All she wants to do is to follow the rules. (Oh, and she’d also like to make it through seventh grade with her best friendships intact, learn to run track, and have a cute boy see past her giant forehead.)But in junior high, it’s like all the rules have changed. Now she’s suddenly questioning who her best friends are and some people at school are saying she’s not black enough. Wait, what?Shay’s sister, Hana, is involved in Black Lives Matter, but Shay doesn't think that's for her. After experiencing a powerful protest, though, Shay decides some rules are worth breaking. She starts wearing an armband to school in support of the Black Lives movement. Soon everyone is taking sides. And she is given an ultimatum.Shay is scared to do the wrong thing (and even more scared to do the right thing), but if she doesn't face her fear, she'll be forever tripping over the next hurdle. Now that’s trouble, for real.

    The most daring abolitionists were poets who veiled their work in metaphor. Of these, the boldest was Gertrudis Gómez de Avellaneda, nicknamed Tula. In passionate, accessible verses of her own, Engle evokes the voice of this book-loving feminist and abolitionist who bravely resisted an arranged marriage at the age of fourteen, and was ultimately courageous enough to fight against injustice. Historical notes, excerpts, and source notes round out this exceptional tribute.

    But when two inmates break out of the town's maximum security prison, everything changes. Doors are locked, helicopters fly over the woods, and police patrol the school grounds. Worst of all, everyone is on edge, and fear brings out the worst in some people Nora has known her whole life. Even if the inmates are caught, she worries that home might never feel the same. Told in letters, poems, text messages, news stories, and comics--a series of documents Nora collects for the Wolf Creek Community Time Capsule Project.

    This is the story of two totally different girls—quiet, shy, artistic Emmie and popular, outgoing, athletic Katie—and how their lives unexpectedly intersect one day when an embarrassing note falls into the wrong hands.

    Now she's staying there, away from her parents and her school in Boston. Everyone is worried about the pandemic, but on the reservation, everyone protects each other, from Malian caring for her grandparents to the local dog, Malsum, guarding their house. They always survive together.Malian hears stories from her grandparents about how it has always been this way in their community: Stories about their ancestors, who survived epidemics of European diseases; about her grandfather, who survived a terrible government boarding school; and about Malian's own mother, who survived and returned to her Native community after social services took her away to live in foster care as a child. With their community and caring for one another, Malian and her family will survive this pandemic, too.

    Last year, Jett and his mother had moved to a new town for a fresh start after his father went to jail. But Jett soon learned that fresh starts aren't all they're cracked up to be. When he befriended a boy with a difficult home life, Jett found himself in a cycle of bad decisions that culminated in the betrayal of a friend - a shameful secret he still hasn't forgiven himself for. Will a summer spent with his unconventional grandmother help Jett find his way to redemption?Writing in artfully crafted free-verse vignettes, Heather T. Smith uses a deceptively simple style to tell a powerful and emotionally charged story. The engaging narrative and the mystery of Jett's secret keep the pages turning and will appeal to both reluctant and avid readers. This captivating book offers a terrific opportunity for classroom discussions about the many ways to tell a story and how a small number of carefully chosen words can have a huge impact. It also showcases the positive character traits of empathy resilience, courage, and responsibility.

    When you look like this and you're only in the eighth grade, you're both a threat and a target. Marcus knows what classmates and teachers see when they look at him: a monster.But appearances are deceiving. At home, Marcus is a devoted brother. And he finds ways to earn cash to contribute to his family’s rainy day fund. His mom works long hours and his dad walked out ten years ago—someone has to pick up the slack.After a fight at school leaves him facing suspension, Marcus and his family decide to hit the reset button and regroup for a week in Puerto Rico. Marcus is more interested in finding his father, though, who is somewhere on the island. Through a series of misadventures that take Marcus all over Puerto Rico in search of the elusive Mr. Vega, Marcus meets a colorful cast of characters who show him the many faces of fatherhood. And he even learns a bit of Spanish along the way.Marcus Vega Doesn’t Speak Spanish is a novel about discovering home and identity in uncharted landscapes.

    She's starting seventh grade newly friendless and facing big changes at home, where she is about to go from only child to big sister. Feeling alone and adrift, and like her words don't deserve to be seen, Bea takes solace in writing haiku in invisible ink and hiding them in a secret spot.But then something incredible happens--someone writes back. And Bea begins to connect with new friends, including a classmate obsessed with a nearby labyrinth and determined to get inside. As she decides where her next path will lead, she just might discover that her words--and herself--have found a new way to belong.

    O. G. But for now, he's just a Chicago fifth grader who's small for this age and afraid to use his voice.Simon prefers to lay low at school and at home, even though he's constantly spitting rhymes in his head. But when his new teacher assigns the class an oral presentation on something that affects their community, Simon must face his fears.With some help from an unexpected ally and his neighborhood crew, will Simon gain the confidence to rap his way to an A and prove that one kid can make a difference in his 'hood?

    A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULEOr, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

    When Keet starts school, it’s even worse than she expected, as the kids tease her about her southern accent. Now Keet, who can “talk the whiskers off a catfish,” doesn’t want to open her mouth. Slowly, though, while fishing with her grandfather, she learns the art of listening. Gradually, she makes her first new friend. But just as she’s beginning to settle in, her grandfather has a stroke, and even though he’s still nearby, he suddenly feels ever-so-far-away. Keet is determined to reel him back to her by telling him stories; in the process she finds her voice and her grandfather again. This lyrical and deeply emotional novel-in-verse celebrates the power of story and of finding one’s individual voice.

    Carlos knows that when the soldiers arrive with warnings about the Communist rebels, it is time to be a man and defend the village, keep everyone safe. But Mama tells him not yet — he’s still her quiet moonfaced boy. The soldiers laugh at the villagers, and before they move on, a neighbor is found dangling from a tree, a sign on his neck: Communist. Mama tells Carlos to run and hide, then try to find her. . . . Numb and alone, he must join a band of guerillas as they trek to the top of the mountain where Carlos’s abuela lives. Will he be in time, and brave enough, to warn them about the soldiers? What will he do then? A novel in verse inspired by actual events during Guatemala’s civil war, Caminar is the moving story of a boy who loses nearly everything before discovering who he really is.

    Abandoned as an infant, she was taken in by an American woman living in China. Now eleven, Kara spends most of her time in their apartment, wondering why she and Mama cannot leave the city of Tianjin and go live with Daddy in Montana. Mama tells Kara to be content with what she has…but what if Kara secretly wants more? Told in lyrical, moving verse, Red Butterfly is the story of a girl learning to trust her own voice, discovering that love and family are limitless, and finding the wings she needs to reach new heights.

    But the summer before seventh grade, Bea wants more than she has, aches for what she can't have, and wonders what the future will bring. This novel in verse follows Beatrice through the ups and downs of friendships, puberty, and identity as she asks: Who am I? Who will I become? And will my outside ever match the way I feel on the inside? A gorgeous, inter-generational story of Southern women and a girl's path blossoming into her sense of self, Reckless, Glorious, Girl explores the important questions we all ask as we race toward growing up.

    When Lupita learns Mami has cancer, she is terrified by the possibility of losing her mother, the anchor of her close-knit family. Suddenly, being a high school student, starring in a play, and dealing with friends who don't always understand, become less important than doing whatever she can to save Mami's life. While her father cares for Mami at an out-of-town clinic, Lupita takes charge of her seven younger siblings. As Lupita struggles to keep the family afloat, she takes refuge in the shade of a mesquite tree, where she escapes the chaos at home to write. Forced to face her limitations in the midst of overwhelming changes and losses, Lupita rediscovers her voice and finds healing in the power of words. Told with honest emotion in evocative free verse, Lupita's journey toward hope is captured in moments that are alternately warm and poignant. Under the Mesquite is an empowering story about testing family bonds and the strength of a young woman navigating pain and hardship with surprising resilience.