Though it would help,it is not required that I give hima name first. Also, nothingsays he stops, then, or must turn.--from "The Figure, the Boundary, the Light"In the art of falconry, during training the tether between the gloved fist and the raptor's anklets is gradually lengthened and eventually unnecessary. In these new lyric poems, Carl Phillips considers the substance of connection -- between lover and beloved, mind and body, talon and perch -- and ts the cable of mutual trust between soaring figure and shadowed ground.Contemporary literature can perhaps claim no poetry more clearly allegorical than that of Carl Phillips, whose four collections have turned frequently to nature, myth, and history for illustration; still, readers know the primary attributes of his work to be its physicality, grace, and disarming honesty about desire and faith. In The Tether, his fifth book, Phillips's characteristically cascading poetic line is leaner and more dramatic than ever."

    While haiku most often depicts the natural world, when focused on the elements of love and sensuality, haiku can be a powerful vehicle for evoking the universal experience of love. In this elegant anthology, love is explored through beautiful images that evoke a range of feelings—from the longing of a lover to the passion of a romantic relationship. Written by contemporary Japanese poets as well as by haiku masters such as Basho, Buson, and Issa, these poems share not only the haiku poets’ vision for love, but their vision of the poignant moments that express it.

    His affecting words cover topics from politics to prejudice, from the human spirit to the individual obstacles he faces every day in his solitary life.

    Formed by a series of essays, they are written to be read individually, but have been arranged to be read as a totality and in sequence. Each aims to accomplish two things: first, to introduce a key aspect of the experience of being low-income in contemporary Singapore. Second, to illustrate how people’s experiences are linked to structural conditions of inequality.

    Enroling herself at the Sorbonne, she meets the suave Patrick Dudoigt, but he’s the one temptation she MUST resist. Annabelle’s belief system is challenged on all fronts, and her naïveté is seen as gauche in the City of Love. Guilt and confusion make for dangerous bedfellows, and when her fellow university students enthusiastically combine reading and rioting, Annabelle can’t help but wonder if everyone’s gone mad—or is it just her? Annabelle Thong takes a hilarious look at the sparks that fly when East meets West, and the passions these ignite.

    . . . "Social Disease" . . . is really about the three major issues of our time: sex, hair, and the telephone" (Paul Rudnick, "New York Magazine").

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    As the city roils around them, they find solace in love, marriage, and then parenthood. But when their two-year-old daughter Alba is kidnapped, Del must confront the terrible secret of a city where babies are sold and girls trafficked.By turns heart-breaking and suspenseful, Once We Were There is a debut novel of profound insight. It is Bernice Chauly at her very best.

    An aging, embittered novelist sets out to avenge himself on the women who have betrayed him. He finds the perfect instrument in Yuichi, a young man whose beauty makes him irresistible to women but who is just discovering his attraction to other men.As Yuichi's mentor presses him into a loveless marriage and a series of equally loveless philanderings, his protégé enters the gay underworld of postwar Japan. In that hidden society of parks and tearooms, prostitutes and aristocratic blackmailers, Yuichi is as defenseless as any of the women he preys on. Mordantly observed, intellectually provocative, and filled with icy eroticism, Forbidden Colors is a masterpiece.

    Yet we tend to associate sustainability, nature, and the environment with distant places, science, and policy. The truth is that everything is environmental, from transportation to taxes, work to love, cities to cuisine.This book is the first to examine contemporary Singapore from an ecocultural lens, looking at the ways that Singaporean life and culture is deeply entangled with the nonhuman lives that flourish all around us. The authors represent a new generation of cultural critics and environmental thinkers, who will inherit the future we are creating today. From chilli crab to Tiger Beer, Changi Airport to Pulau Semakau, O-levels to orang minyak films, these essays offer fresh perspectives on familiar subjects, prompting us to recognise the incredible urgency of climate change and the need to transform our ways of thinking, acting, learning, living, and governing so as to maintain a stable planet and a decent future.

    Since that fateful day, he has been diving in the sea every week in search for her.Compelled and inspired to share his story, I Want To Go Home is a journey from Singapore to Onagawa through the lens of the intrigued to meet him. Of unlikely friendships across borders and languages; to share a man’s loss, recovery and determination to reunite with his wife.The novel's feature film (also titled I Want To Go Home) has also been selected for the 2017 부산국제영화제 Busan International Film Festival (BIFF). This book also includes a Japanese translation by Miki Hawkinson.

    Born into a stern farming family on the island of Keos, Simonides escapes his harsh childhood through a lucky apprenticeship with a renowned Ionian singer. As they travel through 5th century B.C. Greece, Simonides learns not only how to play the kithara and compose poetry, but also how to navigate the shifting alliances surrounding his rich patrons. He is witness to the Persian invasion of Ionia, to the decadent reign of the Samian pirate king Polykrates, and to the fall of the Pisistratids in the Athenian court. Along the way, he encounters artists, statesmen, athletes, thinkers, and lovers, including the likes of Pythagoras and Aischylos. Using the singer's unique perspective, Renault combines her vibrant imagination and her formidable knowledge of history to establish a sweeping, resilient vision of a golden century.

    Published only recently, it set sales records in the millions of copies and soon crossed over to other media as well--first as a radio and TV drama, then as a blockbuster movie. The popularity of the novel has spread across Asia as well, with hugely successful translations into Korean and Chinese. In the West, readers may be reminded of The Bridges of Madison County, another best-selling novel of blazing midlife passion--one with a very different outcome.Here the lovers are Kuki, a 54-year-old employee in a publishing company, and Rinko, a childless, 37-year-old woman unhappily married to a cold fish of a husband, a professor of medicine. Stuck in a dead-end job and an uneventful marriage, Kuki is irresistibly drawn to Rinko from their first encounter, seeing through her demure demeanor to the passionate woman beneath. She returns his feelings with ever-increasing abandon, despite lingering fears about where her sexual awakening may lead her. In the end, both are prepared to risk all for their relationship: family, career, and social standing, even life itself.The story contrasts the lovers' defiantly freewheeling passion--described in imaginative, smoldering detail--with a rigid society where people are expected to play a prescribed role, whether as dutiful wife or compliant office worker. In escaping these conventional roles, the lovers often escape the city as well, immersing themselves in the traditional beauties of Japanese nature and art as they give themselves over to each other and the pleasure of the moment. And ultimately they make a much more radical escape: one that will ensure that they are left in peace, to enjoy an abiding love.Perhaps not all the choices they make will seem reasonable, or even understandable, to Western readers. But their story, with elements as modern as yesterday's headlines and as timeless as the tug between love and death, opens a window into the secrets of the Japanese soul.

    But can they truly leave the city that's in their bones?Kate Tempest's novel reaches back through time--through tensely quiet dining rooms and crassly loud clubs--to the first time Becky and Harry meet. It sprawls through their lives and those they touch--of their families and friends and faces on the street--revealing intimacies and the moments that make them. And it captures the contemporary struggle of urban life, of young people seeking jobs or juggling jobs, harboring ambitions and making compromises.The Bricks that Built the Houses is an unexpected love story. It's about being young, but being part of something old. It's about how we become ourselves, and how we effect our futures. Rich in character and restless in perspective, driven by ethics and empathy, it asks--and seeks to answer--how best to live with and love one another.Kate Tempest, a major talent in the poetry and music worlds, sits poised to become a major novelist as well.

    . . . Ammons makes you laugh and forces you to think hard about the way humans relate to natural phenomena and to themselves. From such simple, short expression emerge complex, often confounding ideas. New readers of poetry as well as those with an active interest in lyric verse will love this volume.”—Booklist