One is a Hungarian bastard peasant boy touched by brilliance, the other the sole heir to an Austrian aristocratic family desperately clinging to the prerogatives of noble birth. The key to their bond lies hidden in the secret of a beautiful, strangely carved violin. As their lives unfold through the most violent decades of our century, the two become companions, rivals, and, inevitably, lethal enemies.

    The magnificent city-lagoon of Venice, the rich and powerful Serene Republic, is yet to be born. Here, in this northern backwater, a group of artisans have proven themselves to be unrivalled in an art form that produces works of such astounding beauty that many consider it mystical in nature and think its practitioners possessed of otherworldly gifts: glassmaking. Presciently aware of the power they wield and the role they will play in the Venice of the future, the Venetian glassmakers inhabit a world of esoteric practices and secret knowledge that they protect at all costs. Into this world steps Edgardo D’Arduino, a cleric and a professional copyist. Edgardo’s eyesight has begun to waver—a curse for a man who makes his living copying sacred texts. But he has heard stories, perhaps legends, that in Venice, city of glassmakers, there exists a stone, the “lapides ad legendum,” that can restore one’s sight. However, finding men who have knowledge of this wondrous stone proves almost impossible. After much searching, Edgardo meets a mysterious man who offers him a deal: he will lead him to the makers of the lapides ad legendum in exchange for Edgardo’s stealing a secret Arabic scientific text that is kept in the abbey where Edgardo lodges. When a series of horrific crimes shakes the cloistered world of the glassmakers, Edgardo realizes that there is much more at stake that his faltering eyesight.

    This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes, missing him; so does Mara, his former lover, telling him about the birth of her son who may be his own. Left to clean up Michele’s mess, his family and friends complain, commiserate, tease, and grieve, struggling valiantly with the small and large calamities of their interconnected lives.Natalia Ginzburg’s most beloved book in Italy and one of her finest achievements, Happiness, as Such is an original, wise, raw, comic novel that cuts to the bone.

    is on the verge of just about everything and consumed by a restless, unanswered longing that rebels against jumping through the hoops of school. Staring down the tunnel to a mundane adulthood, he is appalled by the banality and overwhelming predictability of it all: teachers, parents, and above all his classmates - the seething masses of dutiful zombies and sistren of the Evervirgin Sorority. A bicycle bandit with a DeNiro smile, Alex sports a homemade buzzcut, ditches school to drink and trade stories with his posse of delinquents and rogues, and chases away the blues by assailing his eardrums with the Clash. He shares a brief friendship with the privileged, semi-degenerate Martino, who seems to have mastered the devil-may-care stance Alex covets - until he's busted for drugs. And then comes the sudden entrance of Aidi, who seems to instantly understand, complement, and challenge him. A hundred letters and conversations later, she is magnificent, amazing, irreplaceable ... and leaving for a year in America at the end of the summer.

    Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters—the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister “Unnamed”—in their struggle to be reunited. A vigorous portrayal of enduring passion, The Betrothed‘s exploration of love, power, and faith presents a whirling panorama of seventeenth-century Italian life and is one of the greatest European historical novels.“The 19th-century Italian literary classic renowned for its vivid descriptions of the 1630 pestilence that gutted Milan.” —The New York Times“Compulsory reading for Italian high school students, The Betrothed gives a historically accurate account of the bubonic plague that wiped out a quarter of Milan’s population in 1629-1631.” —Politico“This is not just a book; it offers consolation to the whole of humanity.” —Giuseppe Verdi

    While there, Levi reflected on the harsh landscape and its inhabitants, peasants who lived the same lives their ancestors had, constantly fearing black magic and the near presence of death. In so doing, Levi offered a starkly beautiful and moving account of a place and a people living outside the boundaries of progress and time.

    But when he takes the advice of an Egyptian mystic and hires servants to chant his name over and over again, he seems to not only get better, but younger.Except then a terrorist group lays siege to his island villa, his team of bank managers has to be bussed in to help with the ransom negotiations, and a media spectacle breaks out . . .A hilarious and strangely moving tale that seems ripped from the headlines—although actually written during the time the Red Brigades were terrorizing Italy—Gianni Rodari’s Lamberto, Lamberto, Lamberto has become one of Italy’s most beloved fables. Never before translated into English, the novel is a reminder, as Rodari writes, that “there are things that only happen in fairytales.”

    Driven by an insatiable desire to rise above his station and fueled by a nobility that scorns him, Vincenzo sacrifices family and love to transform his tiny spice shop into a trading empire. The name, Florio, soon instills fear and respect. The men of the family are stubborn, arrogant, philanderers and slaves to passions. Paolo shrewdly fights his way out of an earthquake-striken Bagnara to start anew in Sicily. Ignazio II rejects his one true love to fulfill his destiny as the head of a trading empire. Not to be outdone by the men, the Florio women unapologetically demand their place outside the restraints of caring mothers, alluring mistresses, or wounded wives. Giula, though only a mistress, is fiercely intelligent and wins over politicians and businessmen alike. Angelina, born a bastard, charts her own future against the wishes of her father.In this epic yet intimate tale of power, passion, and revenge, the rise and fall of a family taps into the universal desire to become more than who we are born as.

    “The quirkiness and grace of the writing, the originality of the imagination at work,...and a certain lovable nuttiness make this collection well worth reading” (Margaret Atwood). Translated by William Weaver, Peggy Wright, and Archibald Colquhoun. A Helen and Kurt Wolff Book

    Please don’t let it be the boy, Colomba thought. Her silent prayer didn’t go unanswered. The corpse belonged to the mother.'THE ONLY ONE WHO CAN STOP HIM IS THE ONE WHO GOT AWAY...Dante Torre spent eleven young years in captivity - held by a man known only as The Father - before outwitting his abductor. Now working for the police force, Torre's methods are unorthodox but his brilliance is clear. When a young child goes missing in similar circumstances in Rome, Torre must confront the demons of his past to attempt to solve the case.Paired with Deputy Captain Colomba Caselli, a fierce, warrior-like detective still reeling from having survived a bloody catastrophe, all evidence suggests The Father is active after being dormant for decades, and that he’s looking forward to a reunion with Dante...

    Alice and Mattia, both "primes," are misfits who seem destined to be alone. Haunted by childhood tragedies that mark their lives, they cannot reach out to anyone else. When Alice and Mattia meet as teenagers, they recognize in each other a kindred, damaged spirit. But the mathematically gifted Mattia accepts a research position that takes him thousands of miles away, and the two are forced to separate. Then a chance occurrence reunites them and forces a lifetime of concealed emotion to the surface. Like Mark Haddon's The Curious Incident of the Dog in the Night-Time, this is a stunning meditation on loneliness, love, and the weight of childhood experience that is set to become a universal classic.

    Originally published in Italy, "Follow Your Heart" won the coveted Premio Donna Citta di Roma and sold over 800,000 copies in that country alone before hitting bestseller lists throughout the rest of Europe. Now North American readers can enjoy the novel that has won over the world.It begins in late autumn 1992 as an elderly Italian woman, prompted by the knowledge of her encroaching death, sits down to write a letter to her granddaughter now grown and living in far-off America. Through these moving reflections, we see one life laid bare--joys, sorrows, regrets, and all. And through the eyes of a woman nearing the end of her days, we come to understand what life experience has taught her: that no matter what the stakes, we must look within ourselves and gather the courage to follow our hearts.

    The Doge rules with an iron fist and the Holy Office harbors suspicions about everything and everyone. Even the walls have eyes. The Republic of Venice watches and listens, then passes judgment swiftly and definitively.In a city where everyone is assumed guilty of something, a young stonemason by the name of Michele has been accused of a crime he didn’t commit. Afraid for his life, he flees the city aboard a galley carrying gold coin, leaving behind his young wife, Bianca. Banished from his home, Michele embarks on a series of extraordinary adventures as the ship he travels on stops in every port and on every island of the Mediterranean. In order to survive this once naïve and immature boy must fast become a man, one possessed of cunning, courage and fortitude.Bianca remains alone in the cruel and treacherous Venice. She faces challenges that are, if anything, even more difficult than those of Michele, and will encounter all the terrors and mysteries that the labyrinthine city holds in its blind alleys and narrow passageways. And she, like Michele, will discover in herself a tenacious and indestructible will to survive.Land and sea, East and West, the arrogance of power and the indestructible pride of the poor and dispossessed. Two lives and one all embracing love. As richly imagined as Orhan Pamuk’s The White Castle, The Eyes of Venice is a grand and gripping tale of love and adventure that will also appeal to fans of the historical novels of Umberto Eco and Susan Dunant.

    In 1982, all of Italy was joyous, having just won the World Cup after a decades-long championship drought, while in Rome hard-drinking Commissario Michele Balistreri was a brash cop investigating the murder of beautiful young Elisa Sordi. Despite the Commissario’s brash style, or perhaps because of his arrogance, the murderer is never found. As the years pass, the file goes cold and Balistreri grows wiser, if perhaps a little more damaged and a little less fearless, consumed by the guilt of having left Sordi’s murder unsolved. In 2006, Italy is once again on the brink of a World Cup victory and Balistreri is losing the battle against his personal demons when Sordi’s mother suddenly commits suicide. Emerging from a haze of antidepressants and self-pity, Balistreri is spurred to action and picks up the case again, sure that Elisa’s killer is still out there, simply awaiting his next opportunity to strike.

    There she witnessed the full impact of the war and first formed the ambition to write an account of what history - the great political events driven by men of power, wealth, and ambition - does when it reaches the realm of ordinary people struggling for life and bread. The central character in this powerful and unforgiving novel is Ida Mancuso, a schoolteacher whose husband has died and whose feckless teenage son treats the war as his playground. A German soldier on his way to North Africa rapes her, falls in love with her, and leaves her pregnant with a boy whose survival becomes Ida's passion. Around these two other characters come and go, each caught up by the war which is like a river in flood. We catch glimpses of bombing raids, street crimes, a cattle car from which human cries emerge, an Italian soldier succumbing to frostbite on the Russian front, the dumb endurance of peasants who have lived their whole lives with nothing and now must get by with less than nothing.