But their dream of starting over is nearly crushed at the outset: a fire devastates Ellis Island just as they arrive, and then the relentlessly harsh conditions and lack of work in the city make it impossible for Gustaf to support his family. An unexpected gift allows the Klars to make one more desperate move, this time to the Midwest and a place called Swede Hollow.Their new home is a cluster of rough-hewn shacks in a deep, wooded ravine on the edge of St. Paul, Minnesota. The Irish, Italian, and Swedish immigrants who live here are a hardscrabble lot usually absent from the familiar stories of Swedish American history. The men hire on as poorly paid day laborers for the Great Northern or Northern Pacific railroads or work at the nearby brewery, and the women clean houses, work at laundries, or sew clothing in stifling factories. Outsiders malign Swede Hollow as unsanitary and rife with disease, but the Klar family and their neighbors persevere in this neglected corner of the city—and consider it home.Extensively researched and beautifully written, Ola Larsmo’s award-winning novel vividly portrays a family and a community determined to survive. There are hardships, indignities, accidents, and harrowing encounters, but also acts of loyalty and kindness and moments of joy. This haunting story of a real place echoes the larger challenges of immigration in the twentieth century and today.

    There, her death will immediately become part of local mythology, furnishing boys and girls with fodder for endless romantic imaginings. Everyone who lives near the swamp dreams about Eddie de Wire, the lost American girl. . . . For both Sandra and Doris, two lonely, dreaming girls abandoned in different ways by their parents, this myth will propel them into their coming-of-age through mischievous role-playing games of love and death, in search of hidden secrets, the mysteries of the swamp, and the truth behind Eddie’s death. The girls construct their own world, their own language, and their own rules. But playing adult games has adult consequences, and what begins as two girls just striking matches leads to an inferno that threatens to consume them and tear their friendship apart. Crime mystery and gothic saga, social study and chronicle of the late sixties and early seventies, a portrait of the psyche of young girls on the cusp of sexual awakening, The American Girl is a bewitching glimpse of the human capacity for survival and for self-inflicted wounds. Fagerholm is a modern-day heir to the William Faulkner heritage of family tragedy, with a highly musical and literary prose style that is rich with wit and literary allusions. The American Girl will teach you the meaning of trust as you give yourself entirely to the original storytelling style of Monika Fagerholm.

    She thinks more highly of snow and ice than she does of love.  She lives in a world of numbers, science and memories--a dark, exotic stranger in a strange land.  And now Smilla Jaspersen is convinced she has uncovered a shattering crime...It happened in the Copenhagen snow.  A six-year-old boy, a Greenlander like Smilla, fell to his death from the top of his apartment building.  While the boy's body is still warm, the police pronounce his death an accident.  But Smilla knows her young neighbor didn't fall from the roof on his own.  Soon she is following a path of clues as clear to her as footsteps in the snow.  For her dead neighbor, and for herself, she must embark on a harrowing journey of lies, revelation and violence that will take her back to the world of ice and snow from which she comes, where an explosive secret waits beneath the ice....

    Thirteen-year-old Tina Dubois and her identical twin sister, Cilla, are extremely close and yet different personalities, and when Cilla is suddenly killed, Tina and her family struggle to come to terms with the loss.

    Beautiful, eccentric, and tempestuous, Dina carries a terrible burden: at the age of five she accidentally causes her mother's death. Blamed by her father and banished to a farm, she grows up untamed and untaught. Nobody leads the child through her grief, and the accident remains a gruesome riddle of death. Her guilt becomes her obsession: her unforgiving mother haunts her every day.After several years of exile, and at the insistence of the local pastor, her father takes Dina back. By now she has become like a wolf cub. Her father has remarried, to a younger woman whom she detests, and a strict discipline begins. A tutor is brought in; coarse language is replaced by polite conversation, climbing to the top of the trees by music. But the efforts have little effect. Private and closely guarded, Dina nonetheless is able to manipulate those around her, while her unconventional behavior and erotic power both enchant and ensnare.At sixteen Dina is married off to wealthy fifty-year-old landowner Jacob, a friend of her father who has fallen completely under her spell. Jacob dies under mysterious circumstances, and Dina becomes mute. When finally she emerges from her trauma, she runs Jacob's estate with an iron hand. But still Dina wrestles with her two unappeased ghosts: Jacob and her mother. Until one day a mysterious stranger, the Russian wanderer Leo, enters her life and changes it forever.

    Imaginative and intelligent, Alberta is a misfit trapped in a stiflingly provincial town in the far north of Norway whose only affinity is for her extrovert brother Jacob.

    On a July afternoon, a young woman's body is dredged from Sweden's beautiful Lake Vattern. With no clues Beck begins an investigation not only to uncover a murderer but also to discover who the victim was. Three months later, all Beck knows is that her name was Roseanna and that she could have been strangled by any one of eighty-five people on a cruise. As the melancholic Beck narrows the list of suspects, he is drawn increasingly to the enigma of the victim, a free-spirited traveler with a penchant for casual sex, and to the psychopathology of a murderer with a distinctive--indeed, terrifying--sense of propriety..

    Shocked and disbelieving, the siblings try to come to terms with their parents’ decision as it echoes through the homes they have built for themselves and forces them to reconstruct the shared narrative of their childhood and family history. A bittersweet novel of regret, relationships and rare psychological insights, A Modern Family encourages us to look at the people closest to us a little more carefully and ultimately reveals that it’s never too late for change....

    The novel follows them through adolescence, as Johannes struggles with the social hierarchy and becomes a successful author, and Victoria is forced into marrying Otto, a lieutenant, to save the troubled family economy.A lyrical excursion into unconsummated love, love that is described memorably as 'Blood and Blossoms'.

    Four years later, their murderer escapes from prison. The police know if he is not found quickly, he will kill again. But when their worst fears come true and another child is murdered, the situation spirals out of control. In an atmosphere of hysteria whipped up by the media, Fredrik Steffansson, father of the murdered child, decides he must take revenge. His actions will have devastating consequences. Winner of Scandinavia's most prestigious crime-writing award: The Glass Key for Best Crime Novel of the Year.

    As Strindberg himself wrote in his Preface, he wanted “to imitate the disjointed yet seemingly logical shape of a dream. Everything can happen, everything is possible and probable. Time and place do not exist.”Caryl Churchill’s spare and resonant new version was first staged at the National Theatre, London, in a production by Katie Mitchell, where A Dream Play was called “fresh, new and magical” (Telegraph).Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.August Strindberg (1849-1912) was a novelist and playwright from Stockholm, Sweden. His plays include Miss Julie, The Father, To Damascus, A Dream Play, and The Pelican. In 1912 Strindberg's birthday was marked by a torchlight procession through Stockholm, where his radical journalism had earned him the title of ‘people’s writer.’

    Despite hundreds of potential witnesses, no one noticed when the girl was taken. Her distraught mother was left behind at the previous station in what seemed to be a coincidence. The train crew was alerted and kept a watchful eye on the sleeping child. But when the train pulled into Stockholm Central Station, the little girl had vanished. Inspector Alex Recht and his special team of federal investigators, assisted by the investigative analyst Fredrika Bergman, are assigned to what at first appears to be a classic custody fight. But when the child is found dead in the far north of Sweden with the word "unwanted" scribbled on her forehead, the case soon turns into the investigation team's worst nightmare - the pursuit of a brilliant and ruthless killer.

    With a Bolaño-esque humor Wolff asks, what chance does love have in this dog-eat-dog world?

    Beause he is lovesick over a pretty lab assistant, Ypsilon chooses not to respond to elaborate educational regiments - With the aid of a chimpanzee and a detached human hand, he makes detailed plans for an impractical escape.

    A disorganized cutlery drawer ranks high on her list of unforgivable sins. She is not one to judge others—no matter how ill-mannered, unkempt, or morally suspect they might be. It’s just that sometimes people interpret her helpful suggestions as criticisms, which is certainly not her intention. But hidden inside the socially awkward, fussy busybody is a woman who has more imagination, bigger dreams, and a warmer heart that anyone around her realizes.When Britt-Marie walks out on her cheating husband and has to fend for herself in the miserable backwater town of Borg—of which the kindest thing one can say is that it has a road going through it—she finds work as the caretaker of a soon-to-be demolished recreation center. The fastidious Britt-Marie soon finds herself being drawn into the daily doings of her fellow citizens, an odd assortment of miscreants, drunkards, layabouts. Most alarming of all, she’s given the impossible task of leading the supremely untalented children’s soccer team to victory. In this small town of misfits, can Britt-Marie find a place where she truly belongs?