Damayanthi, along with the bunch of unsuitable prospective husbands her Amma throws at her, a dead-end job as an accountant in a decrepit firm, the oppressiveness of Chennai. When she finally jettisons her job and some of her inhibitions to join a bank in Mumbai, Amma's parting words are: 'Be good. Don't do anything silly.' Translation: 'Stay away from sex and alcohol! ' Soon Damayanthi is negotiating competitive corporate corridors and big-city life. Aided by dubious words of wisdom from the cherub-faced Jimmy, she must impress the intellectual C.G., who has a low opinion of her; battle Sonya Sood, flatmate and size-zero sophisticate, for the TV remote; choose between resisting or giving in to temptation in the form of the seductive Rahul; deal with the moral dilemma of 'stealing' a million-dollar idea for her project. Can a good girl have a really good time? Can the conservative, curd-rice-eating Damayanthi become a cool, corporate babe? Keep the Change is a rollicking, wickedly witty story of every girl's journey to fulfill her dreams and find her own place in the world.

    She's eighteen and on the brink of starting university, while Joe's life is seemingly going nowhere. But despite their differences, the pair fall hopelessly and desperately in love. And then summer comes to an end and they are dramatically torn apart.Alice heads off to university in Cambridge where she gets a part-time job punting on the River Cam and slowly picks up the pieces of her broken heart. One day Lukas - a gorgeous golden boy from Cambridge University - spies her and it's not long before Alice falls for his charms. Months turns into years, but then Joe comes back into Alice's life again in a way that she could never have imagined. While Alice lives her ordinary life with Lukas, she has to watch from the sidelines as Joe's life becomes evermore extraordinary. She never stopped loving him, but he's out of her reach now, surely? And what about Lukas?

    Her eccentric taskmaster of a boss expects marketing miracles to happen on shoestring budgets and in record time, and surviving the job (and the city) means she’ll have to master the local art of jugaad really fast. Worst of all, she’s stuck being a publicist for Jishnu Guha, protein-shake lover, serial selfie-taker, and bestselling author of seven cheesy romance novels, the kind she wouldn’t be caught dead reading. As Ruta struggles between work and life in a new city, she finds, much to her annoyance, that she needs Jishnu’s help more than she cares to admit. But with her own parents getting a divorce, can Ruta dare to fall in love, especially with someone who’s so impossibly different?

    It knits 3,700 years, powerful ancient and modern-day characters and a nail-biting conspiracy - all in one literary thriller. Harappa is the first among a series of four books. 2017, Delhi – Vidyut’s dying ancestor summons him to Banaras. The old Brahmin chieftain of the Dev-Raakshasa Matth, or the God-Demon Clan, bears a chilling secret. Their bloodline carries an ancient curse that will plague mankind - towards its own violent extinction.1700 BCE, Harappa – Harappa is a magnificent city on the banks of the mighty Saraswati river. The darkness of treachery, taantric exorcism and bloodshed unleashes itself on the last devta, paving the way for his devastating revenge…and the horrifying truth behind the fall of the glorious civilisation.2017, Paris – The world’s most powerful religious institution is rattled. Europe’s dreaded crime lord meets a mysterious man in Paris. A lethal assassin boards a train, as Rome fears the worst. The prophesied devta has returned.What connects Banaras, Harappa and Rome? What was the ancient curse and who was the last devta? What is the terrible secret behind the fall of the colossal Indus Valley? Read on as you travel through a saga of violence and deceit, gods and demons, love and ambition.

    He drives a Bentley, lives alone in a big house and has all the riches one can only imagine. To people around him, he is a spoilt – a rich brat, the quintessential college-stud and a heartbreaker – but is he, really?Who is the real Benoy?This story is about him picking up the pieces of his life as struggles to come to terms with his mother’s untimely death, and a strained relationship with his father, whom hasn’t seen much of.A big car. A big house. Does it solve anything? Why is that despite having everything, he has nothing?This book is a true story based on the author’s brother – Benoy Roy.You Were My Crush! is a constant feature on the AC Nielson-Bookscan Top 250 books and opened at the No. 3 spot.

    Nisha, the despondent café customer who keeps secrets of her own.Everyone has their own story, but what happens when these four lives are woven together?Pull up a chair in Kafe Kabir and watch them explore friendship and love, writing their own pages of life from the cosy café to the ends of the world.

    The three of them,coming from different worlds, are thrown into a fourth world called Karnataka. But it is not virgin beaches or exotic dancers that await them. They are to be welcomed by blood, riots, violent bosses and cut limbs. Will Saumya survive her job in the middle of nowhere? Will Malappa s superiority help him survive or become the cause of his downfall? Will Shubhro prove that a heart of gold can survive through marijuana smoke and beer rich blood?

    She doesn’t know how to tell her parents the truth about her marriage and return to India. But then her brother’s wedding leaves her no choice.Entrepreneur Chef Niraj (Niru) Karthik is in charge of catering for his best friend's wedding. He isn't looking forward to meeting his childhood crush—the one that got away—but he finds himself drawn to her again.Shweta has only thought of Niru as her older brother's best friend, but now she’s falling head over heels in love with him. As both try to come to terms with their true feelings, they realize that a lot more than friendship is at stake.And then, there’s Shweta’s family, mixed up in a dilemma: an overbearing father, an over-anxious mother, and three very disparate yet close siblings.Will Shweta get the love and acceptance she yearns for? Or will upholding the family honour be more important?

    After being a hard-as-nails reporter who covered crime stories of the goriest kind, Mythili is now just a ‘dependent’. On top of that, unemployment, encounters with expat-wives and culture shock leave her feeling like she has fallen down a rabbit hole. Will their love survive, or will she become just another unhappily married expatriate wife?Will this real life Alice ever embrace her Wonderland?

    She is a perplexed botch, who never thinks before she talks. Megha realises that she fancies the creative course of action involved in making ad films, rather than her current job of creating marketing strategies for products. Her ornery boss is not electrified with the idea of brand managers turning into ad conceptualizing officers, though.Megha then meets the creative head of the company, Yudhistir Joshi. Yudi seems to bring out Megha’s atrocious side. Although he’s an exceptionally good looking man, Megha and Yudi publicly fight and argue. He hates her guts and she vice-versa. Yudi apprises her to quit from the creative team every single time, however, Megha, who’s finally in a blissful atmosphere, refuses to abandon her ecstatic ship. Little does she know that their friction will give way to sparks!Concurrently, ‘Vile’ Varun, Megha’s boss, puts her down in front of his bosses at every opportunity. He claims that she is inadequate for her profile.On the other hand, there is a crowd of eligible NRI bachelors on her list of problems, as Megha’s mother decides to put her up on the marriage market.No Deadline For Love is a first person narrative by the protagonist, Megha. The book reads almost like a journal entry, and is full of icy observations. The occasional hilarious quotes lighten up the reader’s mood, and the elementary pinch in the storyline, apart from her spontaneous description of the events, are the comical nicknames given to characters.

    A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire.History knows him as the brilliant strategist Chanakya. Satisfied—and a little bored—by his success as a kingmaker, through the simple summoning of his gifted mind, he recedes into the shadows to write his Arthashastra, the ‘science of wealth’. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman.Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again? Ashwin Sanghi, the bestselling author of The Rozabal Line, brings you yet another historical spinechiller.

    However, her plans are rudely interrupted when she finds out about the man Shagun is going to marry.

    Instead of a happily-ever-after, their marriage began with Sia's manipulation and lies. However, over the course of time, they opened up to each other, each willing to work it out between them for the sake of their unborn child. And soon, it wasn't just about the baby. They had both fallen in love with each other.But their happiness didn't last long. Dark secrets and betrayal were revealed. And this time, it was Ajay's manipulation and lies that were threatening to tear them apart. With broken promises and lack of trust, will Sia and Ajay find their happily ever after? Or was their love doomed from the start?Find out in—RUTHLESS.WARNING: This book contains graphic violence and sexual content that is recommended for mature reading audiences only.

    and I am wide awake because the man of the house has decided that he needs to perform a series of complex manoeuvres that involve him balancing on his left elbow. When I fell asleep last night, there was a baby lying next to me. Her smelly diaper is still wedged on my head but aside from this rather damp clue, I can't seem to find her anywhere. I could ask my mother-in-law if she has seen the baby, but she may just tell me that I need to fast on alternate Mondays, and God will deliver the baby back to me . . . Full of wit and delicious observations, Mrs Funnybones captures the life of the modern Indian woman—a woman who organizes dinner each evening, even as she goes to work all day, who runs her own life but has to listen to her Mummyji, who worries about her weight and the state of the country. Based on Twinkle Khanna’s super-hit column, Mrs Funnybones marks the debut of one of our funniest, most original voices.

    Without him I could never have known what it is like to be Indian."—Graham GreeneOffering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief."The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune"The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life."—Amit Roy, Daily Telegraph