Together, the Norton Critical Editions of Wordsworth's Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author.Wordsworth's Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author's evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages. "Criticism" collects thirty responses to Wordsworth's poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Karen Swann, Michael O'Neill, and Geoffrey Hartman, among others. The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems.

    . . These poems literally vibrate with Kearney's precocious intellect and passion. They hum, they bang, they bite. What else can I say? I have never encountered poetry like this before."—Terrance Hayes

    In these quasi-abstract, experimental lines, collaged words torn from their contexts take on new meanings. Waldrop, a longtime admirer of such artists as the French poet Raymond Queneau and the American painter Robert Motherwell, imposes a tonal override on purloined materials, yet the originals continue to show through. These powerful poems, at once metaphysical and personal, reconcile Waldrop's romantic tendencies with formal experimentation, uniting poetry and philosophy and revealing him as a transcendentalist for the new millennium.

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     Neal I was the one to walk away. When opportunity came knocking on my door, I answered it. At the time, I thought it was the best thing for me to do. I’d build up my empire, gather up my wealth, and come back to give her everything she ever wanted. Only, it’s not that easy. It’s never that easy. She no longer trusts me and for good reason, too. As far as she’s concerned, I abandoned her. But, I’m not about to give up. This time, she’s mine and I’m not leaving without my Queen. Kara  Everything was just fine until he showed up. I worked a typical nine-to-five job and I was fine with that. Okay, maybe pushing pills at a pharmacy was slowly driving me insane, but at least it paid the bills. Besides, one day, I was going to be a successful author. I just needed to get over a serious case of writer’s block. Which wasn’t helped by the fact that my ex-boyfriend, my first and only crush, just suddenly came waltzing into my life after a ten-year hiatus. Oh, and get this, he thinks he can just pick up where he left off. Not going to happen. Fool me once, shame on you. Fool me twice, shame on me. This is a full-length standalone novel brimming with temptation and high heat. It features a hot-as-hell alpha male on a mission fight like hell to win his woman back . It has no cheating, no cliffhangers and this one is for you if you love big weddings and happily ever afters!

    Henriksen opens ORDINARY SUN by insisting that "an eye is not enough." Resisting solipsism, these poems negotiate that conflict between the mind and what exists outside the mind. Though pain intrinsically resides in that conflict Henriksen strives for an honest happiness, a kind of gorgeous suffering that blesses our days. To this end, these poems emerge from images of all those innumerable things that embody both visceral and ethereal beauty rocks, trees, broken glass, baseball, angels.... Here we find immediacy immersed in the image, and in the reading of these poems becomes ourselves immersed in the immediate."

    The linked poems in Klink's third collection, Raptus, search through a failed relationship, struggling with the stakes of compassion, the violence of the outside world, and the wish to anchor both in something true.

    This chart-topping 2014 album release from Lana Del Rey is presented in piano/vocal/guitar arrangements for all 11 songs: Brooklyn Baby * Cruel World * Money Power Glory * Old Money * The Other Woman * Pretty When You Cry * Sad Girl * Ultraviolence * West Coast * and more.

    Ephemeral, vivid and therapeutic poems infused with mysticism and female sexuality are accompanied by intimate self-portraits and nude photographs of the artist's closest friends. Taken on black and white film, these pictures were created especially for this book of poetry making it both a visual and written account of the author's personal journey through a difficult time in her life. By diving deep into her individual and intimate experiences, Neringa creates a work of art where everyone can find themselves by immersing themselves in her honest storytelling.