When Georgina Wright, the museum’s aloof benefactor, asks for Molly’s help in identifying the provenance of a 19th century portrait of social activist Josephine Brancaster, Molly welcomes the opportunity, even if it means spending time with the standoffish financier. But passions soon flare as the women uncover the heartbreaking story of doomed lesbian love behind the watercolor painted by Josephine’s lover, Edith Hewitt. As their love blossoms, Molly is determined to display Edith’s portrait of Josephine and to tell their story in the museum, but she needs the influential Georgina to help convince the board. When an unforeseen twist in the painting’s provenance forces Georgina to confront her own painful past, will history repeat itself, or can Molly and Georgina’s love prevail?

    It is here that the lives of two women, with two mysteries, will converge.Nineteen-year-old Night Vale pawn shop owner Jackie Fierro is given a paper marked "King City" by a mysterious man in a tan jacket holding a deer skin suitcase. Everything about him and his paper unsettles her, especially the fact that she can't seem to get the paper to leave her hand, and that no one who meets this man can remember anything about him. Jackie is determined to uncover the mystery of King City and the man in the tan jacket before she herself unravels.Night Vale PTA treasurer Diane Crayton's son, Josh, is moody and also a shape shifter. And lately Diane's started to see her son's father everywhere she goes, looking the same as the day he left years earlier, when they were both teenagers. Josh, looking different every time Diane sees him, shows a stronger and stronger interest in his estranged father, leading to a disaster Diane can see coming, even as she is helpless to prevent it.Diane's search to reconnect with her son and Jackie's search for her former routine life collide as they find themselves coming back to two words: "King City". It is King City that holds the key to both of their mysteries, and their futures...if they can ever find it.

    With Odd Girl Out, Bannon introduces Laura Landon, whose love affair with her college roommate Beth launched the lesbian pulp fiction genre.

    Besides, how hard could one festive family weekend be, anyway?That’s before she meets the boisterous McElroy clan, with accents as thick as a homemade pie crust, and an endless supply of competitive siblings, including Lizzie, Michael’s beautiful younger sister.Lizzie seems to be everywhere, with her intoxicating scent, wandering hands, lingering gaze, and that bright, echoing laugh. The more time Fiona spends in her orbit, she wonders how she can even concentrate let alone pull off a convincing fake relationship.An amusing, charming lesbian romance about finding unexpected love inside family expectations.Themes: Christmas · family · holiday romance · POC64,000 words

    Their sometimes tumultuous marriage has survived ups, downs, and all the in-betweens. With successful careers, a lovely home, and a beautiful child, domestic bliss is a hard-earned reality for two people whose hedonistic days are in the not-so-distant past. They’re happy. Enter Zac’s best friend, the deeply reserved Cal Keller. Zac’s friendship with Cal is the foundation of his career and—until Anya and their son came along—the most important relationship of his life. Cal’s a cipher, someone Anya can’t help but gravitate to, even if they don’t always get along. Even more, she’s drawn to the Zac she sees when he’s with Cal—a careful, cautious version of her husband, someone with hidden thoughts and desires kept secret even from her. Inviting Cal into their home, deeper into their life, is a risk. Zac should say no. He knows he should. But he doesn’t. From the first, the hint at the life the three of them could have together is exhilarating. And finding a new definition for family just might be worth the risk to every bond that exists between them.

    As 'Red' adjusts to life on the farm herding hens, collecting fruit, weeding plants, and running errands, many questions remain: Exactly why is Red here? What's eating at Auntie Ann? And, most pressingly, can a fire-demon cook an egg simply by holding it?

    A little distant, perhaps, a little cautious, not at quite at ease with the emotional demands of fatherhood, or manly bonhomie. He does not understand the modern obsession with talking about everything. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life, however, cannot be ignored.At 61, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels and listening to a bit of light jazz. Then his tempestuous daughter, Katie, announces that she is getting re-married, to the deeply inappropriate Ray. Her family is not pleased – as her brother Jamie observes, Ray has “strangler’s hands.” Katie can’t decide if she loves Ray, or loves the wonderful way he has with her son Jacob, and her mother Jean is a bit put out by all the planning and arguing the wedding has occasioned, which get in the way of her quite fulfilling late-life affair with one of her husband’s ex-colleagues. And the tidy and pleasant life Jamie has created crumbles when he fails to invite his lover, Tony, to the dreaded nuptials. Unnoticed in the uproar, George discovers a sinister lesion on his hip, and quietly begins to lose his mind. The way these damaged people fall apart – and come together – as a family is the true subject of Haddon’s disturbing yet amusing portrait of a dignified man trying to go insane politely.A SPOT OF BOTHER is Mark Haddon’s unforgettable follow-up to the internationally beloved bestseller THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME. Here the madness – literally – of family life proves rich comic fodder for Haddon’s crackling prose and bittersweet insights into misdirected love.

    When a high profile detail goes horribly wrong, her career is derailed, leaving her to fall into a bottle. Forced to pick up low level celebrity security details to keep herself afloat, Kit is set on a path of self-destruction and increasing isolation. Claire Avondale is a Senator in need of discreet protection that falls outside of the normal security details offered by the government. Increasingly targeted by religious fanatics for her progressive push of policies in support of genetic research, Claire soon finds herself being hunted by the very people who are supposed to protect her. When Kit is hired by Claire to be her bodyguard, she is forced to face her demons, as their mutual attraction escalates and Claire’s own secrets are revealed. Will Kit be able to save herself and Claire from the enemy hell bent on destroying them? This debut novel from Sydney Gibson will leave you guessing at every twist and turn, and sucked into the sweeping romance of the two leads. Leaving you wanting more page to page.

    Jaqe has no identity until she meets Laurie, introduced and named by Mother Night; in that moment, she knows herself, and that she loves Laurie. But once Mother Night has become part of their lives, Laurie and Jaqe and their daughter Kate cannot live as other people do. Knowing Death, inevitably each of them seeks to use the knowledge, to bargain with Death, and to change the terms in the balance of life and death in the world. Pollack's characters, major and supporting, living, dead, and divine, are memorably human. As she transplants myths and folklore into a modern setting, she gives new life to old tales and a deeper meaning to a seemingly simple world.

    Maizes reminds us that even in our most isolated moments, we are never truly alone.In We Love Anderson Cooper, characters are treated as outsiders because of their sexual orientation, racial or religious identity, or simply because they look different. A young man courts the publicity that comes from outing himself at his bar mitzvah. When a painter is shunned because of his appearance, he learns to ink tattoos that come to life. A paranoid Jewish actuary suspects his cat of cheating on him—with his Protestant girlfriend.In this debut collection, humor complements pathos. Readers will recognize themselves in these stories and in these protagonists, whose backgrounds are vastly different from their own—we’ve all been outsiders at some point.

    Initially denying even the possibility that he might be experiencing a homosexual crush, De'Ath soon finds himself giving in to this "strange and bothersome distraction" by scouring teenybopper magazines for articles like "20 Facts Ya Didn't Know About [Ronnie]!!" "As someone who did not know any facts at all about him as yet," he notes, "I confess I felt a certain onset of excitement." Gilbert Adair's narrative--it might be more accurate to call it a novella instead of a novel--is a precise depiction of romantic obsession and frustration. Narrated by De'Ath, it is thus somewhat more internally driven than the excellent 1998 film adaptation starring John Hurt and Jason Priestley. Love and Death on Long Island can be easily polished off with a few hours' reading, but its nuanced characterization of a man who trades restraint for recklessness is well worth savoring. --Ron Hogan

    Meet the man who vacuums bewildered prairie dogs out of their burrows; a frustrated werewolf who roams the streets of Soho getting mistaken for Brian Blessed; a smug carbon-neutral eco-couple; a teenage girl who invites 45,000 MySpace friends to a house party; the author of a business book entitled Highly Successful Secrets to Standing on a Corner Holding Up a Golf Sale Sign and a man whose attempts to teach softball to a group of indolent British advertising executives sparks an international crisis.

    When she comes to, she explains that she was on her way to the island, to pray to the Goddess at the temple on the hill. Her name is Ashleigh. She cannot remember anything else. Only one person, local historian and past life regression therapist Andrew Monaghan, understands what this could really mean. He asks his colleague, New Yorker Kathleen Edwards, to fly over to help him with this unusual, and potentially extraordinary case. From the start, it is obvious that the two women share a deep, meaningful, yet troubling connection. But who is Ashleigh, really? And will the dark secrets of her past eventually catch up with her, and cost her the life, and love she has always been searching for?

    The delivery guy couldn't be more out of Sean's league, even if by some miracle he was gay. But when a freak power outage finds Sean trapped in the elevator with his uniformed hunk, he learns first-hand that you can't judge a UPS guy by the size of his package.This is a re-released, newly edited edition of the formerly titled "What Can Brown Do For You?" "What Can Brown Do For You?" is no longer available from the original publisher.

    She and her lover worked long and hard on coming up with a set of rules that both of them could live with. But her lover is having a very hard time keeping her end of the bargain.Regan Manning and her lover have a very traditional relationship, built on a foundation of monogamy. Or so Regan thought. She’s devastated when she learns the truth, and she’s unwilling to forgive or forget.Cheating partners brought Callie and Regan together. Not as lovers, but as friends supporting each other through tough times. They both come to realize that they could be more than friends. But they each have to get past their insecurities before they can try to take that leap.It’s not easy for either of them: the path to true love rarely is. But their friendship can be a bridge to commitment if only they’ll let it.