Earth features stories by Rose Tremain, Jonathan Coe, Marti Leimbach, Kate Atkinson, Ian Rankin, Marina Lewycka, Hanif Kureishi, Jonathan Buckley and Nicholas Shakespeare, and a poem by Vikram Seth.The idea behind Ox-Tales is to raise money for Oxfam and along the way to highlight the charity’s work in project areas: agriculture in Earth, water projects in Water, conflict aid in Fire, and climate change in Air.

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    It is here that Jeeves makes his first appearance with these unremarkable words: "Mrs. Gregson to see you, sir." Years later, when Jeeves became a household name, Wodehouse said he blushed to think of the off-hand way he had treated the man at their first encounter...In the story "Extricating Young Gussie," we find Bertie Wooster's redoubtable Aunt Agatha "who had an eye like a man-eating fish and had got amoral suasion down to a fine point." The other stories are also fine vintage Wodehouse: the romance between a lovely girl and a would-be playwright, the rivalry between the ugly policeman and Alf the romeo milkman, and the plight of Henry in the title piece, The Man with Two Left Feet, who fell in love with a dance hostess.

    Gissing has been judged to be one of the foremost novelists of the late 19th century

    W.H.;" and the parables Wilde referred to as "Poems in Prose," including "The Artist," "The House of Judgment," and "The Teacher of Wisdom."

    It is a book to dip into, to read from cover to cover, to lend to friends and read again. It includes stories of love and crime, stories touched with comedy and the supernatural, stories set in London, Los Angeles, Bucharest and Tokyo. Above all, as you will discover, it satisfies Samuel Butler's anarchic pleasure principle: 'I should like to like Schumann's music better than I do; I daresay I could make myself like it better if I tried; but I do not like having to try to make myself like things; I like things that make me like them at once and no trying at all...'

    Odd is a tale of how an ordinary man profited from an extraordinary time paradox when he stops to help a man seemingly lost and confused, and then learns the reasons why.Stitch in Time concerns an elderly lady reflecting on a lost love and, thanks to her sons' experiments with time, finally discovering the reason why her lover abandoned her so many years ago.Oh Where, Now, is Peggy MacRafferty? is a social satire on Hollywood glamour in which a bright, individual young Irish woman becomes part of the celebrity circuit, and loses all that makes her special in the process of becoming a star.Random Quest combines romance and parallel universes.A Long Spoon is the story of how a demon is summoned by mistake and the lengths the couple that invoked him have to go to get rid of him without losing their souls in the bargain.

    The use of metaphor is delicate and subtle; often the women are strong and capable and the men less so; shallow and selfish motives are exposed.The dates of these stories range from 1909 to 1986 and there are thirty in all. The ten stories which are already in print in Persephone editions of their work are by Katherine Mansfield, Irène Némirovsky, Mollie Panter-Downes (twice), Elizabeth Berridge, Dorothy Whipple, Frances Towers, Margaret Bonham, Diana Gardner and Diana Athill. The ten stories which have already been published in the Quarterly and Biannually are by EM Delafield; Dorothy Parker; Dorothy Whipple; Edith Wharton; Phyllis Bentley; Dorothy Canfield Fisher; Norah Hoult; Angelica Gibbs; Penelope Mortimer; and Georgina Hammick. And lastly the ten stories which are new are by Susan Glaspell, Pauline Smith, Malachi Whitaker, Betty Miller, Helen Hull, Kay Boyle, Shirley Jackson, Sylvia Townsend Warner, Elizabeth Spencer and Penelope Fitzgerald.

    Ingeniously plotted, with richly drawn characters and Jeffrey Archer's trademark of deliciously unexpected conclusions, this new collection has the added bonus of thirteen charming illustrations by the internationally acclaimed artist Ronald Searle. Some of these twelve stories were inspired by the two years Jeffrey Archer spent in prison, including the story of a company chairman who tries to poison his wife while on a trip to St. Petersburg---with unexpected consequences. "The Red King" is a tale about a con man who discovers that an English lord requires one more chess piece to complete a set that would be worth a fortune. In another tale of deception, "The Commissioner," a Bombay con artist ends up in the morgue after he uses the police chief as bait in his latest scam. "The Perfect Murder" reveals how a convict manages to remove an old enemy while he's locked up in jail, and then set up two prison officers as his alibi. In "Charity Begins at Home," an accountant realizes he has achieved nothing in his life, and sets out to make a fortune before he retires. And then there is Archer's favorite, "In the Eye of the Beholder," in which a handsome star athlete falls in love with a three-hundred-pound woman . . . who happens to be the ninth-richest woman in Italy. Jeffrey Archer is the only author to have topped international bestseller lists with his fiction, nonfiction, and short stories. "Cat o'Nine Tales" is Archer at his best: witty, poignant, sad, surprising, and unforgettable.

    Clarke is the most celebrated science fiction author alive. He is—with H. G. Wells, Isaac Asimov, and Robert A. Heinlein—one of the writers who define science fiction in our time. Now Clarke has cooperated in the preparation of a massive, definitive edition of his collected shorter works. From early work like "Rescue Party" and "The Lion of Comarre," through classics like "The Star," "Earthlight," "The Nine Billion Names of God," and "The Sentinel" (kernel of the later novel, and movie, 2001: A Space Odyssey), all the way to later work like "A Meeting with Medusa" and "The Hammer of God," this immense volume encapsulates one of the great SF careers of all time.

    Macabre, unsettling and deliciously enjoyable, these stories make the perfect bedtime read – but be warned, once you've started reading you won't be able to stop . .

    This collection of nearly fifty pieces brings together the contents of two published volumes, A Haunted House and Mrs. Dalloway’s Party; a number of uncollected stories; and several previously unpublished pieces. Edited and with an Introduction by Susan Dick.

     Featuring stories by Amy Cross, Mike Duke, Matthew Brockmeyer, Lex H. Jones, J.C. Michael and Kevin J. Kennedy.

    These are but some of the men and women who fill this searingly imaginative and emotionally taut collection of short stories by Mark Haddon, that weaves through time and space to showcase the author's incredible versatility.     Yet the collection achieves a sum that is greater than its parts, proving itself a meditation not only on isolation and loneliness but also on the tenuous and unseen connections that link individuals to each other, often despite themselves. In its titular story, the narrator describes with fluid precision a catastrophe that will collectively define its victims as much as it will disperse them—and brilliantly lays bare the reader's appetite for spectacle alongside its characters'. Cut with lean prose and drawing inventively from history, myth, fairy tales, and, above all, the deep well of empathy that made his three novels so compelling, The Pier Falls reveals a previously unseen side of the celebrated author.

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.