Baseball is everything: action, grace, the seasons of our lives. George Vecsey’s book proves it, without wasting a word.”–Lee Eisenberg, author of The NumberIn Baseball, one of the great bards of America’s Grand Old Game gives a rousing account of the sport, from its pre-Republic roots to the present day. George Vecsey casts a fresh eye on the game, illuminates its foibles and triumphs, and performs a marvelous feat: making a classic story seem refreshingly new. Baseball is a narrative of America’s can-do spirit, in which stalwart immigrants such as Henry Chadwick could transplant cricket and rounders into the fertile American culture and in which die-hard unionist baseballers such as Charles Comiskey and Connie Mack could eventually become the tightfisted avatars of the game’s big-money establishment. It’s a celebration of such underdogs as a rag-armed catcher turned owner named Branch Rickey and a sure-handed fielder named Curt Flood, both of whom flourished as true great men of history. But most of all, Baseball is a testament to the unbreakable bond between our nation’s pastime and the fans, who’ve remained loyal through the fifty-year-long interdict on black athletes, the Black Sox scandal, franchise relocation, and the use of performance-enhancing drugs by some major stars. Reverent, playful, and filled with Vecsey’s charm, Baseball begs to be read in the span of a rain-delayed doubleheader, and so enjoyable that, like a favorite team’s championship run, one hopes it never ends.“Vecsey possesses a journalist’s eye for detail and a historian’s feel for the sweep of action. His research is scrupulous and his writing crisp. This book is an instant classic—— a highly readable guide to America’s great enduring pastime.” — The Louisville Courier Journal

    Riots were erupting across the city as citizens demanded justice for Freddie Gray, a twenty-five-year-old black man who died in police custody. At the same time, drug and violent crime were once again surging.For years, Sgt Wayne Jenkins and his team of plain-clothed officers - the Gun Trace Task Force - were the city's lauded and decorated heroes. But all the while they had been skimming from the drug busts they made, pocketing thousands in cash found in private homes and planting fake evidence to throw Internal Affairs off their scent. Because who would believe the dealers, the smugglers or people who had simply been going about their daily business over the word of the city's elite task force?Now, in light of their spectacular trial of late 2018, and in a work of astounding reportage and painstaking self-discovery, Justin Fenton has pieced together a shocking story of systemic corruption.

    In the midst of it all is the Giant, O'Brien, a freak of nature, a man of song and story who trusts in myths, fairies, miracles, and little people. He has come from Ireland to exhibit his size for money. O'Brien's opposite is a man of science, the famed anatomist John Hunter, who lusts after the Giant's corpse as a medical curiosity, a boon to the advancement of scientific knowledge.In her acclaimed novel, two-time Man Booker Prize winning author Hilary Mantel tells of the fated convergence of Ireland and England. As belief wrestles knowledge and science wrestles song, so The Giant, O'Brien calls to us from a fork in the road as a tale of time, and a timeless tale.

    During the 1970s and ‘80s, Cooley bribed judges, juries, and cops to keep his Mob clients out of jail. Paid handsomely for his services, he lived fast and enjoyed the protection of the men he served. Yet, by the end of the ‘90s, without a pending conviction, he became the star witness in nine federal trials that took down the most powerful Mafia family in the history of organized crime. When Corruption Was King is the story of a Mob lawyer turned mole with a million-dollar contract on his head who went back and forth between sin and sainthood—a turbulent youth, a stint on Chicago's police force, law school, and then the inner sanctum of Chicago's wiseguys. He dined with Mob bosses and shared "last suppers" with friends before their gangland executions. In a startling act of conscience, Cooley walked into the office of the U.S. Organized Crime Strike Force and agreed to wear a wire on the very same Mafia overlords who had made him a player. This book, including eight pages of memorable photographs, reveals the personal story behind the federal government's most successful Mafia investigation.

    He begins the story of Britain from the very earliest recorded Celtic times, and with this new edition has now brought it up to date via the Blair years and into the present day of Brexit Britain. A magnificently eloquent volume, the narrative chronicles two thousand years of Britain's history, the triumph of its people, the glory of its culture, and its dramatic influence on other nations of the world, especially the United States. It is a remarkable achievement and, with his passion, enthusiasm and wide-ranging knowledge, Strong is the ideal narrator. The book is ideally suited for everyone who cares about Britain's past.

    From that question was born the idea behind BASEBALL AND JAZZ. Posnanski and the 94 year old O'Neil decided to spend the 2005 baseball season touring the country in hopes of stirring up the love that first drew them to the game. This book is just as much the story of Buck O'Neil as it is the story of baseball. In a time when disillusioned, steroid–shooting, money hungry athletes define the sport, Buck O'Neil stands out as a man that truly played for the love of the game. Posnanski writes about that love and the one thing that O'Neil loved almost as much as baseball: jazz. BASEBALL AND JAZZ is an endearing step back in time to the days when the crack of a bat and the smoky notes of a midnight jam session were the sounds that brought the most joy to a man's heart.

    It is the story of the 'No Kill' movement, which says we can and must stop the killing. But most of all, it is a story about believing in the community and trusting in the power of compassion.

    Unlike most claimants to that much-abused term, this is the real thing...The power of this collection comes from the voices of these authors, voices suffused with rage ("3 Block From Hell," by Bryan K. Palmer), despair ("There Will Be Seeds for Next Year," by Zeke Caligiuri), and madness ("Shuffle," by Christopher M. Stephen)."-- New York Times Book Review "These are stories that resonate with authenticity and verve and pain and truth. Any collection edited by the National Book Award-winning author Oates (them; Blonde, Rape: A Love Story) deserves attention, but the contributors are deft and confident, and great writers without her imprimatur....Authentic, powerful, visceral, moving, great writing."-- Library Journal , Starred review"A remarkable anthology of stories written by inmates of correctional institutions across America...Most importantly, this landmark volume amplifies the voices of the incarcerated."-- Publishers Weekly , Starred reviewOne of BookRiot's Must-Read Books from Indie Presses for 2014"I gobbled it up. The voice in each piece is authentic...A fascinating read."-- subTerrain Magazine "A strong compilation of prison literature, varied, well-written and not always what might be expected."--Reviewing the Evidence"No matter what side of the bars you live on, Prison Noir is worth doing time with."-- Killeen Daily Herald "Readers will soak up every line...There is no doubt that readers from all walks of life, especially those less knowledgeable about life in prison, will appreciate Prison Noir."--Killer Nashville"This is a collection of stories that you will want to take your time with, savor, and probably reread a few times."--Jenn's Review Blog"There is an intensity and melancholy that shines through these fifteen short stories, all written by prison inmates incarcerated throughout the US, and edited by the inestimable Joyce Carol Oates."--A Lit Chick"Affecting, powerfully written and arresting literature. Well worth seeking out."--BRSBKBLOGAkashic Books continues its groundbreaking series of original noir anthologies, launched with the summer '04 award-winning best seller Brooklyn Noir. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the respective geographic range of the book. This anthology, with stories set in different prisons across the US, presents an absolutely new perspective on prison literature.From the introduction by Joyce Carol Oates:"The blood jet is poetry--these words of Sylvia Plath have reverberated through my experience of reading and rereading the stories of Prison Noir. In this case the blood jet is prose, though sometimes poetic prose; if we go a little deeper, in some chilling instances, the blood jet is exactly that: blood. For these stories are not "literary" exercises--though some are exceptionally well-written by any formalist standards, and artfully structured as narratives; with a single exception the stories are stark, somber, emotionally driven cris de coeur...We may feel revulsion for some of the acts described in these stories, but we are likely to feel a startled, even stunned sympathy for the perpetrators. And in several stories, including even murderers' confessions, we are likely to feel a profound and unsettling identification...There is no need for fantasy-horror in a place in which matter-of-fact horror is the norm, and mental illness is epidemic. Vividly rendered realism is the predominant literary strategy, as in a riveting documentary film."Featuring brand-new stories by: Christopher M. Stephen, Sin Soracco, Scott Gutches, Eric Boyd, Ali F. Sareini, Stephen Geez, B.M. Dolarman, Zeke Caligiuri, Marco Verdoni, Kenneth R. Brydon, Linda Michelle Marquardt, Andre White, Timothy Pauley, Bryan K. Palmer, and William Van Poyck.

    In this timely account, John McHugo seeks to contextualize the headlines, providing broad historical perspective and a richly layered analysis of a country few in the United States know or understand.McHugo charts the history of Syria from World War I to the tumultuous present, examining the country’s thwarted attempts at independence, the French policies that sowed the seeds of internal strife, and the fragility of its foundations as a nation. He then turns to more recent events: religious and sectarian tensions that have riven Syria, the pressures of the Cold War and the Arab-Israeli conflict, and two generations of rule by the Assads.The result is a fresh and rigorous narrative that explains both the creation and unraveling of the current regime and the roots of the broader Middle East conflict. As the Syrian civil war threatens to draw the U.S. military once again into the Middle East, here is a rare and authoritative guide to a complex nation that demands our attention.

    Each tale in this anthology edited by Ann Hood is set in a different part of the city. Pulitzer Prize winner Elizabeth Strout's story takes place at Trinity Repertory Company. Thomas Cobb, whose novel Crazy Heart was made into a movie with Jeff Bridges, tees up at Triggs Memorial Golf Course, and Dumb and Dumber co-writer and co-director Peter Farrelly, a graduate of Providence College, sets his story in the Elmhurst neighborhood, near his old college stomping grounds."-- Boston Globe "Providence, of course, has a history of crime, the mob, corruption and other goodies. In this collection of 15 stories...we are given a darkly hued tour of the city in all its nooks and crannies by such excellent writers as Hood herself, John Searles, Bruce DeSilva, Peter Farrelly, Elizabeth Strout, Hester Kaplan and others, each with their own style, tone and sly approach that will keep you reading, waiting for the sudden murder, the end of troubled relationships, the discovery of bones....[A] wonderful collection."-- Providence Journal Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: John Searles, Elizabeth Strout, Taylor M. Polites, Hester Kaplan, Robert Leuci, Amity Gaige, Peter Farrelly, Pablo Rodriguez, Bruce DeSilva, Marie Myung-Ok Lee, Luanne Rice, Dawn Raffel, Thomas Cobb, LaShonda Katrice Barnett, and Ann Hood.Anyone who has spent time in Providence, Rhode Island, knows that lurking in the shadows are many sinister noir elements and characters. The city is ripe for this volume, and Akashic is proud to have recruited the amazing Ann Hood as editor. The impressive contributor list conveys the caliber of Providence Noir, which joins Cape Cod Noir, Boston Noir, and Boston Noir 2: The Classics in sketching a dark and alternative portrait of these New England locales.From the introduction by Ann Hood:"Providence was founded in 1636 by a rogue named Roger Williams. Williams escaped here when Massachusetts was ready to deport him back to England. In the almost four hundred years since, we've become infamous for all sorts of crimes and misdemeanors, including serving as home base for the Patriarca crime family for decades. My very own Uncle Eddie--I can hear Mama Rose screaming at me: 'He wasn't a blood relative! He was related through marriage!'--was gunned down in the Silver Lake section of town in 1964, just a year after he drove me in his white Cadillac convertible in a parade as the newly crowned Little Miss Natick. The writer Geoffrey Wolff told me that once he went to a barber in Princeton, New Jersey and the barber asked him where he was from. 'Providence,' Wolff told him. The barber put down his scissors, raised his hands in the air, and said, 'Providence? Don't shoot!'"I've asked fourteen of my favorite writers to contribute short stories to Providence Noir. We have stories to make you shiver, stories to make you think, stories that will show you my beautiful, noirish city in a way it’s never been highlighted before."

    When the reader meets Jordan, he is a hard-throwing pitcher with seemingly limitless potential, one of the first “bonus babies” for the Milwaukee Braves organization. Jordan’s sojourn through the lower levels of minor-league ball takes him through the small towns of America: McCook, Waycross, Davenport, Eau Claire, and Palatka. As the promised land of the majors recedes because of his inconsistency and lack of control, the young man who had previously known only glory and success is forced to face himself.

    Lee relinquished his sword, a band of Union and Confederate veterans dusted off their guns. But these former foes had no intention of reigniting the Civil War. Instead, they were bound by a common goal: to seize the British province of Canada and to hold it hostage until the independence of Ireland was secured.By the time that these invasions--known together as the Fenian Raids--began in 1866, Ireland had been Britain's unwilling colony for seven hundred years. Thousands of Civil War veterans considered themselves Irishmen before they were Americans. They were those who fled rather than perish in the wake of the Great Hunger, and now they took their cue from a previous generation of successful American revolutionaries. With the tacit support of the U.S. government, the Fenian Brotherhood established a state in exile, planned prison breaks, weathered infighting, stockpiled weapons, and assassinated enemies. Defiantly, this motley group, including a one-armed war hero, an English spy infiltrating rebel forces, and a radical who staged his own funeral, managed to seize a piece of Canada--if only for three days.When the Irish Invaded Canada is the untold tale of a band of fiercely patriotic Irish Americans and their chapter in Ireland's centuries-long fight for independence. Inspiring, lively, and often undeniably comic, this is a story of fighting for what's right in the face of impossible odds.

    Music. DEATH TO THE BULLSHIT ARTISTS OF SOUTH TEXAS is a psychedelic romp through the Rio Grande Valley music scene. This collection of 10 punk rock fairy-tales offers a prismatic view of a subculture so rich that if it knew its own worth, it just might revolt against itself. This is the book you wish you had as a teenager, headphones on, waiting at a bus stop for a ride to the record store.

    Several miles from his home, the self-styled leader of all the Ojibwe was stopped by at least twelve Ojibwe men and fatally shot.Hole in the Day’s death was national news, and rumors of its cause were many: personal jealousy, retribution for his claiming to be head chief of the Ojibwe, retaliation for the attacks he fomented in 1862, or retribution for his attempts to keep mixed-blood Ojibwe off the White Earth Reservation. Still later, investigators found evidence of a more disturbing plot involving some of his closest colleagues: the business elite at Crow Wing.While most historians concentrate on the Ojibwe relationship with whites to explain this story, Anton Treuer focuses on interactions with other tribes, the role of Ojibwe culture and tradition, and interviews with more than fifty elders to further explain the events leading up to the death of Hole in the Day. The Assassination of Hole in the Day is not only the biography of a powerful leader but an extraordinarily insightful analysis of a pivotal time in the history of the Ojibwe people.“ An essential study of nineteenth-century Ojibwe leadership and an important contribution to the field of  American Indian Studies by an author of extraordinary knowledge and talent. Treuer’s work is infused with a powerful command over Ojibwe culture and linguistics.”--Ned Blackhawk, author of Violence Over the Land: Indians and Empires in the  Early American WestAnton Treuer, professor of Ojibwe at Bemidji State University, is the author of Ojibwe in Minnesota and several books on the Ojibwe language. He is also the editor of Oshkaabewis Native Journal, the only academic journal of the Ojibwe language.

    (The title of the book is a quote from Casey Stengel, their manager at the time.) Breslin casts the Mets, who lost 120 games out of a possible 162 that year, as a lovable bunch of losers. And, he argues, they were good for baseball, coming as a welcome antidote to "the era of the businessman in sports...as dry and agonizing a time as you would want to see." Although they were written forty years ago, many of Breslin's comments will strike a chord with today's sports fan, fed up with the growing commercialism of the games. Against this trend Breslin sets the exploits of "Marvelous" Marv Throneberry, Stengel, and the rest of the hapless Mets. "Wonderful."--Charles Salzberg, New York Times. "A touching, enjoyable, and interesting addition to anybody's sports reading list."--Patrick Conway