Tucked away behind the mirror she found two letters, one from Fitzwilliam Darcy, the fictional hero of Jane Austen's 'Pride and Prejudice', the other from Jane to Darcy.

    Intelligent, pragmatic, and anxious to escape the shame of spinsterhood, Charlotte chose this life, an inevitable one so socially acceptable that its quietness threatens to overwhelm her. Then she makes the acquaintance of Mr. Travis, a local farmer and tenant of Lady Catherine…In Mr. Travis’ company, Charlotte feels appreciated, heard, and seen. For the first time in her life, Charlotte begins to understand emotional intimacy and its effect on the heart—and how breakable that heart can be. With her sensible nature confronted, and her own future about to take a turn, Charlotte must now question the role of love and passion in a woman’s life, and whether they truly matter for a clergyman’s wife.

    Instead of planning a walk down the aisle, she's crossing the pond with the only companion she needs; her darling dog, Bliss. Caring for a pack of show dogs in England seems the perfect distraction from the scandal that ruined her teaching career, and her reputation, in New York. What she doesn't count on is an unstoppable attraction to billionaire dog breeder Donovan Darcy. The London tycoon's a little bit arrogant, a whole lot sexy, and the chemistry between them is disarming. When passion is finally unleashed, might Elizabeth hope to take home more than a blue ribbon?

    How much do we often owe to being in the right place at the right time? In Jane Austen's Pride and Prejudice, Elizabeth Bennet plans to visit the Lake District with her uncle and aunt, yet ends up at Pemberley instead, just as, by coincidence, Mr Darcy also arrives home. They meet, understand one another better and all eventually ends well. But what if they did not have such luck? What if Elizabeth actually went to the Lake District and was nowhere near Pemberley, and she and Mr Darcy never met again until another four years had gone by? Now they are very different people, altered by marriage, time and situation, although, Mr Darcy's failed proposal in the Parsonage at Hunsford still haunts both of them in different ways. Elizabeth is a companion to her Aunt, Mrs Mountford, a widow of great standing in society who married exceptionally well and 'Miss Bennet' finds herself accepted in the very best of circles and able to marry whomever she might chose. Mr Darcy did his duty by his sickly cousin, Anne de Bourgh, and married her to protect her from the tyrannical force of her mother Lady Catherine. He has come to Bath, however, a widower, with his family, the Fitzwilliams, and his sister, Georgiana. Darcy sees Elizabeth, the woman who rejected him, in the opposite box at the theatre and cannot help falling in love with her all over again. Now though, it seems there are even more hurdles to overcome for them to be together, including Elizabeth's new suitor, the handsome and charming Mr Yorke. Mr Darcy is still a little proud, still not able to 'perform to strangers'. Can Elizabeth see past his reserve and awkwardness to the decent man underneath? This book is a re-telling of Pride and Prejudice from Chapter 36 onwards (Darcy's failed proposal and the delivering of his letter).

    Darcy, and that gentleman's pride and aloofness toward her loved ones took them on a long, difficult road to happiness. In "Rainy Days," Elizabeth and Mr. Darcy are caught in a rainstorm two days before the Netherfield ball, and they are forced to spend a few hours alone together where they talk, listen, and better understand each other's feelings. However, even when original pride and prejudice are overcome, new obstacles arise. The road to true love is never smooth, and surprises along the way enhance the passion of the journey. Rainy Days - an alternative journey from Pride and Prejudice to passion and love.

    This is its completion, praised for its delicacy, wit and discretion.When Charlotte Heywood, eldest daughter of a family of fourteen, is invited to stay with Mr. and Mrs. Parker of Sanditon, she accepts with alacrity, intrigued to visit the once quiet town being promoted by Mr. Parker as the newly fashionable resort for sea-bathing.As a guest of the Parkers, Charlotte is introduced to the full range of Sanditon polite society, from Lady Denham to her impoverished ward Clara and from the feckless Sidney Parker to his hypochondriac sisters. A heroine whose clear-sighted common sense is often at war with romance, she cannot help observing around her both folly and romance in many guises, but can she herself resist the attractions of the heart?

    In the process of offering his help to her in traveling home, he discovers what she really thinks of him—and it’s not good. Should Darcy deliver Elizabeth home to be with her family and then disappear from her life, or will he propose another kind of help? Will Elizabeth be willing to sacrifice her future happiness to save her family from financial ruin? Or, do she and Darcy, two very stubborn people, have a chance of finding happiness together?

     But when Mrs. Bennet accuses Fitzwilliam Darcy of compromising her daughter, that is exactly the outcome. Trapped in a seemingly loveless marriage and far from home, she grows suspicious of her new husband’s heart and further, suspects he is hiding a great secret. Is there even a chance at love given the happenstance of their hasty marriage?

    She makes no secret of her love for TV, movies, and, most especially, books. After a bad breakup, she retreats into her favorite novel, Pride and Prejudice, wishing she had some of the wit and spirit of Elizabeth Bennett.One night at a party Kelsey meets handsome Australian bartender Mark Barnes. From then on, she always seems to run into him when she least expects it. No matter how Kelsey tries, she always seems to say the wrong thing.After a particularly gaffe-filled evening around Mark, Kelsey is in desperate need of inspiration from Jane Austen. She falls asleep reading Darcy’s letter to Lizzy and awakens to find herself in an unfamiliar place that looks and sounds suspiciously like her favorite book. Has she somehow been transported into Pride and Prejudice, or is it just a dream?As Kelsey tries to discover what’s happening to her, she must also discover her own heart. Is Mark Barnes destined to be her Mr. Darcy? In the end, she must decide whether attempting to become Elizabeth is worth the risk or if being Kelsey Edmundson is enough.

    But his wife, Fanny, has no desire to share their newly inherited estate with Belle Dashwood's daughters. When she descends upon Norland Park with her Romanian nanny and her mood boards, the three Dashwood girls—Elinor, Marianne, and Margaret—are suddenly faced with the cruelties of life without their father, their home, or their money.As they come to terms with life without the status of their country house, the protection of the family name, or the comfort of an inheritance, Elinor and Marianne are confronted by the cold hard reality of a world where people's attitudes can change as drastically as their circumstances.With her sparkling wit, Joanna Trollope casts a clever, satirical eye on the tales of Elinor and Marianne Dashwood. Re-imagining Sense and Sensibility in a fresh, modern new light, she spins the novel's romance, bonnets, and betrothals into a wonderfully witty coming-of-age story about the stuff that really makes the world go around. For when it comes to money, some things never change. . . .

    Sons and daughters share the physical and personality traits of their parents, but of course have minds of their own, and as Lizzie says to Jane: "The romantic attachments of one's children are a constant distraction.""Jane would be proud of you." -Juliet McMaster, Professor of English, University of Alberta"A tour de force." -Marilyn Sachs, author of First Impressions

    Elizabeth Bennet and Fitzwilliam Darcy put this notion to the test when they find themselves in a passionate and unexpected marriage.

    From the author of Hundreds of Years to Reform a Rake, a new time travel romance featuring a modern day career woman swept back in time to Regency England, where she thwarts a Napoleonic spy, chats with Jane Austen, and falls in love with a notorious rake. Eleanor is a costume designer in England for the Jane Austen festival, where her room at the inn is haunted. In the middle of the night she encounters two ghost sisters whose brother was killed in a duel over 200 years ago. They persuade her to travel back in time with them to prevent the duel. Eleanor is swept into a country house party, presided over by the charming Lord Shermont, where she encounters and befriends Jane Austen. But there's much more to Lord Shermont than the ghosts knew, and as Eleanor dances and flirts with him, she begins to lose her heart.

    Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended. Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.

    Darcy's younger sister, who must choose between two suitors, a well-placed navy captain and a brash young architect. Masterfully adapted to Austen's original nineteenth-century style, Presumption brings back to life the book's most memorable characters, the Bennets, Darcys, Collins, and de Bourghs."An elegant emulation and continuation of Pride and Prejudice. . . . Jointly composed by two admirers of Jane Austen, the book often achieves crisp replication of her style. . . . Presumption shows how sequel-writing can, like parody, be a sharp exercise in literary appreciation."—Peter Kemp, Times Literary SupplementJulia Barrett is a pseudonym for Julia Braun Kessler and Gabrielle Donnelly.