A cunning invalid who was more warped in mind than in body. And a young girl who became an innocent pawn in a deadly game of life and death. Margery Allingham's mysteries are "consistently suspenseful, consistently terrifying, consistently superb!" - New York Times

    There's a murderer on the loose and two unlikely heroes are poised to solve the case.Meet Probationary WPC Trudy Loveday – smart, enthusiastic and always underestimated.In the hope of getting her out of the way, Trudy’s senior officer assigns her to help coroner Clement Ryder as he re-opens the case of a young woman's death. She can't believe her luck – she is actually going to be working on a real murder case.Meanwhile, the rest of the police force are busy investigating a series of threats and murders in the local community, and Clement can't help but feel it's all linked.As Trudy and Clement form an unlikely partnership, are they going to be the ones to solve these crimes before the murderer strikes again?

    First in the Anthony Bathurst series.

    But the following morning he had seemingly vanished into thin air. Now Scotland Yard are struggling to find evidence of foul play in the absence of tangible clues. A national newspaper is offering a reward for information about the Minister’s disappearance - whether Bygrave be dead or alive. Anthony “Algernon” Vereker, Lord Bygrave’s friend and executor, joins Scotland Yard in their investigation of the mystery. So begins the first of five ingenious and effervescent detective novels featuring Vereker, an amiable and eccentric artist with a razor-sharp mind. Missing or Murdered (1929), is republished here for the first time in over 70 years. It includes a new introduction by crime fiction historian Curtis Evans.‘This is not only a detective story of considerable ingenuity, but it is also a well-written tale with good characterisation."Times Literary Supplement

    His arrogance and abrasive manner had alienated his wife, her sister, his house guests, his wayward son, even a desperate friend. Of course, his attentions to one attractive young guest in plain view of her husband simply multiplied the possible suspects in his murder.

    Each of the stories introduces a different side of the twentieth century's most ingenious detective hero.This book also features a biographical essay by Janet Hitchman, Sayers' first biographer.

    Among the guests are an actress, a journalist, an artist, and a mystery novelist. The unlucky thirteenth is John Foss, injured at the local train station and brought to the house to recuperate – but John is nursing a secret of his own.Soon events take a sinister turn when a painting is mutilated, a dog stabbed, and a man strangled. Death strikes more than one of the house guests, and the police are called. Detective Inspector Kendall’s skills are tested to the utmost as he tries to uncover the hidden past of everyone at Bragley Court.This country-house mystery is a forgotten classic of 1930s crime fiction by one of the most undeservedly neglected of golden age detective novelists.

    Little did Anthony Cade suspect that an errand for a friend would place him at the center of a deadly conspiracy. Drawn into a web of intrigue, he begins to realize that the simple favor has placed him in serious danger. As events unfold, the combined forces of Scotland Yard and the French Sûreté gradually converge on Chimneys, the great country estate that hides an amazing secret.

    To do that we’ve got to lead them on. Now listen to me.”Elbert J. Pakenham of New York City is among just nine survivors of the sinking of the Coptic – not counting his black cat Jehosaphat. The benevolent Mr. Pakenham has made his fellow survivors joint beneficiaries in his will, his nephew having recently passed away. But it seems that someone is unwilling to share the fortune, as the heirs start to die under mysterious circumstances . . .Then Mr. Pakenham himself disappears, and Inspector Collier of Scotland Yard suspects dirty work. When a trap is laid that seriously wounds his best friend at the Yard, Superintendent Trask, Collier is certain his suspicions are correct. Into his net are drawn a charming young woman, Corinna Lacy, and her cousin and trustee, Wilfred Stark; a landed gentleman of dubious reputation, Gilbert Freyne, and his sister-in-law, Gladys; an Italian nobleman of ancient lineage and depleted estate, Count Olivieri; and a Bohemian English artist, Edgar Mallory. But Collier will need some unexpected feline assistance before the case is solved.

    Feared but not loved, Manderson has no one to mourn him when the gardener at his British country estate finds him facedown in the dirt, a bullet buried in his brain. There are bruises on his wrist and blood on his clothes, but no clue that will lead the police to the murderer. It will take an amateur to—inadvertently—show them the way. Cheerful, charming, and always eager for a mystery, portrait artist and gentleman sleuth Philip Trent leaps into the Manderson affair with all the passion of the autodidact. Simply by reading the newspapers, he discovers overlooked details of the crime. Not all of his reasoning is sound, and his romantic interests are suspect, to say the least, but Trent’s dedication to the art of detection soon uncovers what no one expected him to find: the truth. Delightfully irreverent yet ingeniously plotted, Trent’s Last Case is widely regarded as a masterwork of the mystery genre.

     She is terrified – but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.Later that night, Poirot learns that three guests at a fashionable London Hotel have been murdered, and a cufflink has been placed in each one’s mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim...

    But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye - even the identity of the victim is called into doubt. Inspector Rudge begins to wonder just how many people have contributed to this extraordinary crime and whether he will ever unravel it. . .In 1931 Agatha Christie, Dorothy L. Sayers, and 10 other crime writers from the newly formed Detection Club collaborated in publishing a unique crime novel. In a literary game of consequences, each author would write one chapter, leaving G.K. Chesterton to write a typically paradoxical prologue and Anthony Berkeley to tie up all the loose ends. In addition, all of the authors provided their own solutions in sealed envelopes, all of which appeared at the end of the book, with Agatha Christie's ingenious conclusion acknowledged at the time to be 'enough to make the book worth buying on its own'. The authors of this novel are G.K. Chesterton, Canon Victor Whitechurch, G.D.H. Cole and Margaret Cole, Henry Wade, Agatha Christie, John Rhode, Milward Kennedy, Dorothy L. Sayers, Ronald Knox, Freeman Wills Crofts, Edgar Jepson, Clemence Dane and Anthony Berkeley.©1931, 2011 The Detection Club (P)2017 HarperCollins Publishers

    Scotland Yard's Inspector Roderick Alleyn arrives to find a complete collection of alibis, a missing butler, and an intricate puzzle of betrayal and sedition in the search for the key player in this deadly game.

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    Then Wesley's old friend from university, archaeologist Neil Watson, unearths the bodies of a strangled young woman and a new-born baby on the site of a seventeenth century merchant's house: though luckily for the overstretched police force the skeletons are centuries old. But as the search for the missing child intensifies and the true identity of the body on the cliff path is established, Wesley begins to suspect a tragic link, spanning the centuries, between his investigations and Neil's: for motives of jealousy, sexual obsession and desperate longing are as old as time. And when the dark secret of the merchant's house is finally revealed, Wesley must act swiftly to avert a further tragedy.