The dead ones. They were dead, but they had lights. Why do the dead need light?Three hundred years ago, the settlers on the small Maine island of Sanctuary were betrayed to their enemies and slaughtered. Since then, the island has known peace. Until now. A gang of four men are descending on Sanctuary, intent on committing a brutal and relentless massacre. All that stands in their way are rookie police officer Sharon Macie and the strange, troubled officer Joe Dupree.But Joe is no ordinary policeman. He knows the island has been steeped in blood once and that it will never again tolerate the shedding of innocent blood. The band of killers who are set to desecrate Sanctuary will unleash the fury of its ghosts upon themselves and all who stand by them. On Sanctuary, all hell is about to break loose ...

    A deputy sheriff, Lou's known to the small-time criminals, the real-estate entrepreneurs, and all of his coworkers--the low-lifes, the big-timers, and everyone in-between--as the nicest guy around. He may not be the brightest or the most interesting man in town, but nevertheless, he's the kind of officer you're happy to have keeping your streets safe. The sort of man you might even wish your daughter would end up with someday.But behind the platitudes and glad-handing lurks a monster the likes of which few have seen. An urge that has already claimed multiple lives, and cost Lou his brother Mike, a self-sacrificing construction worker who fell to his death on the job in what was anything but an accident. A murder that Lou is determined to avenge--and if innocent people have to die in the process, well, that's perfectly all right with him.In The Killer Inside Me, Thompson goes where few novelists have dared to go, giving us a pitch-black glimpse into the mind of the American Serial Killer years before Charles Manson, John Wayne Gacy, and Brett Easton Ellis's American Psycho, in the novel that will forever be known as the master performance of one of the greatest crime novelists of all time.

    He isn't bothered by the daily news reports of the Christchurch Carver, who, they say, has murdered seven women. Joe knows, though, that the Carver killed only six. He knows that for a fact, and he's determined to find the copycat. He'll punish him for the one, then frame him for the other six. It's the perfect plan because he already knows he can outwit the police. All he needs now is to take care of all the women who keep getting in his way, including his odd, overprotective mother and Sally, the maintenance worker who sees him as a replacement for her dead brother. Then there's the mysterious Melissa, the only woman to have ever understood him, but whose fantasies of blackmail and torture don't have a place in Joe's investigation.

    The victim makes headlines as the Black Dahlia—and so begins the greatest manhunt in California history. Caught up in the investigation are Bucky Bleichert and Lee Blanchard: Warrants Squad cops, friends, and rivals in love with the same woman. But both are obsessed with the Dahlia—driven by dark needs to know everything about her past, to capture her killer, to possess the woman even in death. Their quest will take them on a hellish journey through the underbelly of postwar Hollywood, to the core of the dead girl's twisted life, past the extremes of their own psyches—into a region of total madness.

    Dennis Lehane (Mystic River, The Given Day) has proven himself to be a master of both crime fiction and literary fiction. Here, he extends his literary prowess to that of master curator. In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city—the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between. Lehane’s own contribution—the longest story in the volume—is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader. In 2003, Lehane’s novel Mystic River was adapted into film and quickly garnered six Academy Award nominations (with Sean Penn and Tim Robbins each winning Academy Awards). Boston Noir launches in November 2009 just as Shutter Island, the film based on Lehane’s best-selling 2003 novel of the same title, hits the big screen. Dennis Lehane is the author of The New York Times bestseller Mystic River (also an Academy Award–winning major motion picture); Prayers for Rain; Gone, Baby, Gone (also a major motion picture); Sacred; Darkness, Take My Hand; A Drink Before the War, which won the Shamus Award for Best First Novel; and, most recently, The Given Day. A native of Dorchester, Massachusetts, he splits his time between the Boston area and Florida.PART I: FEAR & LOATHINGLYNNE HEITMANExit InterviewFinancial DistrictDENNIS LEHANEAnimal RescueDorchesterJIM FUSILLIThe Place Where He BelongsBeacon HillPATRICIA POWELLDark WatersWatertownPART II: SKELETONS IN THE CLOSETDANA CAMERONFemme SoleNorth EndBRENDAN DUBOISThe Dark IslandBoston HarborSTEWART O'NANThe RewardBrooklineJOHN DUFRESNEThe Cross-Eyed BearSouthiePART III: VEILS OF DECEITDON LEEThe Oriental Hair PoetsCambridgeITABARI NJERIThe CollarRoxburyRUSS ABORNTurn SpeedNorth Quincy

    Only four men knew what it meant. Now they must stop it. They are Vietnam vets a doctor, a lawyer, a working stiff, and a writer. Very different from each other, they are nonetheless linked by a shared history and a single shattering secret. Now, they have been reunited and are about to embark on a quest that will take them from Washington, D.C., to the graveyards and fleshpots of the Far East to the human jungle of New York, hunting someone from the past who has risen from the darkness to kill and kill and kill.

    They're also launching Detective Carson Ryder into a nightmare with only one weapon-his own terrifying past.

    . . Is the rising number of abused women who've gone missing a statistical anomaly? Or is a serial killer targeting this vulnerable group of women? When the Milwaukee Police Department refuses to investigate because no bodies have been discovered, Lisa Rayburn, the clinical psychologist who discovers the anomaly, is drawn into an investigation to discover the cause after one of her own clients goes missing. She finds herself forming an unlikely alliance with a former policewoman turned security consultant, TJ Peacock, and the husbands of two of the missing women who may themselves be murderers. When TJ is attacked, and a woman looking remarkably like Lisa is found murdered, they know . . . someone is willing to kill to protect his secret. Can they reveal the killer before he gets to them?

    But, like the rest of us, he confronts the same hypocrisies and frustrations of the world and, unable to help himself, or at the mercy of circumstance, he crosses a dangerous threshold--and he kills. In this novel, we meet many of his twenty-one victims: law enforcers, writers, adulterers, auto mechanics, and other liars. And each crime reveals another side of his psyche . . . and his disturbing rationale for murder.

    Now Kurtz needs a job, and the price is going to be higher. Out of prison, out of touch, Kurtz signs on with the Byron Farino, Don of a Mob family whose son Kurtz had been protecting on the inside. Farino enlists Kurtz's help to track down the Family's missing accountant -- a man with too much knowledge of Family business to have on the loose. But someone doesn't want the accountant found -- and with enemies inside the Family vying for his throne, and turf warfare just around the corner, Farino needs an outsider like Kurtz to flush out who's really behind this latest affront. As the story twists and turns and the body count rises, Kurtz no longer knows who he can trust. Everyone seems to be after something, from the mob boss's sultry yet dangerous daughter, to a hit man named The Dane, an albino killer who is good with a knife, and a dwarf who is armed to the teeth and hell-bent on revenge. Kurtz has always been an ace investigator. Now he's about to discover that to get at the truth, sometimes you have to go after it -- hard.

    A first thriller co-written by Melissa Hill and her husband Kevin.The story is set in Dublin and features forensic investigator Reilly Steel who has moved from the US to Dublin to be close to her father.But what should have been a quiet period filled with training and Irish forensics team turns sinister and violent when body after body is found of people killed in what appears to be a twisted game.

    So when Lainey does not come home from a Friday night out with her friends, it is dismissed by the Coral Springs P.D. as just another disillusioned South Florida teen running away from suburban drama and an unhappy home life. But FDLE Special Agent Bobby Dees, who has headed up the Department’s difficult Crimes Against Children (CAC) Squad in Miami for more than a decade, is not quite so sure. Nicknamed “The Shepherd” by colleagues, he has an uncanny ability to find the missing and bring them back home— dead or alive. Haunted by the still-unsolved disappearance of his own daughter, Bobby recognizes the all too familiar up-swell inside him, the gut feeling that Lainey Emerson is no runaway. A search of her computer and a talk with her best friend reveal Lainey was involved in a secret internet relationship, spawned over a chat room, and nurtured through untraceable instant messages. Bobby fears she may be the victim of an online predator, and when chilling hand-painted portraits of other possible victims are mailed to a local television station, he realizes she may not be the only one. The faceless monster from cyberspace, who has gone to remarkable lengths to stay invisible, now seeks a captive audience. And it is Bobby Dees he wants watching. Can Bobby win this deadly game of cat and mouse, one involving the most prolific killer he has ever encountered? And will he be able to save Lainey and the others before it is too late?

    Revisiting the past, though, is a dark and dangerous game in small-town America. When a careless sexual episode leads to the suicide of the town’s first lady, Johnny finds himself the target of a revenge campaign that threatens to tear apart the fragile world he’s built among the gold-bearing mountains of Northern California.Left an unexplained piece of land when his father mysteriously disappears, Johnny must unravel its secrets in a desperate bid to protect those he loves. But his efforts to do this have deadly consequences and will ultimately force him to confront not only his own failings, but the very nature of guilt.A searing meditation on the futility of trying to right the wrongs of the past, Empty Mile blends elements of thrilling urban noir with the wide-open spaces of outdoor adventure in a story that reflects America’s contemporary uncertainty about itself.

    Overseeing it all is the Gardener, a brutal, twisted man obsessed with capturing and preserving his lovely specimens.When the garden is discovered, a survivor is brought in for questioning. FBI agents Victor Hanoverian and Brandon Eddison are tasked with piecing together one of the most stomach-churning cases of their careers. But the girl, known only as Maya, proves to be a puzzle herself.As her story twists and turns, slowly shedding light on life in the Butterfly Garden, Maya reveals old grudges, new saviors, and horrific tales of a man who’d go to any length to hold beauty captive. But the more she shares, the more the agents have to wonder what she’s still hiding...

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.