Although social realities -- racial and ethnic tensions, sexual harassment, and abuse -- make up their background, these are really love stories in which people discover and forgive one another. A daughter finds her father's kindness extends beyond her and their family; a wife discovers and forgives the affair between her husband and best friend; and, in the title story which takes the form of a letter to an almost-lover, the narrator winds through swirling eddies of memory and language to relate her present and past lives and the loves that have informed them.Written with a masterful sureness of hand and heart, these captivating, intimate stories display Sena Jeter Naslund's extraordinary presence as one of today's most rewarding writers of fiction.

    The wonderful writings in Thalia Field's long-awaited new book Point and Line deny categorization, they are "nicheless." Perhaps describable as "epic poetries," these riveting pieces represent a confluence of genres in which Thalia Field has been involved over the course of her career: fiction, theater, and poetry. Written from a constructivist, post-genre sensibility, they elude classification, and present the author's concern with clarity in a world that resists it. For instance, in "Hours" and "Setting, the Table," Field uses indeterminate performance techniques to emphasize the categorical/conceptual nature of thought. Other pieces use generative schemes, portraits of mental shapes, which create meaning out of noise. Visually, each chapter is captivating, showing the author's need for shapes and colors in her work, her fascination with the contours of speech.

    Seeking their true selves amid the fallen cathedrals of America, they speak wryly of destructive love affairs, aesthetic obsession, and encroaching war, but refuse to abandon hope in the power of imagination.

    As a poet who has achieved success in the realms of both grassroots popularity and national critical attention, Kocot is poised to claim her place as America’s boldest new poetic voice.

    Graham Foust's third book offers agile poems of dread and humor. Robert Creeley writes, "These poems move in close to luxuriant circles, round and round each particular syllable, neither hurrying nor dragging behind--just there. At times there seems an almost physical presence to them, a third dimension, which is substance." Foust is also the author of AS IN EVERY DEAFNESS and LEAVE THE ROOM TO ITSELF, available from SPD. He teaches Creative Writing at Saint Mary's College of California.

    Each story is accompanied by a ghastly illustration from the mind of Andy Sciazko... the kind of illustrations that will disturb you in the best way possible.

    You’re thirteen now. I was eight when I got married. You’ll never look this beautiful ever again.”“I will Ammi, when I wear a school uniform.”If you like thrillers, this micro tale is for you-I always assumed that my neighbour’s daughter knew the word ‘Eight’ only until my dog went missing and she said ‘Nine’.And if you like six-word stories, this tale is for you-Woke up in hospital. Failed again.In fact, there are 100 such small tales that will have a big impact on you.So what are you waiting for? Scroll to the top of this page, buy the book and start reading today.Rafaa's micro tales are absolute gems. The journey is short but its impact is everlasting. This one deserves to be read by all.Sanhita BaruahAuthor of ‘The Art of Grieving’ and ‘The Art of Letting Go’Are you interested in unconventional storytelling? How about a story where the beginning, middle and the end are on the same page? A narrative that makes you frown on page 1, nod in agreement on page 2 and chuckle on page 3?How about reading short fiction then? I highly recommend Small is Big by Rafaa Dalvi. The long and short of fiction in endearing small portions!Rickie KhoslaAuthor of ‘The Imperative Subterfuge’ and ‘Pretty Vile Girl’The book has something for everyone. It has humor – a few of slap stick variety, playing on puns, it has punch where you get a most unexpected twist, it has philosophy, it has romance and it has horror – stories that chill your spine.T.F. CarthickAuthor of ‘Carthick’s Unfairy Tales’ and ‘More Unfairy Tales’About the Author:Rafaa Dalvi tries to escape from the mundane with words and contemplates about befriending the voices in his head. He dreams about changing the world, one smile at a time.Already published numerous times, his stories can be read in the anthologies – Curtain Call (editor), Kaleidoscope, Myriad Tales, and many more. He has also written three volumes of ‘Small is Big’, which is a collection of 100 micro tales. He’s the recipient of Indian Bloggers League Booker Prize 2013.

    He can be jazzy and streetwise. Or cloak himself in antiquity. Simic has new eyes, and in these wonderful poems and poems-in-prose he lets the reader see through them.

    8 pages of illustrations.

    I wanted not a tract, but a tapestry in which making is seen in the context of the other processes—sexuality, mortality—inseparable from it.""Bidart has patiently amassed as profound and original a body of work as any now being written in this country. He has given form for our age to what is most urgent and most private in the human soul: the ordeals of solitude and mortality and hunger and, recently, that action through which being speaks: the drive to make or create. Bidart’s poems sound like no one else’s; they look like no one else’s. . . . He is, in the feeling of our jury, one of the great poets of our time."—Louise Glück, jury chair, 2001 Wallace Stevens Award The Academy of American PoetsThe inaugural edition in Sarabande's Quarternote Chapbook Series which will feature a select group of poets by invitation onlyFrank Bidart's collections of poetry include Desire (1997), which received the 1998 Bobbitt Prize for Poetry from the Library of Congress and the Theodore Roethke Memorial Poetry Prize, and was nominated for the National Book Award, the National Book Critics Circle Award, and the Pulitzer Prize; In the Western Night: Collected Poems 1965-90 (1990); The Sacrifice (1983); The Book of the Body (1977); and Golden State (1973). Among his many honors are the Lila Acheson Wallace/Reader’s Digest Fund Writer’s Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and the Lannan Literary Award. He teaches at Wellesley College and lives in Cambridge, Massachusetts.

    It is rare to come across a first book that embraces the world--the way we see it, and the way it can be imagined--with such a wise and graceful mixture of humor, loss, intelligence, wit, self-deprecation and hope. AMERICAN LINDEN is such a first collection. The poems in this book are valuable, even necessary. They are, in the most important sense, love poems: to people, to ideas, to feelings, and to the mind itself, which--by means of language--move with honesty, wit, and distinction among the fleeting things of this world. Matthew Zapruder is a dangerous poet; his poems implicate us in demonstrations of lift-off and escape velocity while also proving the calamity of gravity--Dean Young.

    Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's

    O’Malley, especially when you have seven children and are forced to live in one of the crowded neighborhoods South of Market. Late one night, as she sat at the window of her crowded flat, sewing and worrying, she noticed something strange going on across the street. Her decision to investigate will have unexpected consequences. Mrs. O’Malley’s Midnight Mystery is a short story in the Victorian San Francisco Mystery series, and it comes right after the short story, Dandy’s Discovery, and before Lethal Remedies, the seventh novel in the series.

    He was the Poet Laureate of the United States in 1990, and currently teaches at the Committee on Social Thought at the University of Chicago. He lives in Chicago.

    It is an epic journey not only affirming that “there is a difference between sadness and suffering;” but that Schomburg is one of the most unusual poets writing today, pushing his work beyond our familiarity. These poems have a thirst for blood, but they don't yet know exactly what to do with their hands. The Book of Joshua calls out in hunger and loneliness, “I didn’t feel like living in anything not shaped like me anymore.”