He doesn't want to end up like his father, a linotype operator and a drunk, married to a harridan, with a harridan-in-training stepdaughter. Ed wants out, he wants to live, he wants to see the world before it's too late. Then his father doesn't come home one night, and Ed finds out how good he had it. The bulk of the book has Ed teaming up with Uncle Ambrose, a former carny worker, and trying to find out who killed Ed's dad. But the title is as much a coming-of-age tale as it is a pulp. Author Brown won the Edgar award in 1947 for this spectacular first-effort.

    Formerly the site of a medieval palace, it is now, in 1934, a decaying north London cul-de-sac. In a lodging house resides a collection of tenants with equally colourful histories, including the sinister Samuel Serridge.

    But when the London press pack descends to report on a series of gruesome murders of young women, Betty's world changes. In particular she is transfixed by mysterious and aloof reporter, Mr Gallagher. As the death toll rises, an unlikely friendship blossoms between Betty and Gallagher. But as their bond deepens, they find themselves entangled with the murders and each is forced to make a devastating choice, one that will shape their own lives - and the life of an innocent man - forever.

    He must be a complete man and a common man and yet an unusual man. This is the Code of the Private Eye as defined by Raymond Chandler in his 1944 essay 'The Simple Act of Murder.' Such a man was Philip Marlowe, private eye, an educated, heroic, streetwise, rugged individualist and the hero of Chandler's first novel, The Big Sleep. This work established Chandler as the master of the 'hard-boiled' detective novel, and his articulate and literary style of writing won him a large audience, which ranged from the man in the street to the most sophisticated intellectual.