comes this new novel about obsession, deception, and redemption, at once an engrossing psychological suspense story and a work of highly charged, fiendishly funny literary fiction. Michael—a.k.a. "Butcher"—Boone is an ex–"really famous" painter: opinionated, furious, brilliant, and now reduced to living in the remote country house of his biggest collector and acting as caretaker for his younger brother, Hugh, a damaged man of imposing physicality and childlike emotional volatility. Alone together they’ve forged a delicate and shifting equilibrium, a balance instantly destroyed when a mysterious young woman named Marlene walks out of a rainstorm and into their lives on three-inch Manolo Blahnik heels. Beautiful, smart, and ambitious, she’s also the daughter-in-law of the late great painter Jacques Liebovitz, one of Butcher’s earliest influences. She’s sweet to Hugh and falls in love with Butcher, and they reciprocate in kind. And she sets in motion a chain of events that could be the making—or the ruin—of them all. Told through the alternating points of view of the brothers—Butcher’s urbane, intelligent, caustic observations contrasting with Hugh’s bizarre, frequently poetic, utterly unique voice—Theft reminds us once again of Peter Carey’s remarkable gift for creating indelible, fascinating characters and a narrative as gripping as it is deliriously surprising.

    I got there in the one movement my body made. My body had many hairs on legs and belly and chest and head, and each had its own life; each inherited a hundred thousand years of loathing and fear for things that scuttle or slide or crawl." from Free FallSammy Mountjoy, artist, rises from poverty and an obscure birth to see his pictures hung in the Tate Gallery. Swept into World War II, he is taken as a prisoner-of-war, threatened with torture, then locked in a cell of total darkness to wait. He emerges from his cell like Lazarus from the tomb, seeing infinity in a grain of sand and eternity in an hour. Transfigured by his ordeal, he begins to realize what man can be and what he has gradually made of himself through his own choices. He determines to find the exact point at which the accumulated weight of those choices has deprived him of free will.

    His task: to keep an eye on The Brittania, a brand new pub which will form the heart of the British presence at Expo 58 - the biggest World's Fair of the century, and the first to be held since the Second World War.As soon as he arrives at the site, Thomas feels that he has escaped a repressed, backward-looking country and fallen headlong into an era of modernity and optimism. He is equally bewitched by the surreal, gigantic Atomium, which stands at the heart of this brave new world, and by Anneke, the lovely Flemish hostess who meets him off his plane. But Thomas's new-found sense of freedom comes at a price: the Cold War is at its height, the mischievous Belgians have placed the American and Soviet pavilions right next to each other - and why is he being followed everywhere by two mysterious emissaries of the British Secret Service? Expo 58 may represent a glittering future, both for Europe and for Thomas himself, but he will soon be forced to decide where his public and private loyaties really lie.Narrated by: Julian Rhind-TuttLength: 9 hrs

    Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family’s entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it?In the gothic tradition of Flannery O’Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre’s literary masters.

    That storyline drives Jason Mott's novel and is the scaffolding of something much larger and more urgent: since his novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour.Throughout, these characters' stories build and build and as they converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art, and money, there always is the tragic story of a police shooting playing over and over on the news.Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably powerful, an electrifying high-wire act, ideal for book clubs, and the book Mott says he has been writing in his head for ten years, Hell of a Book in its final twists truly becomes its title.

    The cozy existence she shares with her grandmother, an eccentric retired actress known to all as Madam, has been shattered: there's no post, no telephone, no radio - and an American warship sits in the harbor. As the two women piece together clues about the 'friendly' military occupation on their doorstep, family, friends and neighbours gather round to protect their heritage. In this chilling novel of the future, Daphne du Maurier explores the implications of a political, economic and military alliance between Britain and the United States.