Rancourt passes the reader a gift: the ability to experience and see a venal adult life through the forgiving, blameless and easily-wounded eyes of a child."-Chris Ware, from his introductionIn 1980, Sylvie Rancourt and her boyfriend moved to Montreal from rural Northern Quebec. With limited formal education or training, they had a hard time finding employment, so Rancourt began dancing in strip clubs. These experiences formed the backbone of the first Canadian autobiographical comic book, Melody, which Rancourt wrote, drew, and distributed, starting in 1985. Later, she collaborated with the artist Jacques Boivin, who translated and drew a new series of Melody comics for the American market-the comics were an instant cult classic. Until now, the Rancourt drawn-and-written comics have never been published in English. These stories are compelling without ever being voyeuristic or self-pitying, and her drawings are formally innovative while maintaining a refreshingly frank and engaging clarity. Whether she's divulging her first experiences dancing for an audience or sharing moments from her life at home, her storytelling is straightforward and never sensationalized. With a knowing wink at the reader, Rancourt shares a world that, in someone else's hands, might be scandalous or seedy, but in hers is fully realized, real, and often funny. The Drawn & Quarterly edition of Melody: Story of a Nude Dancer, featuring an introduction by Chris Ware (Building Stories), places this masterpiece of early autobiographical comics in its rightful place at the heart of the comics canon.

    He is faced with his parents' impending divorce, moves to a new city, goes to a new school, and needs to make new friends. To help him adapt to his new surroundings his mother urges him to join the "Snow Geese," a youth group led by a nonconformist priest who challenges Philippe to rethink his values. But as Philippe becomes more acquainted with the group and its charismatic leader, masks begin to slip, and he finds himself plunged into the centre of an unexpected drama. With his life turned upside-down, he seeks comfort in reading, and manages to find his bearings again when he discovers the old-fashioned adventure series of Jack Bowmore. Killing Velazquez is an autobiographical tale that gives us a glimpse into the complexities of manipulation and reminds us that sometimes an old book can actually save a life.

    Factory Summers chronicles the daily rhythms of life in the mill, and the twelve hour shifts he spent in a hot, noisy building filled with arcane machinery. Delisle takes his noted outsider perspective and applies it domestically, this time as a boy amongst men through the universal rite of passage of the summer job. Even as a teenager, Delisle’s keen eye for hypocrisy highlights the tensions of class and the rampant sexism an all-male workplace permits. Guy works the floor doing physically strenuous tasks. He is one of the few young people on site, and furthermore gets the job through his father’s connections, a fact which rightfully earns him disdain from the lifers. Guy’s dad spends his whole career in the white collar offices, working 9 to 5 instead of the rigorous 12-hour shifts of the unionized labor. Guy and his dad aren’t close, and Factory Summers leaves Delisle reconciling whether the job led to his dad’s aloofness and unhappiness. On his days off, Guy finds refuge in art, a world far beyond the factory floor. Delisle shows himself rediscovering comics at the public library, and preparing for animation school–only to be told on the first day, “There are no jobs in animation.” Eager to pursue a job he enjoys, Guy throws caution to the wind.

    For the new 2002 definitive softcover edition Brown has designed new layouts for the entire book, using "white" panel backgrounds instead of the black pages of the first edition.

    Their relationship is put to the test as they forge ahead, working together to rebuild themselves amidst the churning tumult of devastating loss, and ultimately facing the soul-crushing reality that they may never conceive a child of their own.Based on author Ingrid Chabbert’s own experience, coupled with soft, sometimes dreamlike illustrations by Carole Maurel, Waves is a deeply moving story that poignantly captures a woman’s exploration of her pain in order to rediscover hope.

    After reading the last page I closed the book and wept a little bit about its simple, perfect ending."-MIRANDA JULY, author of It Chooses You and No One Belongs Here More Than YouGoglu is a daydreamer with a young working mother, a disengaged stepfather, and a father who lives five thousand miles away. Drawing, punk rock, and the promise of true independence guide Goglu to adulthood while her home's daily chaos inevitably shapes her identity. Susceptible is a devastating graphic novel debut by Geneviève Castrée; it's a testament to the heartbreaking loss of innocence when a child is forced to be the adult amongst grownups..

    Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult… Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace.Brimming with life and dark humor, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis.

    Diane Obomsawin's deceptively simple lifework and straightforward writing style capture the breathless sweetness of holding another girl's hand for the first time, and the happy, lusty intimacy of a virginity-ending, drunken threesome. Delightful."—Ellen Forney, author of Marbles: Mania, Depression, Michelangelo, and MeIntimate vignettes of women coming outOn Loving Women is a new collection of stories about coming out, first love, and sexual identity by the animator Diane Obomsawin. With this work, Obomsawin brings her gaze to bear on subjects closer to home—her friends' and lovers' personal accounts of realizing they're gay or first finding love with another woman. Each story is a master class in reaching the emotional truth of a situation with the simplest means possible. Her stripped-down pages use the bare minimum of linework to expressively reveal heartbreak, joy, irritation, and fear.On Loving Women focuses primarily on adolescence—crushes on high school teachers, awkwardness on first dates—but also addresses much deeper-seated difficulties of being out: fears of rejection and of not being who others want one to be. Within these pages, Obomsawin has forged a poignant, powerful narrative that speaks to the difficulties of coming out and the joys of being loved.

    With his passion for surfing uniting many narratives, he intertwines his own story with those of some of the great heroes of surf.

    His beloved tar has been broken. But no matter what tar he tries, none of them sound right. Brokenhearted, Nasser Ali Khan decides that life is no longer worth living. He takes to his bed, renouncing the world and all of its pleasures. This is the story of the eight days he spends preparing to surrender his soul.

    As she moves through the world navigating banal, familiar, and sometimes uncomfortable interactions with the familiar-faced strangers she sees daily, Williams weaves together a riveting collection of flashbacks. Her recollections highlight the indefinable moments when lines are crossed and a woman must ask herself if the only way to avoid being objectified is to simply cease to draw any attention to her physical being. She delves into the gray space that lives between consent and assault and tenderly explores the complexity of the shame, guilt, vulnerability, and responsibility attached to both.

    The brutal police response and their violent tactics trigger an exploration of urban planning and its hidden connections to military strategies. Marshal Bugeaud’s urban warfare tactics in Algeria, Haussmann’s plan for Paris, planning and repression in the New World; theory and personal experience collide into an ambitious and poetic cartoon memoir.Sophie Yanow was born north of San Francisco in 1987. In 2011 she moved to Montreal, and with the Colosse collective published In Situ, her acclaimed autobiographical comics series. She was an invited artist- researcher for the Canadian Center for Architecture’s “C for Condo” workshop, and her work has been exhibited throughout the US and Canada. She lives in Montreal.

    Webber adroitly uses the comics medium to convey the practical hurdles she faced as well as the fear and dread that accompanied her increasingly lonely journey to regain her life. Her raw cartooning style, occasionally devolving into chaotic scribbles, splotches of ink, and overlapping montages, perfectly captures her frustration and anxiety. But her ordeal ultimately becomes a hopeful story. Throughout, she learns to lean on the support of her close friends, finds self-expression in creating comics, and comes to understand and appreciate how deeply her voice and identity are intertwined.

    Wake up, grab the ice skates, and head to the rink while the world was still dark.Weekends were spent in glitter and tights at competitions. Perform. Smile. And do it again.She was good. She won. And she hated it.For ten years, figure skating was Tillie Walden's life. She woke before dawn for morning lessons, went straight to group practice after school, and spent weekends competing at ice rinks across the state. It was a central piece of her identity, her safe haven from the stress of school, bullies, and family. But over time, as she switched schools, got into art, and fell in love with her first girlfriend, she began to question how the close-minded world of figure skating fit in with the rest of her life, and whether all the work was worth it given the reality: that she, and her friends on the figure skating team, were nowhere close to Olympic hopefuls. It all led to one question: What was the point? The more Tillie thought about it, the more Tillie realized she'd outgrown her passion--and she finally needed to find her own voice.

    A tale of security and discovery, of playfulness and tragedy, of a fall from grace and the origins of faith.