'Kalopsia' is filled with brand-new quotes and poems about life, love, truth and the journey of being imperfectly human. Often compared to R.M Drake and Christopher Poindexter, Andrea Michelle writes with an elegance sure to touch the heart and soul. Kalopsia is the first book in the Beautiful Words series. The sequel, Meraki, is available on Amazon now! Take action now and download Kalopsia for free! More Books by Andrea Michelle: Meraki Between Sips www.andreamichelleofficial.com www.instagram.com/andrea.michelle.off...

    A potpourri of musings assembled with a hint of practical spirituality, to be savoured passably as an oracle of hearts to the many answers, whose questions our minds are yet to comprehend. Ivory Gleam is split into three chapters of learning, longing and loving. Each chapter is a journey traversing a different road to the ultimate destination of self-reflection.

    The summer Fancy Mosher turns twelve, she goes to work at Petal’s End, the rotting, sprawling mansion perched on the cliffs of The Bay of Fundy. Owned by the Parker family, abandoned after the First World War, and briefly revived as a convalescent hospital during the next, it has been kept barely standing for years. The remaining Parkers—Estelle and her daughters, the beautiful, talented Pomeline, and the young, mercurial Jenny—now ruled by fading matriarch Marigold, return for one final visit. But we come to realize that, like the children in Shirley Jackson’s We Have Always Lived in the Castle, the children here are not entirely innocent or naïve. Marigold, having suffered a stroke, lives in fey twilight, only half-hearing the sinister and sordid goings-on that are slowly closing in on her family. Her son, Charlie, died at Petal’s End many years before, as a result of what is insisted was an accidental hanging. When she decides to give a late summer garden party, Marigold finally becomes a witness to her own complicity. But the reckoning she has so feared, and so scrupulously avoided, is only beginning. Salvation resides in Fancy Mosher’s quest to accept what could either be a gift or a curse. Fancy may have inherited her grandfather’s power to see and commune with the dead, what the Mosher family calls the memento. The memento shows itself to each person who possesses it in different ways; just as memory often materializes unbidden, so too can the dead. After a horrific accident on the cliffs of Parker Island, Fancy is the sole hope for learning what the dead want and how to appease them.

    But despite his lack of recognition, Mr. Hennen...has simply gone about his calling with humility and gratitude in a culture whose primary crop has become fame. He just watches, waits and then strikes, delivering heart-buckling lines.” —Dana Jennings, The New York Times"As with Ted Kooser, Tom Hennen is a genius of the common touch. . . . They are amazingly modest men who early accepted poetry as a calling in ancient terms and never let up despite being ignored early on. They return to the readers a thousandfold for their attentions."—Jim Harrison, from the introduction"Many readers will appreciate this evocation of a life not as commonly portrayed in contemporary verse."—Library Journal"There is something of the ancient Chinese poets in Hennen, of Clare and Thoreau, although he is very much a contemporary poet."—Willow Springs"One of the most charming things about Tom Hennen's poems is his strange ability to bring immense amounts of space, often uninhabited space, into his mind and so into the whole poem."—Robert Bly"America is a country that loves its advertising. That loves its boxes we can put people and places into. We love 'Heartland' as opposed to 'Dustbowl.' We also love to be surprised. Rural Minnesota, as written by Tom Hennen in Darkness Sticks to Everything, is a world of realistic loneliness and lessons. It’s a collection of sincere poems about man and the land."—The Rumpus"Hennen is a master of the prose poem [who] can take little details, tiny details and make them universal."—River Falls Journal"What separates Hennen from many of his contemporaries is his willingness to identify with the natural world in a way that feels neither possessive nor self-serving, but simply (once again) sincere."—Basalt Magazine"There is something strong in all Tom Hennen's poems, an awareness and a clear, sure voice... I don't usually want to end by saying 'Buy this book,' but I'm going to say it this time: 'You should buy this book.'"—Fleda Brown, Interlochen Public Radio, "Michigan Writers on the Air"Tom Hennen gives voice to the prairie and to rural communities, celebrating—with sadness, praise, and astute observations—the land, weather, and inhabitants. In short lyrics and prose poems, he reveals the detailed strangeness of ordinary things. Gathered from six chapbooks that were regionally distributed, this volume is Hennen's long-overdue introduction to a national audience. Includes an introduction by Jim Harrison and an afterword by Thomas R. Smith."In Falling Snow at a Farm Auction"Straight pine chairComfortableIn anyone's company,Older than grandmotherIt enters the presentIts arms wide openWanting to hold another young wife.Tom Hennen, author of six books of poetry, was born and raised in rural Minnesota. After abandoning college, he married and began work as a letterpress and offset printer. He helped found the Minnesota Writer's Publishing House, then worked for the Department of Natural Resources wildlife section, and later at the Sand Lake National Wildlife Refuge in South Dakota. Now retired, he lives in Minnesota.

    A man and a woman sit at the same dinner table, an ocean of worry separating them. An iceberg sets out to dance. A sword swallower ponders his dating prospects. "The vessel is simple, a rowboat among yachts," the poet observes in "Ukulele." "No one hides a Tommy gun in its case. / No bluesman runs over his uke in a whiskey rage."Beasley's voice is pithy and playful, with a ferocious intelligence that invites comparison to both Sylvia Plath and Dorothy Parker. In one of six signature sestinas, she warns, "You must not use a house to build a home, / and never look for poetry in poems." The collection’s centerpiece is a haunting sequence that engages The Traveler's Vade Mecum, an 1853 compendium of phrases for use by mail, telegraph, or the enigmatic “Instantaneous Letter Writer."Assembled over ten years and thousands of miles, these poems illuminate how intimacy is lost and gained during our travels. Decisive, funny, and as compassionate as she is merciless, Beasley is a reckoning force on the page.

    Containing a collection of poems by the author that, not only investigates the lighter side of love, but also dares to delve deeper, taking the reader on a journey into the darker aspects of love, such as indecision, rejection, fear, betrayal, loss and finally death. Inspired by his own love story, and subsequent bereavement, the author writes emotionally, and from the heart, often resulting in poems that bring a tear to the eye. For information on more chapbooks in Dark Love Poetry series, please visit the authors website located at www.darrenheart.com

    It is an invitation to my thoughts

    Whether the focus of the individual poems is musical, digital, or historical, the otherness implicit in being of more than one racial background guides Matejka's work to the inevitable conclusion that all things-no matter how disparate-are parts of the whole.

    While her almost-but-not-quite ex-boyfriend Adam is on a work assignment in Europe, Anna finds herself tricked into a ditch-the-loser intervention by her supportive yet meddling girlfriends. More frustrated than ever, Anna starts to smoke, asks Buddy, the backyard squirrel, for advice, and finally seeks out the help of a caring but fashion-challenged therapist. Adding to the emotional overload, Anna's beautiful but rash sister decides to move to the Middle East. Luckily, Anna has a resource even better than Buddy or the therapist: her devoted grandmother, who tells it like it is, refuses to conform to anyone's expectations, and who continues to live on her prairie farm all alone, half-blind, and completely happy. In her richly rewarding debut novel, Daria Salamon explores the bonds that make and break family, friendship, and love with warmth and good humor.

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    John Gould has updated and westernized the form of the palm-of-the-hand story, invented eighty years ago by Yasunari Kawabata, who wanted a way to write a fiction writer’s poetry. In spare, elegant prose, Gould crafts quirky gems, compact fusions of humor and pathos. At the center of this multifaceted collection is a vision of human beings as paradoxical creatures, finite and haunted by infinite longings. In story after story, Gould locates the fulcrum on which a life tilts from kilter to off-kilter and back again. “There are big ideas in these small packages. . . . Kilter, at once quiet and terribly ambitious, funny and moving, is a keeper.”—The Globe and Mail

    If you've not been alone much or if, when you were, you weren't okay with it then just wait...Since its debut on YouTube, Tanya Davis's beautiful and perceptive poem, How to Be Alone, visually realized by artist and filmmaker Andrea Dorfman, has become an international sensation. Her wise and perceptive words, vivid in their evocation of solitude's beauty and calm, have touched millions. Now her poem's deep eloquence and compelling illustrations have been adapted for the page in this beautiful, meditative volume, a keepsake to treasure and to share. From a solitary walk in the woods to sitting unaccompanied on a city park bench to eating a meal and even dancing alone, Tanya reveals the possibilities and joys waiting to be discovered when we engage in activities on our own. As she soothes the disquietude that accompanies the fear of aloneness, and celebrates the power of solitude to change how we see ourselves and the world, Tanya reavels how, removed from the noise and distractions of other lives, we can find acceptance and grace within.For those who have never been by themselves and those who feel lost or lonely on their own, this moving work encourages us to recognize and embrace the possibilities of being alone-and reminds us of a universe of joy, peace, and discovery waiting to unfold.

    Incorporating poems published over the past fifteen years, The Alphabet in the Park is a book of passion and intelligence, wit and instinct. These are poems about human concerns, especially those of women, about living in one's body and out of it, about the physical but also the spiritual and the imaginative life. Prado also writes about ordinary matters; she insists that the human experience is both mystical and carnal. To Prado these are not contradictory: "It's the soul that's erotic," she writes.As Ellen Watson says in her introduction, "Adelia Prados poetry is a poetry of abundance. These poems overflow with the humble, grand, various stuff of daily life - necklaces, bicycles, fish; saints and prostitutes and presidents; innumerable chickens and musical instruments...And, seemingly at every turn, there is food." But also, an abundance of dark things, cancer, death, greed. These are poems of appetite, all kinds.

    As unexpected as it is bold, Alsadir's ambitious tour de force demands we pay new attention to the current conversation about the nature of lyric - and human relationships - in the 21st century.

    Forced to keep this shameful secret, he attempts to raise himself and his ten year old brother. He counteracts the deep ache and creeping mistrust caused by his mother's emotional absence by escaping into the intense realm of Chopin and Schubert, the only language he understands. When his brother becomes ill, he is left with enormous responsibilities. At a piano competition in Montreal, Lawrence makes a climactic decision that puts his future on hold in order to salvage his family life. In A Secret Music, Susan Doherty Hannaford re-creates the Depression-Era world of Montreal and demonstrates how music can redeem a life.