TV nerds have "The Walking Dead." Fiction fans have World War Z. Now, a cross-section of some of the best contemporary poets from the stage and the page rise up and shamble their way through an anthology of post-apocalyptic zombie poetry edited by Write Bloody author and GeekWeek.com personality Rob "Ratpack Slim" Sturma. Funny, creepy, shocking, and even poignant, this collection challenges award winning authors like Scott Woods, Laura Yes Yes, and Khary Jackson to shake the dust off of old conventions, pull the triggers on their imaginations, and...Aim For The Head.

    Known by insiders as "the System," the Camorra affects cities and villages along the Neapolitan coast, and is the deciding factor in why Campania, for instance, has the highest murder rate in all of Europe and whycancer levels there have skyrocketed in recent years.Saviano tells of huge cargoes of Chinese goods that are shipped to Naples and then quickly distributed unchecked across Europe. He investigates the Camorra's control of thousands of Chinese factories contracted to manufacture fashion goods, legally and illegally, for distribution around the world, and relates the chilling details of how the abusive handling of toxic waste is causing devastating pollution not only for Naples but also China and Somalia. In pursuit of his subject, Saviano worked as an assistant at a Chinese textile manufacturer, a waiter at a Camorra wedding, and on a construction site. A native of the region, he recalls seeing his first murder at the age of fourteen, and how his own father, a doctor, suffered a brutal beating for trying to aid an eighteen-year-old victim who had been left for dead in the street.Gomorrah is a bold and important work of investigative writing that holds global significance, one heroic young man's impassioned story of a place under the rule of a murderous organization.

    The darkest and most fascinating side of Venice

    Despite war, repression and censorship, a renaissance has taken place in Iran over the last 25 years - a renaissance hidden from Westerners since the Iranian revolution of 1979. "Strange Times, My Dear" brings the first ever translated selection of work from three generations worth of the best in Iranian writing - featuring short stories, novel extracts and poems from over 40 contributors - to the English speaking world. For thousands of years, multiple ethnicities, languages and religions have co-existed in Iran - and continue to do so despite traumatic events and the oppression of recent decades. Their literature has flourished in adversity, producing works of diverse beauty and incalculable importance. "Strange Times, My Dear" reveals a major and largely undiscovered branch of world literature for the first time.

    Gulzar witnessed the horrors of Partition first-hand and it is a theme that he has gone back to again and again in his writings. Footprints on Zero Line brings together a collection of his finest writings - fiction, non-fiction and poems - on the subject. What sets this collection apart from other writings on Partition is that Gulzar's unerring eye does not stop at the events of 1947 but looks at how it continues to affect our lives to this day. Wonderfully rendered in English by well-known author and translator Rakhshanda Jalil, this collection marks seventy years of India's Independence. Footprints on Zero Line is not only a brilliant collection on a cataclysmic event in the history of our nation by one of our finest contemporary writers, it is also a timely reminder that those who forget the errors of the past are doomed to repeat them.

    Four monsters collected in paperback for the first time. 'Did You Forget About Me?'"He had written to me a month or so before he died. I'd ignored the letter the same way I'd ignored all the others." When Cam Miller returns to the town he grew up in he's heading to clear his estranged father's farmhouse. He's also returning to the house he fled 23 years before. There, among the nicotine stained keepsakes and remnants of a broken life, he'll come face to face with a horror that has waited all those years for his return."It's you he wants."'Hope and Walker'"We were both 10. But he was dead. And I sat drawing him."Em Walker is just like any other 10-year-old girl growing up in the small, outback town of Hope. That is, except for the fact that her Dad runs one of the town's two funeral parlours, and the dead have just started speaking to her...When Hope is rocked by a terrible crime, Em, stubborn, scared of spiders, and with a temper that's likely to get her into trouble, will find herself thrust into the middle of a dangerous hunt for the truth."Being scared's good," Grandpa Walker had told me once. "Stops us from doing stupid things." It hadn't stopped me.'The Trade'That summer should have been filled with laughter, with slip n' slides in the yard, lazy afternoons lying watching ice cream clouds swirling through the blue sky, melting in slow motion. I watched a plane rising high above our house. From the ground it looked completely still, as if it hung suspended in the air, a model on a string. I wished I was on it, I wished I could escape. I was seven and that was the summer death stalked our home.It began with the offerings...'Knock and You Will See Me'"We buried Dad in the winter. It wasn't until the spring that we heard from him again." When grieving Ellie Ray finds a crumpled, handwritten note from her recently deceased father, hidden behind the couch, she assumes that her middle boy, Max, left it there. It has a single word written on it: WHY. But, as more and more letters begin to appear throughout the house, Ellie and her three boys will find themselves dragged into a deeply sinister mystery surrounding her father's death."Dad? I looked down at the scribbled note in my hand, at the words torn into the paper. What had started as a whisper had grown louder, more desperate. The words had been screamed onto the page. Dad? Please. What's going on?"'Bones' Four Stories. Four Monsters.

    * New Edition. * Includes a new translation of 'Fotikchand'.

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.