Fifty years later, Philomena decided to find him.Meanwhile, on the other side of the Atlantic, Philomena’s son was trying to find her. Renamed Michael Hess, he had become a leading lawyer in the first Bush administration, and he struggled to hide secrets that would jeopardize his career in the Republican Party and endanger his quest to find his mother.A gripping exposé told with novelistic intrigue, Philomena pulls back the curtain on the role of the Catholic Church in forced adoptions and on the love between a mother and son who endured a lifelong separation.

    Now, twenty years later, Queen Elizabeth II is in her mid-nineties, Prince Charles is in his seventies, and all eyes are turned increasingly toward William and Harry again. Andersen picks up where he left off, covering everything that has happened to the brothers as they have grown up, gotten married to two remarkable women, and had children—all while facing continual waves of controversy and questions about the ways their relationship has shifted.Andersen examines how the Queen’s behind-the-scenes maneuvering to mold her grandsons in the Windsor image after Diana’s death, and her expectations of William as the future king, played out. He questions whether the brothers’ famously close relationship can survive Harry’s departure from the Royal Family—the first time this has happened since their great-great-uncle King Edward abdicated the throne to marry a divorcée. He delves into the impact sisters-in-law Kate and Meghan have had on each other as well as on their princes, and how marriage and fatherhood have changed the brothers and in some ways also driven a wedge between them. Andersen also looks with an honest eye at how the princes and their wives have been continuously buffeted by scandal—including headline-making allegations of bullying, racism, betrayal, and emotional abuse that pushed more than one royal to the brink of self-destruction.Based on in-depth research and with his “fascinating and insightful” (The Christian Science Monitor) writing, Christopher Andersen leaves no stone unturned in this intimate and riveting look into the private lives of the world’s most famous princes.

    Wilson's brilliant biography shows how hard Lewis struggled for the wisdom he shared in his books--The Screwtape Letters, The Chronicles of Narnia, The Problem of Pain and Surprised by Joy. Photographs.

    One of the most influential figures of the twentieth century, he transformed philosophy and can lay claim to being one of the greatest philosophers of all time. He was a Nobel Prize winner for Literature and was imprisoned several times as a result of his pacifism. His views on religion, education, sex, politics and many other topics, made him one of the most read and revered writers of the age. This, his autobiography, is one of the most compelling and vivid ever written. This one-volume, compact paperback edition contains an introduction by the politician and scholar, Michael Foot, which explores the status of this classic nearly 30 years after the publication of the final volume.

    Mythologized and misunderstood, lauded and loathed, a girl from the suburbs who became a proud symbol of cosmopolitanism, Sontag left a legacy of writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, radicalism and Fascism and Freudianism and Communism and Americanism, that forms an indispensable key to modern culture. She was there when the Cuban Revolution began, and when the Berlin Wall came down; in Vietnam under American bombardment, in wartime Israel, in besieged Sarajevo. She was in New York when artists tried to resist the tug of money—and when many gave in. No writer negotiated as many worlds; no serious writer had as many glamorous lovers. Sontag tells these stories and examines the work upon which her reputation was based. It explores the agonizing insecurity behind the formidable public face: the broken relationships, the struggles with her sexuality, that animated—and undermined—her writing. And it shows her attempts to respond to the cruelties and absurdities of a country that had lost its way, and her conviction that fidelity to high culture was an activism of its own. Utilizing hundreds of interviews conducted from Maui to Stockholm and from London to Sarajevo—and featuring nearly one hundred images—Sontag is the first book based on the writer’s restricted archives, and on access to many people who have never before spoken about Sontag, including Annie Leibovitz. It is a definitive portrait—a great American novel in the form of a biography.

    But in that year, Quentin Crisp made the courageous decision to "come out" as a homosexual. This exhibitionist with the henna-dyed hair was harassed, ridiculed and beaten. Nevertheless, he claimed his right to be himself—whatever the consequences. The Naked Civil Servant is both a comic masterpiece and a unique testament to the resilience of the human spirit.

    Footsteps is a wonderful exploration of the ties between biographers and their subjects, filled with passion and revelation.

    Many of her stories were inspired by her experiences during the Blitz, and by her marriages: the first to an aristocrat, a brief and conventional affair, and the second to a penniless writer she adored.A remarkable book about a remarkable woman, Patrick Marnham's brilliantly researched and wonderfully impartial book disentangles truth from rumour, highlighting the links between Wesley's real life and her fiction.

    His autobiography and modern classic The Education of Henry Adams was widely considered one of the best English-language nonfiction books of the 20th century. The last member of his distinguished family—after great-grandfather John Adams, and grandfather John Quincy Adams—to gain national attention, he is remembered today as an historian, a political commentator, and a memoirist. Now, historian David Brown sheds light on the brilliant yet under-celebrated life of this major American intellectual. Adams not only lived through the Civil War and the Industrial Revolution but he met Abraham Lincoln, bowed before Queen Victoria, and counted powerful figures, including Secretary of State John Hay, Senator Henry Cabot Lodge, and President Theodore Roosevelt as friends and neighbors. His observations of these men and their policies in his private letters provide a penetrating assessment of Gilded Age America on the cusp of the modern era. The Last American Aristocrat details Adams’s relationships with his wife (Marian “Clover” Hooper) and, following her suicide, Elizabeth Cameron, the young wife of a senator and part of the famous Sherman clan from Ohio. Henry Adams’s letters—thousands of them—demonstrate his struggles with depression, familial expectations, and reconciling with his unwanted widower’s existence. Presenting intimate and insightful details of a fascinating and unusual American life and a new window on nineteenth century US history, The Last American Aristocrat shows us a more “modern” and “human” Henry Adams than ever before.

    Elegy for Iris is a story about the ephemeral beauty of youth and the sobering reality of what it means to grow old, but its ultimate power is that Bayley discovers great hope and joy in his celebration of Iris's life and their love. In its grasp of life's frailty and its portrayal of one of the great literary romances of this century, Elegy for Iris is a mesmerizing work of art that will be read for generations.

    There were natural doubts that an uneducated son of a glover who never left England and apparently owned no books could have produced some of the greatest works of Western literature. Early investigators into the mystery argued for such eminent figures as Christopher Marlowe or Francis Bacon as possible authors, but recent scholarship has turned to Edward de Vere, 17th Earl of Oxford, as the true Shakespeare. “Shakespeare” by Another Name is the first complete literary biography of Edward de Vere that tells the story of his action-packed life—as student, soldier, courtier, lawyer, political intriguer, sophisticate, traveler, and, above all, writer—finding in it the background material for all of Shakespeare’s plays. Anderson brings to bear a wealth of new evidence, most notably de Vere’s personal copy of the Bible (recently analyzed to show the correlation between his underlinings and the biblical allusions in Shakespeare’s work) and has employed it all to at last give a complete portrait and background to the man who was “Shakespeare.” BACKCOVER: “Makes a compelling case. . . . Anderson’s demonstration of how de Vere’s real life matches the characters and circumstances found in the plays attributed to Shakespeare is especially impressive.” —THE ATLANTA JOURNAL-CONSTITUTION “Deserves serious attention. . . . Mr. Anderson shows there are myriad Shakespeare authorship connections for de Vere.” —THE NEW YORK TIMES “Tantalizing parallels between the plays and Oxford’s life certainly exist. . . . Anderson has a knack for finding fishy aspects of the traditional view that Shakespeare was Shakespeare.” —NEW YORK SUN

    Now for the first time, Katherine Ramsland, the acclaimed author of Prism of the Night, cracks open Dean Koontz's protective shell to expose this ruthlessly honest, ambitious, and courageous artist who embodies in his own life and work the hope-filled light and frightening darkness that define America today. Based on extensive interviews with Koontz himself, this fascinating, unique portrait reveals the powerful influences--psychic, trauma, haunting secrets, troubling questions, and optimistic resourcefulness--that have shaped this gifted writer and his acclaimed fiction. Here, too, are the remarkable qualities--tenacity, vision, emotional strength, and business savvy--that have made him a success. Dean Koontz: A Writer's Biography tells a story as thrilling, poignant, and unforgettable as this acclaimed author's most powerful novels.

    They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats.They were the bohemians.Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).

    Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first century portrayals? (Answer: neither.) And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Susan Bordo probes the complexities of one of history's most infamous relationships.Bordo also shows how generations of polemicists, biographers, novelists, and filmmakers imagined and reimagined Anne: whore, martyr, cautionary tale, proto-"mean girl," feminist icon, and everything in between. In this lively book, Bordo steps off the well-trodden paths of Tudoriana to expertly tease out the human being behind the competing mythologies.

    For the first time, all the contenders for the crown were female.In 1553, England was about to experience the ‘monstrous regiment’ - the unnatural rule - of a woman. But female rule in England also had a past. Four hundred years before Edward’s death, Matilda, daughter of Henry I and granddaughter of William the Conquerer, came tantalisingly close to securing her hold on the power of the crown. And between the 12th and the 15th centuries three more exceptional women - Eleanor of Aquitaine, Isabella of France, and Margaret of Anjou - discovered, as queens consort and dowager, how much was possible if the presumptions of male rule were not confronted so explicitly.The stories of these women - told here in all their vivid humanity - illustrate the paradox which the female heirs to the Tudor throne had no choice but to negotiate. Man was the head of woman; and the king was the head of all. How, then, could a woman be king, how could royal power lie in female hands?