To counter it, the realm must call on its greatest heroes, its most courageous adventurers. Unfortunately, those great heroes, those brave adventurers, are all busy—being dead mostly.So it is left to Dannen Ateran, known in his youth as the Bloody Butcher but, more recently as the passed-out drunk at the table in the corner, to lead his companions against an army of the dead.They are not heroes.But perhaps they just might do.The Antiheroes is the first book in a new epic fantasy series by bestselling author Jacob Peppers. It is a tale of fast-paced action, swordfights, magic, and humor. Think you can't laugh at undead armies and battles of life and death? Come find out.

    Pavle leaves town to think things over. Weeks later, a deformed corpse is found washed up on the banks of the Danube and is identifed to be that of Pavle. The case is judged a suicide. Three years later, Pavle, now "the deceased," unexpectedly returns. He discovers that his heirs have not only plundered his estate, but also refuse to recognize him as being "legally" alive, and they unite to keep him "dead" to maintain the status quo. This is the first English translation of a masterful and darkly comic play that will enter its rightful place as a world classic. The fluid and natural translation lends itself to theatrical production. Comically absurd, filled with existential angst, it was ahead of its time in 1937. At once vaudevillian and modernist, it is distinguished by clever plotting and stinging dialogue. The play stands as a lasting and caustic satire of human greed, strangely consonant with todays society.

    Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.

    Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.Cecil Parrott's vibrant translation conveys the brilliant irreverence of this classic about a hapless Everyman caught in a vast bureaucratic machine.

    His only hope for survival is to partner with an alien Artificial Intelligence named Alyssa. She is the brain of the most improbable star ship Gus has ever seen, part ancient sailing ship, part incredible star-faring vessel. But there is a catch. Alyssa’s first priority is to finish an epic yacht race that started twenty-eight thousand years ago. THE WORLD IS CAPTURED BY THE ALIEN DRAMA Every day Gus sends a video love letter to his wife via the lifeboat’s one-way subspace signal where it is automatically posted on YouTube. Few people care until another lifeboat crashes with two young women aboard, both of them celebrities. Their fame turns Gus into a worldwide phenomenon; everyone watches the three castaways fight to carve a life from the tiny island life even though they have little hope of rescue. When disaster threatens, Gus and the girls have no choice but to resurrect the crippled galleon. Their impossible task is to sail Alyssa across an alien sea and then fly her across unimaginable galactic reaches. WHEN ALYSSA FINALLY AGREES TO HELP, SPACE PIRATES STRIKE On live television, the public watches helplessly when a ship of vicious murderers attack the three survivors. The world grieves when the now-famous exiles go silent. At least until Earth's Space Navy reports they are under attack by a ship that is beyond imagination.

    Using the fair as a symbolic representation of religious, social, and political conflicts in Jacobean England, Jonson satirizes Puritans, fortune hunters, country bumpkins, and inept representatives of the justice system, along with sharpsters and con men who inhabit the fair. This edition is the first to use the findings of feminist scholarship in examining the play's concern with forced marriage, pregnancy, sexual commerce, and widowhood.

    It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations. This Penguin Classic contains Christopher Ricks's introductory essay, itself a classic of English literary criticism, together with a new introduction on the recent critical history and influence of Tristram Shandy by Melvyn New. The text and notes are based on the acclaimed Florida Edition, making the scholarship of the Florida editors readily available for the first time.

    Now these and twenty-two more of history's most famous personages are brought brilliantly to life, in this collection of unfailingly accurate yet undeniably hilarious biographies. You'll laugh while you learn about the very real people behind the legendary names, including why Montezuma was so vengeful, and why Catherine was so Great. You'll even finally lay to rest the rumor that Charlemagne was called "Chuck" by his friends.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.

    With information she receives at an anonymous email address, she produces mostly humorous, sometimes poignant, but always truthful obituaries that magically appear between sections A and B of the morning paper.When several cryptic emails question the official details of a man’s death, Lizzy elicits the help of handsome detective Jackson Clark. Together, they travel halfway around the world to search for answers . . . and maybe even find love along the way.With mystery, romance, and a hefty helping of humor, The Secret Obituary Writer will keep you entertained until the very last page.

    What’s worse is that every time she leaves the house, she winds up in some kind of altercation. She can’t help but wonder if she’s an idiot magnet, or if she’s the smart-mouth stirring things up. Hoping for a little peace of mind, Ace gives in to the advice of her best friend and goes to see a therapist. But she quickly discovers that the road to nirvana isn’t what it’s cracked up to be. And as Ace goes from one therapeutic misadventure to another, the plus-sized spitfire becomes more determined than ever to find enlightenment—even if it means bending herself into a pretzel to do it.

    Grace had already scraped away accumulated dirt and grime to reveal a crudely chiselled out initial, name and date. With a sinking feeling in her stomach, Amelia read the inscription.”When their parents died, Amelia and Grace Farrell believed they had no other family. Then out of the blue a letter arrives informing them they have inherited a cottage from their paternal grandfather. Amelia and Grace move into the cottage and make Woodbury their home, but when Grace finds a headstone in the garden, they are plunged straight into an age-old mystery.Infatuated with the handsome vicar, Amelia looks to him for help, and Grace wants to know if he has any gravestones missing. But it is an elderly aunt, and an old diary which hold the answers to secrets long buried. Grace decides to look into their past for the truth, but someone is determined to stop her. Unknowingly, Grace puts both their lives in danger and they realise they must face the consequences so that the dead can be laid to rest at last.1911-1928:When the wrong twin, Laurence Deverell, is brutally murdered, John Farrell does his best to cover up the crime, trying only to protect his wife and daughter. Seventeen years later when history is about to repeat itself, the murderer strikes again, and this time, they make no mistakes.

    In this mock autobiographical collection his mischievous drawings capture life's anxieties and ambitions from the mundane to the surreal. Here, at last, is The Truth about beer, doctors, shadow puppets, lunch, dolphins, boredom, and supernatural forces. Seductively strange and addictively amusing, this edgy little book welcomes the uninitiated and rewards the faithful.

    Millie tries to help, but Jeremy grows more distant and befriends a homeless, wounded ex-soldier, Monty, who has secrets...As Millie’s distrust of Monty grows, a rift is created between her and Jeremy and when he leaves to receive hospital treatment, she is left feeling abandoned. When her family is dealt a terrible loss, it is Millie who must be the strongest. However, just when she feels things couldn’t become worse, she suffers her own heartbreaking tragedy.Grieving and alone, Millie wonders if her marriage can ever be mended, but she can’t give up without a fight.Will a new home for her and Jeremy in a foreign country be the answer, or will the events of the past destroy everything she wished for?