For this highly intelligent, acutely observant woman, loyalty did not come easily: she spent long years struggling to reconcile her societal duties to her personal beliefs. Raised in Mississippi but educated in Philadelphia, and a long-time resident of Washington, D.C., Mrs. Davis never felt at ease in Richmond. During the war she nursed Union prisoners and secretly corresponded with friends in the North. Though she publicly supported the South, her term as First Lady was plagued by rumours of her disaffection. After the war, Varina Davis endured financial woes and the loss of several children, but following her husband's death in 1889, she moved to New York and began a career in journalism. Here she advocated reconciliation between the North and South and became friends with Julia Grant, the widow of Ulysses S. Grant. She shocked many by declaring in a newspaper that it was God's will that the North won the war. A century after Varina Davis's death in 1906, Joan E.Cashin has written a masterly work, the first definitive biography of this truly modern, but deeply conflicted, woman. Pro-slavery but also pro-Union, Varina Davis was inhibited by her role as Confederate First Lady and unable to reveal her true convictions. In this path breaking book, Cashin offers a splendid portrait of a fascinating woman who struggled with the constraints of her time and place.

     In the waning days of the Civil War, brothers Prentiss and Landry—freed by the Emancipation Proclamation—seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm, hoping through an unexpected friendship to stanch their grief. Prentiss and Landry, meanwhile, plan to save money for the journey north and a chance to reunite with their mother, who was sold away when they were boys. Parallel to their story runs a forbidden romance between two Confederate soldiers. The young men, recently returned from the war to the town of Old Ox, hold their trysts in the woods. But when their secret is discovered, the resulting chaos, including a murder, unleashes convulsive repercussions on the entire community. In the aftermath of so much turmoil, it is Isabelle who emerges as an unlikely leader, proffering a healing vision for the land and for the newly free citizens of Old Ox. With candor and sympathy, debut novelist Nathan Harris creates an unforgettable cast of characters, depicting Georgia in the violent crucible of Reconstruction. Equal parts beauty and terror, as gripping as it is moving, The Sweetness of Water is an epic whose grandeur locates humanity and love amid the most harrowing circumstances.

    Jacob Thacker is on probation for Xanax abuse. His interim career—working university public relations—takes an unnerving detour into the past when the bones of African American slaves are unearthed on campus.In a parallel narrative set in the nineteenth century, Nemo (“no man”), a university slave purchased for his unusual knife skills, becomes an unacknowledged member of the surgical faculty by day—and by night, a “resurrectionist,” responsible for procuring bodies for medical study. An unforgettable character, by turns apparently insouciant, tormented, and brilliant, Nemo will seize his self-respect in ways no reader can anticipate.With exceptional storytelling pacing and skill, Matthew Guinn weaves together past and present to relate a Southern Gothic tale of shocking crimes and exquisite revenge.

    Lee’s birth, a new portrait drawing on previously unpublished correspondence Robert E. Lee’s war correspondence is well known, and here and there personal letters have found their way into print, but the great majority of his most intimate messages have never been made public. These letters reveal a far more complex and contradictory man than the one who comes most readily to the imagination, for it is with his family and his friends that Lee is at his most candid, most engaging, and most vulnerable. Over the past several years historian Elizabeth Brown Pryor has uncovered a rich trove of unpublished Lee materials that had been held in both private and public collections. Her new book, a unique blend of analysis, narrative, and historiography, presents dozens of these letters in their entirety, most by Lee but a few by family members. Each letter becomes a departure point for an essay that shows what the letter uniquely reveals about Lee’s time or character. The material covers all aspects of Lee’s life—his early years, West Point, his work as an engineer, his relationships with his children and his slaves, his decision to join the South, his thoughts on military strategy, and his disappointments after defeat in the Civil War. The result is perhaps the most intimate picture to date of Lee, one that deftly analyzes the meaning of his actions within the context of his personality, his relationships, and the social tenor of his times.

    BEULAH LAND....where the old South as it really was is brought to intense life, in all its outward splendor and secret shame.

    These are tales handed down over the years that have their basis in the horrors of the Civil War.

    Davis, one of America's best Civil War historians, here offers a definitive portrait of the Confederacy unlike any that has come before. Drawing on decades of writing and research among an unprecedented number of archives, "Look Away!" tells the story of the Confederate States of America not simply as a military saga (although it is that), but rather as a full portrait of a society and incipient nation. The first history of the Confederacy in decades, the culmination of a great scholar's career, "Look Away!" combines politics, economics, and social history to set a new standard for its subject. Previous histories have focused on familiar commanders such as Robert E. Lee and Stonewall Jackson, but Davis's canvas is much broader. From firebrand politicians like Robert Barnwell Rhett and William L. Yancey, who pushed for secession long before the public supported it; to Dr. Samuel Cartwright, who persuaded many Southerners of the natural inferiority of their slaves; to the women of Richmond, who rioted over bread shortages in 1863, Davis presents a rich new face of the Confederate nation. He recounts familiar stories of battles won and lost, but also little-known economic stories of a desperate government that socialized the salt industry, home-front stories of the rangers and marauders who preyed on their fellow Confederates, and an account of the steady breakdown of law, culminating in near anarchy in some states. Never has the Confederacy been so vividly brought to life as a full society, riven with political and economic conflicts beneath its more loudly publicized military battles.Davis's astonishingly thorough primary research has ranged across the 800-oddnewspapers that were in operation during the war, but also across the personal papers of over a hundred Southern leaders and ordinary citizens. He quotes from letters and diaries throughout the narrative, revealing the Confederacy through the words of the Confederates themselves. Like any society, especially in the early stages of nation-building and the devastating stages of warfare, the Confederacy was not one thing but many things to many people. One thing, however, was shared by all: the belief that the South offered a necessary evolution of American democracy. "Look Away!" offers a dramatic and definitive account of one of America's most searing episodes.

    Today it has the greatest concentration of antebellum mansions in the South, and a culture full of unexpected contradictions. Prominent white families dress up in hoopskirts and Confederate uniforms for ritual celebrations of the Old South, yet Natchez is also progressive enough to elect a gay black man for mayor with 91% of the vote. Much as John Berendt did for Savannah in Midnight in the Garden of Good and Evil and the hit podcast S-Town did for Woodstock, Alabama, so Richard Grant does for Natchez in The Deepest South of All. With humor and insight, he depicts a strange, eccentric town with an unforgettable cast of characters. There’s Buzz Harper, a six-food-five gay antique dealer famous for swanning around in a mink coat with a uniformed manservant and a very short German bodybuilder. There’s Ginger Hyland, “The Lioness,” who owns 500 antique eyewash cups and decorates 168 Christmas trees with her jewelry collection. And there’s Nellie Jackson, a Cadillac-driving brothel madam who became an FBI informant about the KKK before being burned alive by one of her customers. Interwoven through these stories is the more somber and largely forgotten account of Abd al Rahman Ibrahima, a West African prince who was enslaved in Natchez and became a cause célèbre in the 1820s, eventually gaining his freedom and returning to Africa. With an “easygoing manner” (Geoff Dyer, National Book Critics Circle Award–winning author of Otherwise Known as the Human Condition), this book offers a gripping portrait of a complex American place, as it struggles to break free from the past and confront the legacy of slavery.

    Samantha and her half brother, Benjamin, survive, but she is left traumatized, her face horribly scarred. Narrated in Benjamin’s beguilingly plainspoken voice, The Which Way Tree is the story of Samantha’s unshakeable resolve to stalk and kill the infamous panther, rumored across the Rio Grande to be a demon, and avenge her mother’s death. In their quest she and Benjamin, now orphaned, enlist a charismatic Tejano outlaw and a haunted, compassionate preacher with an aging but relentless tracking dog. As the members of this unlikely posse hunt the panther, they are in turn pursued by a hapless but sadistic Confederate soldier with troubled family ties to the preacher and a score to settle. In the tradition of the great pursuit narratives, The Which Way Tree is a breathtaking saga of one steadfast girl’s revenge against an implacable and unknowable beast. Yet with the comedic undertones of Benjamin’s storytelling, it is also a timeless tale full of warmth and humor, and a testament to the enduring love that carries a sister and brother through a perilous adventure with all the dimensions of a legend.

    A line of women with a heritage of loss.As a young bride, Susannah Page was rumored to be a Civil War spy for the North, a traitor to her Virginian roots. Her great-granddaughter Adelaide, the current matriarch of Holly Oak, doesn’t believe that Susannah’s ghost haunts the antebellum mansion looking for a pardon, but rather the house itself bears a grudge toward its tragic past.When Marielle Bishop marries into the family and is transplanted from the arid west to her husband’s home, it isn’t long before she is led to believe that the house she just settled into brings misfortune to the women who live there.With Adelaide’s richly peppered superstitions and deep family roots at stake, Marielle must sort out the truth about Susannah Page and Holly Oak— and make peace with the sacrifices she has made for love.

    Her father disappeared one night from the backwoods of Porter’s Hollow, a shadowy depression in the mountains of North Carolina not far from the little town of Grassy Creek. The only witness, a hostile, virulent uncle, claimed he was attacked by something supernatural. Laura was born under the long, dark shadow of the events that led up to that night. And now, just when she finds herself widowed and empty-nested, she gets a phone call drawing her back to the place she was whisked away from in a rush of fear and confusion years ago. But she is determined to risk whatever it takes to get to the bottom of a well-kept family secret. Because the skeletons in this closet are real, and someone, or something, doesn’t want them revealed.

    Upon learning of Lee's surrender, Sam--a runaway slave who once worked for the Union Army--decides to leave his safe haven in Philadelphia and set out on foot to return to the war-torn South. What compels him on this almost-suicidal course is the desire to find his wife, the mother of his only child, whom he and their son left behind 15 years earlier on the Mississippi farm to which they all "belonged."At the same time, Sam's wife, Tilda, is being forced to walk at gunpoint with her owner and two of his other slaves from the charred remains of his Mississippi farm into Arkansas, in search of an undefined place that would still respect his entitlements as slaveowner and Confederate officer.The book's third main character, Prudence, is a fearless, headstrong white woman of means who leaves her Boston home for Buford, Mississippi, to start a school for the former bondsmen, and thus honor her father’s dying wish.At bottom, Freeman is a love story--sweeping, generous, brutal, compassionate, patient--about the feelings people were determined to honor, despite the enormous constraints of the times. It is this aspect of the book that should ensure it a strong, vocal, core audience of African-American women, who will help propel its likely critical acclaim to a wider audience. At the same time, this book addresses several themes that are still hotly debated today, some 145 years after the official end of the Civil War. Like Cold Mountain, Freeman illuminates the times and places it describes from a fresh perspective, with stunning results. It has the potential to become a classic addition to the literature dealing with this period. Few other novels so powerfully capture the pathos and possibility of the era particularly as it reflects the ordeal of the black slaves grappling with the promise--and the terror--of their new status as free men and women.

    Told through the words of the people who lived it, The Fall of the House of Dixie illuminates the way a war undertaken to preserve the status quo became a second American Revolution whose impact on the country was as strong and lasting as that of our first.   In 1860 the American South was a vast, wealthy, imposing region where a small minority had amassed great political power and enormous fortunes through a system of forced labor. The South’s large population of slaveless whites almost universally supported the basic interests of plantation owners, despite the huge wealth gap that separated them. By the end of 1865 these structures of wealth and power had been shattered. Millions of black people had gained their freedom, many poorer whites had ceased following their wealthy neighbors, and plantation owners were brought to their knees, losing not only their slaves but their political power, their worldview, their very way of life. This sea change was felt nationwide, as the balance of power in Congress, the judiciary, and the presidency shifted dramatically and lastingly toward the North, and the country embarked on a course toward equal rights.   Levine captures the many-sided human drama of this story using a huge trove of diaries, letters, newspaper articles, government documents, and more. In The Fall of the House of Dixie, the true stakes of the Civil War become clearer than ever before, as slaves battle for their freedom in the face of brutal reprisals; Abraham Lincoln and his party turn what began as a limited war for the Union into a crusade against slavery by issuing the Emancipation Proclamation; poor southern whites grow increasingly disillusioned with fighting what they have come to see as the plantation owners’ war; and the slave owners grow ever more desperate as their beloved social order is destroyed, not just by the Union Army, but also from within. When the smoke clears, not only Dixie but all of American society is changed forever.   Brilliantly argued and engrossing, The Fall of the House of Dixie is a sweeping account of the destruction of the old South during the Civil War, offering a fresh perspective on the most colossal struggle in our history and the new world it brought into being.Praise for The Fall of the House of Dixie   “This is the Civil War as it is seldom seen. . . . A portrait of a country in transition . . . as vivid as any that has been written.”—The Boston Globe  “An absorbing social history . . . For readers whose Civil War bibliography runs to standard works by Bruce Catton and James McPherson, [Bruce] Levine’s book offers fresh insights.”—The Wall Street Journal  “More poignantly than any book before, The Fall of the House of Dixie shows how deeply intertwined the Confederacy was with slavery, and how the destruction of both made possible a ‘second American revolution’ as far-reaching as the first.”—David W. Blight, author of American Oracle  “Splendidly colorful . . . Levine recounts this tale of Southern institutional rot with the ease and authority born of decades of study.”—Kirkus Reviews (starred review)   “A deep, rich, and complex analysis of the period surrounding and including the American Civil War.”—Publishers Weekly (starred review)

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    When war arrives, the master of Beauvais, Anthony Levallios, foresees that mastery in a new America will be measured not in acres of tobacco under cultivation by his slaves, but in industry and capital. A grievously wounded Confederate veteran loses his grip on a world he no longer understands, and his daughter finds herself married to Levallois, an arrangement that feels little better than imprisonment. And two people enslaved at Beauvais plantation, Nurse and Rawls, overcome impossible odds to be together, only to find that the promise of coming freedom may not be something they will live to see.Seamlessly interwoven is the story of George Seldom, a man orphaned by the storm of the Civil War, looking back from the 1950s on the void where his childhood ought to have been. Watching the government destroy his neighborhood to build a stretch of the interstate highway system through Richmond, Virginia, and recognizing that his days on earth are coming to an end, he travels south to try to fill in that void. With the help of a young woman, he goes in search of his beginnings, all the while remembering the life that witnessed so much change during the 20th century, and so much that didn't. As the narrative finds that young woman farther in the future, now in her middle age, the questions remain: How do we live in a world built on the suffering of others? And can love exist in a place where for 400 years violence has been the strongest form of intimacy?Written with the same emotional intensity, harrowing realism, and poetic precision that made THE YELLOW BIRDS one of the most celebrated novels of the past decade, A SHOUT IN THE RUINS cements Powers' place in the forefront of American letters and demands that we reckon with the moral weight of our troubling history.