And sometimes, mercy comes at the worst possible moment. At least, Lucy thinks so.After the death of her parents, sixteen-year-old Lucy Richter struggles to keep a promise to her father--to save what remains of her family. Lucy fails tragically but won't allow her dwindling family to disappear. She shanghais her twin siblings, Goody and Mercy, from a Wisconsin orphanage to a Colorado peach ranch and an aunt who is a less-than-welcoming stranger. Lucy is prepared to keep the peace with her aunt, but will her sister's gifts draw unwanted attention and crush Lucy's dream of family?And World War II rages on. Absent men strain the running of Honey Sweet Ranch and force alliances of the most intriguing and unlikely kind, including German POWs. Within these relationships, Lucy is given the chance to discover an unfamiliar and healing faith.With her defining style, Patti Hill tells a story of love and loss with one of America's darkest times as a backdrop. Hill's characters resonate, and her descriptions draw the reader into a drama that is perfectly paced and infused with a wondrous hope.

    But when he meets Sylvia, who is going deaf, he decides he finally wants to be heard. With excoriating dialogue and sharp, compassionate insights, Nina Raine crafts a penetrating play about belonging, family and the limitations of communication.Nominated for both the Olivier and Evening Standard Awards for Best Play, Tribes premiered at the Royal Court Theatre in London in 2011. Under the direction of David Cromer, the comic drama is currently receiving its North American premiere in New York City at Barrow Street Theatre through June 3, 2012.

    The play tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future.

    Vanya and his adopted sister Sonia live a quiet life in the Pennsylvania farmhouse where they grew up, but their peace is disturbed when their movie star sister Masha returns unannounced with her twenty-something boy toy, Spike. A weekend of rivalry, regret, and raucousness begins!

    This intense look at the dark side of American suburbia is a dark and provocative new play by award-winning playwright, screenwriter, and director LaBute.

    

    

    Usually on a Greyhound bus, right before his life falls apart again. Just like he planned. But this time it's complicated: there's a sadistic corporate climber who thinks she's his girlfriend, a rent-subsidized affair with his landlord's wife, and the bizarrely appealing deaf assistant to Shane's cosmically unstable dentist. When one of the women is murdered, and Shane is the only suspect who doesn't care enough to act like he didn't do it, the question becomes just how he'll clear the good name he never had and doesn't particularly want: his own.

    They live alone with their dog Taliban, playing Playstation, watching porn; surviving. Occasionally their chaotic mum Maggie visits, sometimes she passes out on the front lawn. But when Jenny knocks on the door, the boys discover a world far beyond what they know, a world full of love, possibility and danger.

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.

    She is the wife of a professor and the owner of a lovely house in Georgetown. She is also the president's nominee for Surgeon General. When the media discovers that once, long ago, she failed to respond for jury duty, this relatively minor misstep is portrayed as a serious moral lapse. A good friend uses the incident to make a point, scarcely thinking of the implications, and Lyssa must suffer the consequences. From that moment on, Lyssa Dent Hughes sits helplessly as the press investigates her family and friends, shattering her privacy, her career, and her world. Wendy Wasserstein's trenchant humor and sizzling dialogue combine with biting political commentary to produce a masterful, and topical, drama.

    A collection of the notoriously private Beckett's reminiscences about his life and remembrances of Beckett fromthose who knew him.

    It tackles hard questions while keeping things light with contemporary humor. Over the course of the story, a reader of any age will grow to like and relate to Ove. Furthermore, the non-linear timeline keeps the plot interesting and suspenseful. PLEASE NOTE: This is a Summary and Analysis of the book and NOT the original book. This companion includes the following: - Book Review - Character List - Summary of the Chapters - Discussion Questions - Analysis of Themes & Symbols This Analysis fills the gap, making you understand more while enhancing your reading experience.